George Clooney does something unusual in Michael Clayton. He looks uncomfortable.
Michael Clayton (2007)
Tomatometer
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Reviews Counted:189
Fresh:170
Rotten:19
Average Rating:7.6/10
Consensus: Michael Clayton is one of the most sharply scripted films of 2007, with an engrossing premise and faultless acting. Director Tony Gilroy succeeds not only in capturing the audience's attention, but holding it until the credits roll.
Runtime: 2 hrs
Genre: Law/Lawyers, Thriller, Mental Illness, Divorce, Theatrical Release
Theatrical Release:Oct 12, 2007 Wide
Box Office: $48,976,323
Synopsis: Michael Clayton (George Clooney) is what is known in the legal world as a "fixer," or in the character's own pejorative version, a "janitor" who cleans up legal messes for VIPs and corporations on... Michael Clayton (George Clooney) is what is known in the legal world as a "fixer," or in the character's own pejorative version, a "janitor" who cleans up legal messes for VIPs and corporations on behalf of a prestigious New York City law firm. A former litigator, Clayton has found a niche that capitalizes on his legal acumen and shrewd people skills, and yet, after 13 years on the job, finds himself increasingly disgusted with his clientele. The film covers four pivotal days of his life, in which a midlife crisis and a crisis of conscience neatly converge when he is called in to "fix" a situation unfolding in one of his firm's hottest cases. Brilliant lawyer Arthur Edens (another powerhouse performance by Tom Wilkinson), representing a huge agro-chemical corporation being hit by a class action suit, has a bipolar breakdown, compounded by guilt over his defense of a company that is probably in the wrong, but is wealthy enough to buy its innocence either way. The company's CEO (Tilda Swinton) will stop at nothing to keep Edens from sinking the case. Clayton must decide how much of Edens's mad rebellion against the company is sheer mental illness, how much is true, and how much it will cost him to do the right thing. Clooney delivers a rich performance as a hangdog and haunted man who wants to stay on the side of good, but is a little too skilled at moral margin-walking to make that an easy choice in every situation. Swinton glows as a secretly frail Amazon who somehow won't let a tortured conscience prevent her from getting ahead. The final third of the film is as suspenseful as any courtroom drama, without ever resorting to legal-thriller cliches. [More]
Starring: George Clooney, Tom Wilkinson, Tilda Swinton, Sydney Pollack
Starring: George Clooney, Tom Wilkinson, Tilda Swinton, Sydney Pollack
Director: Tony Gilroy
Director: Tony Gilroy
Screenwriter: Tony Gilroy
Producer: Sydney Pollack, Jennifer Fox, Steve Samuels, Kerry Orent
Composer: James Newton Howard
Studio: Warner Bros.
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Reviews for Michael Clayton
Instead of the typical John Grisham-style connect-the-dots legal thriller, we get a film that's idiosyncratic, with a time-shifting structure, a surfeit of subplots and characters.
Dark in color, mood and outraged worldview, Michael Clayton is a film that speaks to the way we live now.
Michael Clayton is the adult antidote to a torrent of monotonous gobbledygook devoid of poignant messaging.
A taut, exciting and thoughtful legal thriller that is so smartly conceived and executed that to merely call it a "legal thriller" almost sounds demeaning.
[Gilroy] shows that it's interesting to see how much suspense can be generated when one decides to do the right thing, simply because the forces at large will do everything they can to prevent it.
Despite an exceptional performance by Clooney, Michael Clayton is like watching a drawn-out third act that left the really compelling stuff back in the first two.
Tony Gilroy's Michael Clayton feels so fresh, so smart, so different from the standard-issue legal thriller that it isn't until nearly an hour in that you notice how conventional a movie it actually is.
Though the film ultimately bows to the smiley-face demands of the New Millennium box office, it manages to be a spellbinding action-drama, skillfully built upon a scary corporate conspiracy, chock-full of enjoyable downbeat performances.
With the George Clooney-starring Michael Clayton, [Tony Gilroy] has not only saved his best script for himself, he's also turned out a smart and suspenseful legal thriller that comes completely alive on-screen.
Without [Clooney], and without some fine playing from Wilkinson and from Sydney Pollack as the firm's lead partner, Michael Clayton would be glossy claptrap.
A poignant and powerful thriller about corporate malfeasance that reveals what it is like to face life-shattering moments.
The filmmaker, best known as the scribe of the Bourne trilogy, wears both director and writer hats here, and the results are electrifying.
This uncommonly intelligent thriller evokes the great films of the 1970s (All the President's Men, Klute, Three Days of the Condor) that managed to elicit gritty urban realism while maintaining a suave sense of style and moral complexity.
It's such a skilled job of directing and writing that the pages and pages of technical talk and lists of names and numbers all sound like actual dialogue.
It’s one of the most satisfying films of the year, recalling a classy breed of studio film more common in the 1970s and the early ’80s.
It's invigorating and impressive on a formal level, but ultimately wearying.
Brilliantly precise in its deconstruction of dirty work and dirtier secrets, and a surprisingly subtle story of people who often can't tell if they're talking to a friend or an enemy.
Latest News for Michael Clayton
May 11, 2009:
RT Interview: Tilda Swinton on Julia
One of the most diverse and celebrated talents of her generation, the directors on Tilda Swinton's CV represent a veritable who's who of independent cinema and include David... More...
May 27, 2008:
Sydney Pollack: A Retrospective
With two Oscar wins and plenty more nominations under his belt, Sydney Pollack was a filmmaker that Hollywood admired. He was also a proven actor's director whose fruitful... More...
May 26, 2008:
Sydney Pollack dies aged 73
Academy Award-winning director, producer and actor, Sydney Pollack, dies aged 73. More...
April 11, 2008:
Script Review: Tony Gilroy's Duplicity ![]()
Tony Gilroy's follow-up to Michael Clayton -- the Clive Owen/Julia Roberts-led Duplicity -- is filming now, and Latino Review is offering a review of the script. More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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