It is so fresh, so bold and so fantastical on the visual plane that it seems to re-invent the language of dreams and widen the possibilities of fantasy storytelling.
MirrorMask (2005)
Tomatometer
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Reviews Counted:85
Fresh:45
Rotten:40
Average Rating:5.8/10
Consensus: While visually dazzling, there isn't enough story to hang all the fancy effects on.
Rated: PG [See Full Rating] for some mild thematic elements and scary images
Runtime: 1 hr 44 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Sep 30, 2005 Limited
Box Office: $802,961
Synopsis: Reminiscent of ALICE IN WONDERLAND and LABYRINTH, MIRRORMASK is a fantasy tale of an intelligent young girl on a journey through a magical world. It is also a visually astounding piece of... Reminiscent of ALICE IN WONDERLAND and LABYRINTH, MIRRORMASK is a fantasy tale of an intelligent young girl on a journey through a magical world. It is also a visually astounding piece of filmmaking, updating the fairy-tale quest in a coming-of-age story imbued with dark beauty. Written by Neil Gaiman (SANDMAN) and directed by frequent collaborator and illustrator Dave McKean, the film mixes live action and animation, and manages to keep the graphic novelists' aesthetic largely intact: the frames are full of weirdly-skewed perspectives, foggy patches, and mismatched textures that appear grandly decayed. Stephanie Leonidas plays Helena, a young girl who juggles in her father's circus, but longs for a "normal" life. She spends her free time drawing elaborate, fantastical black-and-white pictures which cover every surface of her bedroom. One night, after an argument with her mother (Gina McKee) during which Helena lets fly some rather painful pronouncements, Mom falls ill with an unspecified affliction. As the family waits for news and the circus struggles financially, Helena blames herself for the misfortune. The night before her mother's surgery, Helena is mysteriously transported to a world which bears a strong resemblance to her own drawings, and is populated by strange creatures who follow an even stranger logic. Helena and her traveling companion, fellow juggler Valentine (Jason Barry), sign on to find a mysterious charm which will wake the queen of the city--also played by McKee--from her deep sleep, defeating the forces of darkness and returning Helena home. The film's outstanding art direction is complemented by witty dialogue and some genuinely creepy moments (the words "don't let them see you're afraid" are chill-inducing). Meanwhile, Leonidas's performance is remarkable, maintaining a likeability, charm, and freshness that is all the more amazing considering it was delivered against a green screen, with her special-effect co-stars edited in later. [More]
Starring: Stephanie Leonidas, Dora Bryan, Gina McKee, Rob Brydon
Starring: Stephanie Leonidas, Dora Bryan, Gina McKee, Rob Brydon, Andy Hamilton, Jason Barry, Robert Llewellyn
Director: Dave McKean
Director: Dave McKean
Screenwriter: Neil Gaiman
Producer: Lisa Henson, Michael Polis, Simon Moorhead
Studio: Samuel Goldwyn Films
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Release:
Nov 18, 2008
Reviews for MirrorMask
Leonidas walks this tightrope quite engagingly, showing us a girl on the cusp of womanhood, torn between two competing needs -- to become an adult, to remain a child, to vilify, to revere.
None of the exceptionally designed characters have a soul that stirs the senses.
McKean's inexperience as a director trips the film. There is so much going on that the viewer can't take in all the imagery, and McKean's devotion to his skewed vision slows the story to a crawl.
This strange, imaginative children's adventure has a fantastic visual sense that looks like nothing you've seen
Too long, and too rich, for its own good, but clearly Gaiman and McKean were bursting with ideas. Those ideas fly all over the place, sometimes landing with a thunk, but more often taking the breath away.
A 30-minute idea wrapped in a 100-minute movie. It's a jewel box filled with cubic zirconia.
The narrative is simplistic and lacking in energy, and the characters are sketched instead of fully formed.
The story is such a mess, it's no wonder so many characters are running around hiding their faces.
Luscious evidence that the look of modern fantasy cinema can amount to more than bald-faced Tim Burton swipes arriving 15 years after the fact.
It's a near-flawless marriage of content and form, a movie that kids, adults and graduate students of computer imagery will all have their own reasons to love.
Emotionally direct and visually baroque, MirrorMask reminded me of Queen's epic songs, which find over-the-top ways to explore everyday situations.
Many graphic novels are being turned into movies these days. MirrorMask is a movie that would work better as a graphic novel.
An ideal cerebral escape for that advanced learner in your family who’s biding time between Eragon and Harry Potter novels.
Shows plenty of visual imagination but is totally devoid of charm, wit or emotional resonance.
With its mind-numbing excess of digital imagery and lack of compensatory storytelling, MirrorMask suggests that something of Gaiman's is getting lost in translation.
A muddled and maudlin mystery tale that has little emotional impact and can't deliver on its potential.
Gaiman's vision for the film is cluttered, but commendably ambitious, and he succeeds more than he fails in crafting an adventure/fantasy for thinking audiences.
A unique new world, crammed to the gills with invention, which comes off as almost completely static. A fantasy can be a lot of things, but dull shouldn't be one of them.
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