Setting the record straight after so many years and so many movies is not necessarily a simple undertaking, and this film sometimes stumbles under its heavy, self-imposed burden of historical significance.
Miracle at St. Anna (2008)
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Reviews Counted:113
Fresh:38
Rotten:75
Average Rating:5.2/10
Consensus: Miracle at St. Anna is a well-intentioned but overlong, disjointed affair that hits few of the right notes.
Theatrical Release:Sep 26, 2008 Wide
Box Office: $7,756,328
Synopsis: All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most... All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most subtle director, Lee has consistently challenged both his audience and himself. His step into genre filmmaking with 2006's INSIDE MAN was a delightful surprise, and though he continues down this road somewhat with the World War II film MIRACLE AT ST. ANNA, he also returns with force to the realm of the big idea. The first film ever to tell the story of the Army's all African-American Buffalo Soldier unit, MIRACLE AT ST. ANNA is inherently an important film. Yet rather than allow it to stand on its own as simply a war picture starring African-American actors, Lee takes on myriad social and historical discussions. Based on the novel of the same name by James McBride (who also wrote the script), the movie follows four soldiers as they take refuge in an Italian village after being cut off from their platoon. There are various supernatural elements to the film, the most pronounced of which is a mysterious statue head that one soldier acquires and refuses to part with. There's also a framing device involving a murder nearly 40 years after the conclusion of the war; add to that a subplot involving the Italian resistance movement, and it's easy to get a bit lost in this Byzantine tale. Still, Lee is never anything less than passionate about his subjects, and with MIRACLE AT ST. ANNA he brings that fire to a story that took decades to come to the big screen. Perhaps not the most definitive "Spike Lee Joint," MIRACLE remains a noteworthy film in the canon of one of America's most important filmmakers. [More]
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, Matteo Sciabordi, John Leguizamo, Joseph Gordon-Levitt, Pierfrancesco Favino, Valentina Cervi
Director: Spike Lee
Director: Spike Lee
Screenwriter: James McBride
Producer: Spike Lee, Roberto Cicutto, Luigi Musini
Composer: Terence Blanchard
Studio: Touchstone Pictures
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Reviews for Miracle at St. Anna
This movie is too many things without one of those things ever breaking your heart or boiling your blood.
For all his excesses and wrong turns, Lee has made a grown-up movie with an adult sense of loss and an adult sense of hope. He may be addicted to broad flourishes, but he has the big emotions to back them up.
Miracle at St. Anna is a real revelation. It is also not a perfect film.
This is like the 'Where's Waldo' of war films: Find the story, locate the characters. You have three hours. Good luck to you.
Hidden within the two hours and 40 minutes is a very good, much smaller film, and it's worth seeking out.
Lee jumps back and forth between melodramatic speeches and unnecessary monologues so much that he loses all the emotional connection that he could possibly find with his audience.
As is often the case, Lee seems to relish biting off more than he can chew, and the ambition and scope of this effort is worth the bits that don't quite fit.
Surprisingly lethargic, unfocused, fragmented, combining a murder-mystery with an R-rated war epic in a muddle of 'miracles.'
What could have been Spike Lee's best film since Do the Right Thing, Miracle turns out to be a confusing mess that is topped off with an annoying child.
If Miracle at St. Anna fails, let it be said that most filmmakers would kill for a failure like this.
Spike Lee bites off far more than he can possibly chew and ends up choking on his overindulgence. Despite flashes of extraordinary genius, Miracle at St. Anna is little more than a cartoon masquerading as a mature movie.
[O]bviously crafted with deep earnestness and profound love and serious talent... [but] it fails entirely, on every level, in every way that a movie can fail.
Exciting, exhausting, and emotionally engaging. This might be the most accessible and skillful work of Lee's career.
There are many mysteries on hand in "Miracle at St. Anna" but the biggest mystery of all is how anyone could have deemed the rambling and seriously undisciplined screenplay by James Baldwin ready for filming.
If nothing else, at least Lee can feel some degree of satisfaction knowing he's made a movie about as ineffective and incoherent as Clint Eastwood's Flag of our Fathers.
Clearly, Lee's efforts show a director who is passionate about the film's message and isn't just attaching his name to get a big paycheck. No, this is a labor of love but it's just as much of a labor to sit through.
There's a good two hour movie here. Too bad it's lost in a disjointed, meandering narrative.
Latest News for Miracle at St. Anna
February 09, 2009:
RT on DVD: Oliver's W, Spike's St. Anna, and My Name is Bruce!
What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
September 28, 2008:
Bravery of Buffalo Soldiers belatedly acknowledged by Spike Lee's WWII saga. ![]()
More...
September 25, 2008:
Box Office Guru Preview: Shia Eyes Another #1 Hit
Indy Jr. looks to seize control of the North American box office with the new action thriller Eagle Eye which leads a new pack of candidates heading into the multiplexes on... More...
September 24, 2008:
Total Recall: We Rank Spike Lee's Joints
This week, Spike Lee's Miracle at St. Anna hits
theaters, telling the story of the struggle of African American soldiers in World War II. So RT thought it would be a good time... More...
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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