Sandra Bullock's latest makeover as an FBI agent runs out of lip gloss well before she snatches a beauty queen from the jaws of death a second time.
Miss Congeniality 2: Armed and Fabulous (2005)
Tomatometer
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Reviews Counted:144
Fresh:20
Rotten:124
Average Rating:3.9/10
Consensus: Sandra Bullock is still as appealing as ever; too bad the movie is not pageant material.
Theatrical Release:Mar 24, 2005 Wide
Box Office: $48,431,520
Synopsis: Picking up soon after the events of the first film, this inspired sequel opens with agent Gracie Hart (Sandra Bullock) back in action against a team of lady bank robbers, only to have her cover... Picking up soon after the events of the first film, this inspired sequel opens with agent Gracie Hart (Sandra Bullock) back in action against a team of lady bank robbers, only to have her cover blown by her newfound fame. In an effort to capitalize on the publicity--and as a result of being dumped by her boyfriend from the first film--Gracie lets herself be made into the feel-good ambassador of the FBI, helped by the staggeringly hip Joel (Dietrich Bader) and his stylists. The change is not good for the brash Ms. Hart, however, who is soon appearing on morning television and dispensing fashion tips instead of girl-power platitudes. Of course this phase doesn't last long; some goons out in Las Vegas kidnap Miss Congeniality (Heather Burns) and host Stan Fields (William Shatner), prompting Hart, with her intensely angry bodyguard, Sam Fuller (Regina King), to strap on her guns and get back in the game. Her method of operation includes beating up Dolly Parton, defying a sexist FBI bigwig (Treat Williams), and faking cramps. At one point she disguises herself as an old Jewish woman in a wheelchair, and later she's a Las Vegas showgirl doing "Proud Mary" at a drag club. Bullock's good-natured performance recalls the old-school comedic talents of Bob Hope or Barbara Stanwyck; she effortlessly makes Gracie Hart a unique and complex woman who is capable, sarcastic, intuitive, impressionable, and a secretly lonely tomboy. Also a plus is the refreshing lack of a male romantic interest as Hart and Fuller don't need some handsome guy to ride to their rescue and they aren't going to let sexual discrimination stop them from getting the job done. [More]
Starring: Sandra Bullock, Regina King, Enrique Murciano, William Shatner
Starring: Sandra Bullock, Regina King, Enrique Murciano, William Shatner, Ernie Hudson, Heather Burns, Diedrich Bader, Treat Williams
Director: John Pasquin
Director: John Pasquin
Screenwriter: Marc Lawrence
Producer: Sandra Bullock, Marc Lawrence
Composer: Randy Edelman
Studio: Warner Bros.
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Reviews for Miss Congeniality 2: Armed and Fabulous
Miss Congeniality 2: Armed and Fabulous attempts to do this and has its moments before it succumbs to complete banality.
Bullock can still play the girl next door doing a pratfall with plenty of charm, but nowhere near enough grace to save this otherwise mediocre movie.
We never find 'congeniality' in a clunky, mean-spirited sequel that mines most its 'humor' from one unlikable character’s sadistic abuse of another unlikable character.
All it lacks is a laugh track -- appropriate since it also lacks a laugh.
This latest version of ebony-and-ivory harmony features girls, of both genders.
While most audience members will cringe at the inevitable showdowns and reconciliations, Bullock makes the female-bonding angle seem not only believable, but compelling.
Like its predecessor, Miss Congeniality 2 is by turns a predictable and outlandishly contrived take on the Pygmalion myth.
Miss Congeniality 2: Armed and Fabulous is enjoyable in patches, but only because of the goodwill that most of us still have toward Sandra Bullock.
A sequel comedy so weak, crass, dumb, labored and lame that it merits a sort of anti-quality Oscar.
The picture is going to have fun with or without you, so you might as well give in.
For those who mainly want familiar faces and predictable comedy and don’t mind too much if every idea and every joke is tired and every moment utterly uninspired.
The movie seems so enamored of its own charms that even the outtakes have a slightly calculated feel.
In the end consider this - the only really watchable performance in this movie belongs to William Shatner.
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