Lee is a filmmaker who, through talent, accomplishment, and a constant working of the refs in the Hollywood system, has earned autonomy over his films. I'm all for artistic freedom, but here he could have used a bit of oversight.
Miracle at St. Anna (2008)
Tomatometer
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Reviews Counted:31
Fresh:8
Rotten:23
Average Rating:4.8/10
Consensus: Miracle at St. Anna is a well-intentioned but overlong, disjointed affair that hits few of the right notes.
Theatrical Release:Sep 26, 2008 Wide
Box Office: $7,756,328
Synopsis: All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most... All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most subtle director, Lee has consistently challenged both his audience and himself. His step into genre filmmaking with 2006's INSIDE MAN was a delightful surprise, and though he continues down this road somewhat with the World War II film MIRACLE AT ST. ANNA, he also returns with force to the realm of the big idea. The first film ever to tell the story of the Army's all African-American Buffalo Soldier unit, MIRACLE AT ST. ANNA is inherently an important film. Yet rather than allow it to stand on its own as simply a war picture starring African-American actors, Lee takes on myriad social and historical discussions. Based on the novel of the same name by James McBride (who also wrote the script), the movie follows four soldiers as they take refuge in an Italian village after being cut off from their platoon. There are various supernatural elements to the film, the most pronounced of which is a mysterious statue head that one soldier acquires and refuses to part with. There's also a framing device involving a murder nearly 40 years after the conclusion of the war; add to that a subplot involving the Italian resistance movement, and it's easy to get a bit lost in this Byzantine tale. Still, Lee is never anything less than passionate about his subjects, and with MIRACLE AT ST. ANNA he brings that fire to a story that took decades to come to the big screen. Perhaps not the most definitive "Spike Lee Joint," MIRACLE remains a noteworthy film in the canon of one of America's most important filmmakers. [More]
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, Matteo Sciabordi, John Leguizamo, Joseph Gordon-Levitt, Pierfrancesco Favino, Valentina Cervi
Director: Spike Lee
Director: Spike Lee
Screenwriter: James McBride
Producer: Spike Lee, Roberto Cicutto, Luigi Musini
Composer: Terence Blanchard
Studio: Touchstone Pictures
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Reviews for Miracle at St. Anna
It’s impressive that a filmmaker of Lee’s distinction is willing to continue to push boundaries.
Given the importance of that subject, the real mystery of Mr. Lee's movie is why it's so diffuse, dispirited, emotionally distanced and dramatically inert.
Overwrought, overproduced, overbusy and overlong, Miracle at St. Anna finally suffers from the worst filmmaking sin of all: the failure of trust, in the story and the audience.
[Lee] resorts to many of the same hoary clichés and fantasy situations he so frequently condemns.
The impulse here is to say something about the nobility of this movie's intent or to note that Spike Lee is one of our best filmmakers. But the first and most honest thing to say about Miracle at St. Anna is that it's an awful mess.
Ultimately, the film falters -- due to its length, some unconvincing European characters and too many turns that depend on sudden supernatural intervention.
The sad thing is, there's a perfectly fine, Sam Fulle-rish, 90-minute war movie on a worthy subject trapped somewhere in the self-indulgences of Miracle at St. Anna.
Lee takes nearly three hours to tell this sad tale, but he never makes the most of the opportunity.
Miracle is far from the sensitive racial politics Lee is capable of delivering, but darned if it isn't rousing good fun.
Pedestrian and awkward, this film is a disappointment not only in comparison with Lee's earlier epic, the underrated Malcolm X, but also in comparison with another film with similar aims, Rachid Bouchareb's Days of Glory.
Though it runs for roughly two hours and 40 minutes, there's nothing particularly epic about Spike Lee's version of the war.
The movie undeniably has its powerful moments, but it runs a crooked, crazy race moving from one to another, leaving the viewer both exhausted and frustrated.
Lee brings a maturing sensibility and a talent for ensemble performance to a tale that is loving, angry and profoundly American.
Along the way, Mr. Lee has some gripping moments. But for every striking irony, there is a hammer-handed scene driving the same point into self-parody.
Malcolm X (1992) proved that Lee could rise to the challenge of a sweeping historical epic, but this 160-minute drama is overblown and unconvincing, the director's bright, poppy style clashing with the grim subject matter.
Setting the record straight after so many years and so many movies is not necessarily a simple undertaking, and this film sometimes stumbles under its heavy, self-imposed burden of historical significance.
This movie is too many things without one of those things ever breaking your heart or boiling your blood.
Miracle at St. Anna aspires to be epic, but mostly it's just unfocused, sprawling and badly in need of editing.
Some themes are familiar, others freshly provocative. But nearly all get scattered as screenwriter James McBride lets the story drift off in six directions at once.
Latest News for Miracle at St. Anna
February 09, 2009:
RT on DVD: Oliver's W, Spike's St. Anna, and My Name is Bruce!
What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
September 28, 2008:
Bravery of Buffalo Soldiers belatedly acknowledged by Spike Lee's WWII saga. ![]()
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September 25, 2008:
Box Office Guru Preview: Shia Eyes Another #1 Hit
Indy Jr. looks to seize control of the North American box office with the new action thriller Eagle Eye which leads a new pack of candidates heading into the multiplexes on... More...
September 24, 2008:
Total Recall: We Rank Spike Lee's Joints
This week, Spike Lee's Miracle at St. Anna hits
theaters, telling the story of the struggle of African American soldiers in World War II. So RT thought it would be a good time... More...
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