Opening

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Top Box Office

89% Captain America: The Winter Soldier $41.3M
48% Rio 2 $39.3M
71% Oculus $12.0M
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40% Divergent $7.4M
13% God's Not Dead $5.5M
92% The Grand Budapest Hotel $4.1M
79% Muppets Most Wanted $2.3M
78% Mr. Peabody & Sherman $1.9M

Coming Soon

44% The Other Woman Apr 25
—— Brick Mansions Apr 25
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Certified Fresh TV

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96% Silicon Valley: Season 1

Minority Report Reviews

Page 1 of 12
Joe Morgenstern
Wall Street Journal
Top Critic IconTop Critic

Though his movie wraps challenging ideas and ingenious visual conceits in a futurist film-noir style, it's pretentious, didactic and intentionally but mercilessly bleak.

Full Review Source: Wall Street Journal

August 5, 2013
Joshua Tyler
CinemaBlend.com

Minority Report is exactly what the title indicates, a report.

Full Review Source: CinemaBlend.com

August 12, 2002
Geoff Andrew
Time Out
Top Critic IconTop Critic

The fashionably fussy, funky veneer may convince some that the film's serious, but it's finally another chase pic, murky in detail, muddled in ideology and strangely predictable in dramatic thrust.

Full Review Source: Time Out

June 24, 2006
Jeremy Heilman
MovieMartyr.com

Minority Report aspires to more than mere mindlessness, but fails miserably, and as a result crystallizes nearly everything that I dislike about Spielberg's films.

Full Review Source: MovieMartyr.com | Original Score: 1.5/4

June 21, 2002
Chuck Rudolph
Matinee Magazine

Spielberg's most unpleasant and derivative film, a nasty, tired, predictable affair that makes Hook look comparable to Schindler's List.

| Original Score: 0/5

July 25, 2002
Dustin Putman
DustinPutman.com

Cold, unmoving, and desperately in need of a beating heart and a soaring soul, Minority Report is one of the most depressing disappointments of the year.

Full Review Source: DustinPutman.com | Original Score: 2/4

June 22, 2002
Mark Robison
Reno Gazette-Journal

The action is fun, but the more you think about it, the slighter it feels and the more holes show.

Full Review | Original Score: B-

January 15, 2003
Luanne Brown
Chico Enterprise-Record

The two main women in this film make the Pre-Crime Unit possible, but don't benefit themselves. Guess the future isn't that much different. The guys are still having all the fun, while the girls either make that possible or sit by and watch.

Full Review Source: Chico Enterprise-Record

June 21, 2002
Nathaniel Rogers
CineScene.com

Spielberg is like a father who tells his kids scary bedtime stories but can't bear it if they have nightmares.

Full Review Source: CineScene.com

June 23, 2002
Frank Swietek
One Guy's Opinion

Although...visually striking and slickly staged, it's also cold,grey, antiseptic and emotionally desiccated.

Full Review Source: One Guy's Opinion | Original Score: C+

June 19, 2002
Walter Chaw
Film Freak Central

Only the latest Spielberg film to work best as an analogy for his middle-late career.

| Original Score: 2/4

June 20, 2002
Rick Groen
Globe and Mail
Top Critic IconTop Critic

Minority Report is more humdrum than horrible. It isn't futuristic film noir; it's just everyday film beige.

Full Review Source: Globe and Mail | Original Score: 2.5/4

June 21, 2002
Susan Stark
Detroit News
Top Critic IconTop Critic

Cold and scattered, Minority Report commands interest almost solely as an exercise in gorgeous visuals. That's not vintage Spielberg and that, finally, is minimally satisfying.

Full Review Source: Detroit News | Original Score: 1/4

June 21, 2002
Frank Lovece
TV Guide's Movie Guide

As with A.I., Spielberg's admirable intent is to create a prescient, serious science-fiction movie. But neither A.I. nor this film comes close.

Full Review Source: TV Guide's Movie Guide | Original Score: 2/5

June 21, 2002
Rex Reed
New York Observer
Top Critic IconTop Critic

Shallow, noisy and pretentious.

Full Review Source: New York Observer

July 2, 2002
Andrew Sarris
New York Observer
Top Critic IconTop Critic

My own minority report is that it stinks.

Full Review Source: New York Observer

July 11, 2002
Matt Easterbrook
Matt's Movie Reviews

Spielberg apparently can't resist throwing in a cheerful, make-em-weep ending, which pretty much ruins the movie.

| Original Score: 3/5

January 9, 2003
Andrew Manning
Radio Free Entertainment

Visually stunning and imaginative, this otherwise generic cop drama totally drops the ball when it comes to its most interesting and unique aspects of free will vs. pre-determination.

Full Review Source: Radio Free Entertainment | Original Score: 6.5/10

January 13, 2003
Amy Taubin
City Pages, Minneapolis/St. Paul

Lacking a consistent view of his source material, Spielberg pulls out all the stops by attempting to roll three wildly different genres -- action-adventure, psychological thriller, and futuristic tone poem -- into one film.

Full Review Source: City Pages, Minneapolis/St. Paul

May 19, 2004
Stuart Klawans
The Nation

The movie's ponderousness is relieved only by Samantha Morton's uncanny portrayal of the psychic Agatha and by Lois Smith's turn as Dr. Hineman...

Full Review Source: The Nation

March 3, 2005
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