It works because there is something oddly compelling about watching legendary heavy metal, hard rock tough guys go to therapy and talk about their feelings.
Metallica: Some Kind of Monster (2004)
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Reviews Counted:117
Fresh:102
Rotten:15
Average Rating:7.5/10
Consensus: Fascinating behind-the-scenes look at how Metallica survives one of their more turbulent periods.
Theatrical Release:Jul 9, 2004 Limited
Box Office: $964,464
Synopsis: "This is not a film about Metallica – it's a film about relationships." - Drummer Lars Ulrich, to Rolling Stone Three years in the making, this new film from acclaimed documentary filmmakers... "This is not a film about Metallica – it's a film about relationships." - Drummer Lars Ulrich, to Rolling Stone Three years in the making, this new film from acclaimed documentary filmmakers Joe Berlinger and Bruce Sinofsky (the team that created BROTHER'S KEEPER and PARADISE LOST) provides a fascinating, in-depth portrait of the most successful heavy metal band of all time, as they faced monumental personal and professional challenges while recording their first studio album of original songs in five years. In the tradition of such seminal music documentaries as DON'T LOOK BACK and GIMME SHELTER, METALLICA: SOME KIND OF MONSTER seeks to transcend the conventions of the "rock ‘n' roll movie" genre, trading rock-star posing for truthful introspection, and revealing an intimate portrait of the individuals behind a legendary band and their unique creative journey. As filming began, Metallica unexpectedly split with their long-time bassist Jason Newsted. Relations between the longtime band-mates were at an all-time low, and since Metallica hadn't toured or released an album for several years, fans and the music press were questioning Metallica's future. Creatively and personally at odds, yet under pressure to begin recording their new album St. Anger, the band's management suggested they start group therapy as a last-ditch effort to keep the splintering group from unraveling. As therapy continued, the band confronted the notion that despite their many years together, they barely knew each other at all. For lead singer (and father of three) James Hetfield, the therapy sessions unexpectedly prompted him to enter rehab, leaving the band's future as well as the completion of the album in doubt for nearly a year. With extraordinary, revealing intimacy, Berlinger and Sinofsky filmed this process of discovery as the band members were forced to confront their personal demons, their relationships to one other, and the ever-changing recording industry. Through the filmmakers' remarkable behind-the-scenes perspective, the viewer is privy to the band's reinvention of their creative process, as well their struggles to balance their personal lives with the demands of sustaining the multi-million dollar business they've spent twenty years building. The film follows Metallica's musical transformation as James relinquishes sole control of the lyricwriting process and the band embarks on bold new studio experiments. We see James' struggles to push himself beyond being the front-man of rock's hardest partying band (often called "Alcoholica" by fans and the rock press). Will he be able to go back on the road clean and sober? We are with the band as the album takes shape against the backdrop of a tumultuous two years: from drummer Lars Ulrich's public crusade against Napster to a newly-sober Hetfield rediscovering his music without the crutch of his addictions; from the departure of bassist Jason Newsted to their effort to find the right replacement to make their band whole again; from a group on the verge of extinction to a thriving, heavy band with a new number one album and a sold-out world tour. As with many great non-fiction journeys, METALLICA: SOME KIND OF MONSTER subverted the expectations of everyone involved in its creation. What began as the documenting of the making of an album became an unexpected voyage into the complexities of human relationships, and the power of the creative process to exact emotional tolls and ultimately, to heal the soul. -- © IFC Films [More]
Starring: Metallica
Starring: Metallica
Director: Joe Berlinger, Bruce Sinofsky
Director: Joe Berlinger, Bruce Sinofsky
Producer: Bruce Sinofsky
Studio: IFC Films
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Reviews for Metallica: Some Kind of Monster
Carefully structured from 1600 hours of film, yet still an impressive insight into Metallica's world.
Berlinger and Sinofsky manipulate almost two years of raw footage into one coherent, riveting and educational piece.
...a riveting fly-on-the-wall look at a dysfunctional family behaving badly during its darkest hours. (And it only feels like a sequel to Spinal Tap 30 % of the time.)
has a pretty similar trajectory to Sam Jones's wonderful "I Am Trying to Break Your Heart," but Jones is to Berlinger & Sinofsky as Edward G. Ulmer is to Alfred Hitchcock
This extraordinary film deserves mention alongside such great rock movies as Gimme Shelter and Stop Making Sense.
A memorable tragic-comedy that produces its share of laughs in between the very real tears of rage and frustration.
The polar opposite of a puff piece. It's raw and sometimes ugly, but strives for honesty and intensity -- kind of like Metallica's own music.
By the time the film is over, you'll have witnessed a curious creative process, seeing not just an album made but a group of people redefined.
Uncompromising but never hateful, Some Kind of Monster is a very good movie and, within its own surprising logic, ultimately a victorious one for Metallica.
Poignantly honest and brave, and fascinating even for those of us unfamiliar with Metallica's music.
Berlinger and Sinofsky manage something remarkable: They connect us to the actual people who comprise Metallica, the former working- and middle-class California kids who have now spent half their lives rich and famous.
Now that they're past 40 with families of their own, Hetfield and Ulrich finally face their demons. Watching them do so is fascinating, funny and more than a little relatable to anyone finding himself unexpectedly (can it be?) middle-aged.
It's the fly-on-the-wall aspect of seeing these heavy-metal kingpins express intimate emotions that will have people -- or at the very least, metalheads -- flocking to movie theatres.
It's less rockumentary and more exploration of, and meditation on long-term relationships, creativity and maturity, the value of the 'talking cure' and the quest for personal authenticity in a matrix of family demands, peer pressure and corporate greed.
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