I didn't mind the long run time (now, there's a miracle) but there were too many down moments that could have been done without.
Miracle at St. Anna (2008)
Tomatometer
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Reviews Counted:113
Fresh:38
Rotten:75
Average Rating:5.2/10
Consensus: Miracle at St. Anna is a well-intentioned but overlong, disjointed affair that hits few of the right notes.
Theatrical Release:Sep 26, 2008 Wide
Box Office: $7,756,328
Synopsis: All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most... All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most subtle director, Lee has consistently challenged both his audience and himself. His step into genre filmmaking with 2006's INSIDE MAN was a delightful surprise, and though he continues down this road somewhat with the World War II film MIRACLE AT ST. ANNA, he also returns with force to the realm of the big idea. The first film ever to tell the story of the Army's all African-American Buffalo Soldier unit, MIRACLE AT ST. ANNA is inherently an important film. Yet rather than allow it to stand on its own as simply a war picture starring African-American actors, Lee takes on myriad social and historical discussions. Based on the novel of the same name by James McBride (who also wrote the script), the movie follows four soldiers as they take refuge in an Italian village after being cut off from their platoon. There are various supernatural elements to the film, the most pronounced of which is a mysterious statue head that one soldier acquires and refuses to part with. There's also a framing device involving a murder nearly 40 years after the conclusion of the war; add to that a subplot involving the Italian resistance movement, and it's easy to get a bit lost in this Byzantine tale. Still, Lee is never anything less than passionate about his subjects, and with MIRACLE AT ST. ANNA he brings that fire to a story that took decades to come to the big screen. Perhaps not the most definitive "Spike Lee Joint," MIRACLE remains a noteworthy film in the canon of one of America's most important filmmakers. [More]
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, Matteo Sciabordi, John Leguizamo, Joseph Gordon-Levitt, Pierfrancesco Favino, Valentina Cervi
Director: Spike Lee
Director: Spike Lee
Screenwriter: James McBride
Producer: Spike Lee, Roberto Cicutto, Luigi Musini
Composer: Terence Blanchard
Studio: Touchstone Pictures
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Reviews for Miracle at St. Anna
even at a bloated 155 minutes, Lee's picture seems to aimlessly tread water
Miracle at St. Anna aspires to be epic, but mostly it's just unfocused, sprawling and badly in need of editing.
Unfortunately, it's a jumble of disparate story elements that don't fit together.
The 166-minute running time is less the result of epic sweep than of Lee's tendency to digression, repetition and sentiment, which thwart dramatic tension and clarity and cause swings in tone.
Some themes are familiar, others freshly provocative. But nearly all get scattered as screenwriter James McBride lets the story drift off in six directions at once.
St. Anna is as disorganized, unfulfilling, and lifeless a picture as Lee is capable of making. That's right, it's She Hate Me bad.
Miracle is, by turns, a dazzling, dim, lucid, confounding, absorbing, tedious, silly, profound, bloody and bracing account of four African American infantrymen separated from their Buffalo Soldiers unit in Tuscany during World War II.
An uneven blend of realism and fantasy. The movie is both vivid and baffling -- which is to say, it was made by Spike Lee.
[Has] sporadic moments of brilliance, but...winds up being more well-meaning muddle than miracle.
There are scenes that could have been lost to more decisive editing, but I found after a few days that my mind did the editing for me, and I was left with lasting impressions.
A World War II story of four black soldiers that is lifted above its confusing subplots and multiple characters by two magical moments of compassion.
Clocking in at 160 minutes, this is a sloppy stew in which the ingredients of battle action, murder mystery, little-kid sentiment and history lesson don’t mix well.
It hits every thematic point too heavily and doesn't know when to move on.
Ultimately Miracle at St. Anna aims too high, or at least at too many targets. Lee would have been better served to concentrate on one of the many aspects of the story.
A dollop of Saving Private Ryan, a dash of Letters from Iwo Jima, and a sprinkle of Italian neorealism characterize the style and sentiment of Miracle at St. Anna.
As another example of Lee settling scores, it ruins its own premise by attempting to out-do Saving Private Ryan.
Latest News for Miracle at St. Anna
February 09, 2009:
RT on DVD: Oliver's W, Spike's St. Anna, and My Name is Bruce!
What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
September 28, 2008:
Bravery of Buffalo Soldiers belatedly acknowledged by Spike Lee's WWII saga. ![]()
More...
September 25, 2008:
Box Office Guru Preview: Shia Eyes Another #1 Hit
Indy Jr. looks to seize control of the North American box office with the new action thriller Eagle Eye which leads a new pack of candidates heading into the multiplexes on... More...
September 24, 2008:
Total Recall: We Rank Spike Lee's Joints
This week, Spike Lee's Miracle at St. Anna hits
theaters, telling the story of the struggle of African American soldiers in World War II. So RT thought it would be a good time... More...
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