The Milk of Sorrow (La Teta Asustada) (2010)
Critic Consensus: Claudia Llosa's deliberate pace and abstract storytelling may frustrate some viewers, but there's no denying the visual pleasures soaking in The Milk of Sorrow.
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Critic Reviews for The Milk of Sorrow (La Teta Asustada)
The metaphors are so crystal-clear and the story unfolds at such a deliberate, often infuriatingly slow pace that the impact of the drama is muted.
Claudia Llosa, the director and co-writer, favors wide shots and long takes, which lend an air of realism to the beautifully shot allegory.
The Milk Of Sorrow is about a country dealing with old wounds and old divisions, and it's about how sometimes it can be easier to cling to pain than to move past it.
Trauma is buried and rarely alluded to in this quiet slice of magical realism -- but there's no denying the pain when it comes.
The movie, which won the Golden Bear at the 2009 Berlin Film Festival, is littered with unforgettable images of incongruity, destruction, and, finally, healing.
Audience Reviews for The Milk of Sorrow (La Teta Asustada)
A poignant allegorical drama centered on the belief that the trauma experienced by the many women raped during the years of terrorism in Peru has been passed on to the following generations, and it relies on a beautiful performance by Magaly Solier.
A Peruvian girl believes that her raped mother's sorrow was transferred to her through breast milk. That intriguing premise is somewhat wasted in a slow and drawn out tale of the girl trying to raise money to bury her mother's corpse in her native village; it's most interesting for its peek at Peruvian folk beliefs and customs, including an unusual use for potatoes.
The Milk Of Sorrow develops a complex story of abuse and recovery inspired by the events in Peruvian history circa 1980 to 1992 with aesthetic and metaphorical dimensions. Poetic writing, lush photography and a telling cinematography of rich local Peruvian colors.
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