A hypnotic, provocative film.
Millennium Mambo (2003)
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Reviews Counted:30
Fresh:24
Rotten:6
Average Rating:7.1/10
Theatrical Release:Dec 31, 2003 Limited
Synopsis: Winner of the Grand Prix Technique at the 2001 Cannes Film Festival, Hou Hsiao Hsien's MILLENNIUM MAMBO is a strikingly beautiful film set in Taipei's hot nightclub scene. The remarkable Shu Qi... Winner of the Grand Prix Technique at the 2001 Cannes Film Festival, Hou Hsiao Hsien's MILLENNIUM MAMBO is a strikingly beautiful film set in Taipei's hot nightclub scene. The remarkable Shu Qi stars as Vicky, a lost soul who hangs out partying with her friends, smoking nonstop, and dancing and flirting. She lives with Hao-Hao (Tuan Chun-hao), but he doesn't seem to excite her anymore, so she starts seeing an older gangster, Jack (Jack Kao), although the depth of the relationship is left purposely ambiguous. Although Vicky wants to be a free spirit, she is battling demons that cast dark shadows over her somewhat meaningless existence. One of the world's greatest filmmakers, Hou Hsiao Hsien (FLOWERS OF SHANGHAI, THE PUPPETMASTER) has made a daring film that, despite lacking a central plot or mainstream linear narrative, is absolutely mesmerizing; Mark Lee Ping-Bing's cinematography is stunning, using a neon palette to create a mysterious aura over the entire movie. The thumping techno soundtrack adds to the overall feeling of ennui. But this is Shu Qi's film all the way; it's impossible for viewers to take their eyes off her as she wanders in slow motion across a walkway or pushes her face gently into the snow. Hsiao Hsien envisions MILLENNIUM MAMBO as the first part of a trilogy examining modern Chinese culture. [More]
Starring: Shu Qi, Jack Kao, Tuan Chun-Hao, Takeuchi Jun
Starring: Shu Qi, Jack Kao, Tuan Chun-Hao, Takeuchi Jun, Niu Chen-er, Kao Kuo-guang, Chen Yi-hsuan, Jenny Tseng
Director: Hou Hsiao Hsien
Director: Hou Hsiao Hsien
Screenwriter: Chu Tien-Wen
Composer: Lim Giong, Yoshihiro Hanno
Studio: Palm Pictures
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Reviews for Millennium Mambo
It's not only a masterpiece, but also Hou's most accessible film to date.
A precise versification ruled by the unbearable beauty of youth at its terminus and decisions for a lifetime made at the trembling moment of crisis.
We get far too few opportunities in the U.S. to see Hou's gorgeous films on the big screen. If this one comes to your town, don't pass it up.
Appreciative of Vicky's problems, Hou still doesn't appear to understand her character.
Not much happens on the surface of Hou Hsiao Hsien's latest film, a black-lit, Taipei nocturne shot in velvety tones of purple and black by ace cinematographer Mark Lee Ping-bing. Nevertheless, it can break your heart.
The film is an ethereal, opiate-induced chronicle of a young girl (a flower of Shanghai if you will) whose life is preciously unexamined.
Unlike most coming of age films, it is wise enough to realize that there isn’t some magical epiphany in which a character instantly moves from childhood to adulthood.
There is artistry and a fabulous ambiguity coursing through Hou's meditative film.
A disappointing follow-up to the sublime Flowers of Shanghai and minor work in the oeuvre of one of the world's best filmmakers. Even so, this rambling story of a young woman (new star Shu Qi) torn between two loves is visually impressive.
A slow burn of profound sadness salved by some of Hou's most breath-catchingly beautiful passages to date.
Hou Hsiao-hsien's latest movie has a much quicker pulse than several of his other recent films, but it is not nearly as rich or resonant as his other work.
Recalls the unease that crept over the world's youth back at the turn of the last century.
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