Opening

43% The Great Gatsby May 10
35% Peeples May 10
96% Stories We Tell May 10
83% The Painting May 10
—— Assault On Wall Street May 10
43% Aftershock May 10
85% Sightseers May 10
25% No One Lives May 10

Top Box Office

77% Iron Man 3 $174.1M
46% Pain & Gain $7.5M
77% 42 $6.1M
56% Oblivion $5.6M
69% The Croods $4.2M
8% The Big Wedding $3.9M
98% Mud $2.2M
60% Oz the Great and Powerful $2.1M
4% Scary Movie 5 $1.4M
81% The Place Beyond The Pines $1.3M

Coming Soon

90% Star Trek Into Darkness May 16
29% Erased May 17
100% Frances Ha May 17
—— The English Teacher May 17

Mighty Fine Reviews

Page 1 of 1
Christine N. Ziemba
Paste Magazine

We're left with something akin to a Lifetime movie, as there are a number of interesting possibilities, which could have added complexity and depth to the film, that are never fleshed out.

Full Review Source: Paste Magazine | Original Score: 4/10

May 25, 2012
Andrew Schenker
Slant Magazine

Debbie Goodstein-Rosenfeld's film seems oddly anemic when it deals with anyone but Chazz Palminteri's Joe.

Full Review Source: Slant Magazine | Original Score: 1.5/4

May 21, 2012
Nick Schager
Village Voice
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The mood is generally melodramatic and ends as mushy, aided by the soft-focus cinematography that drenches it all in melancholic nostalgia.

Full Review Source: Village Voice

May 22, 2012
Joe Neumaier
New York Daily News
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Director Debbie Goodstein-Rosenfeld wraps so much narrative string around this slight ball it unravels messily, despite nice work from the reliable Palminteri.

Full Review Source: New York Daily News | Original Score: 2/5

May 24, 2012
Justin Lowe
Hollywood Reporter
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Even a clever title can't galvanize this lightweight family drama.

Full Review Source: Hollywood Reporter

March 22, 2012
Brent Simon
Shared Darkness

A somewhat drab and unimaginative telling further dents this dull melodrama of already rather limited psychological insights, and pat conclusions and catharses.

Full Review Source: Shared Darkness | Original Score: D+

July 29, 2012
John Anderson
Newsday
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A well-meaning but unstable hand at the tiller, and a propensity for charting plot points, rather than a clear narrative destination.

Full Review Source: Newsday | Original Score: 2/4

June 29, 2012
Mark Feeney
Boston Globe
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Too many directions can be as much of a liability for a movie as too few, and "Mighty Fine" heads in all of them.

Full Review Source: Boston Globe | Original Score: 2/4

May 24, 2012
Keith Uhlich
Time Out New York
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Its most distinctive aspect, unfortunately, is the hilarious sight of MacDowell struggling to speak German-accented English.

Full Review Source: Time Out New York | Original Score: 2/5

May 22, 2012
Gary Goldstein
Los Angeles Times
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"Mighty Fine," unfortunately, isn't.

Full Review Source: Los Angeles Times | Original Score: 2/5

May 24, 2012
Bill Goodykoontz
Arizona Republic
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Hard to imagine how a movie can manage to be so underdeveloped yet so depressing at the same time, but "Mighty Fine" manages to pull it off.

Full Review Source: Arizona Republic | Original Score: 2/5

May 24, 2012
David Noh
Film Journal International

Mighty bad.

Full Review Source: Film Journal International

May 24, 2012
Kyle Smith
New York Post
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If you can overlook Andie MacDowell's Mitteleuropa accent as a Jewish Holocaust survivor (I know: big if), the cinematic roman a clef "Mighty Fine" has some quiet charms.

Full Review Source: New York Post | Original Score: 2.5/4

May 25, 2012
Stephen Holden
New York Times
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Mighty Fine is an incisive portrait of an insecure, manic-depressive tyrant that Mr. Palminteri makes entirely believable.

Full Review Source: New York Times | Original Score: 3/5

May 24, 2012
Harvey S. Karten
Compuserve

A semi-autobiographical story of a man's over-reaching, which leads him to consider violent options in dealing with himself and his family.

Full Review Source: Compuserve | Original Score: B

May 9, 2012
Brent Simon
Shockya.com
January 22, 2013
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