Hallam Foe cannot be accused of concealing its investment in the dramatic heightening of sensation, the privileging of psychic logic and hormonal pulls over safer and more quotidian forms of "realistic" storytelling.
Mister Foe (2008)
Tomatometer
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Reviews Counted:60
Fresh:43
Rotten:17
Average Rating:6.5/10
Consensus: Carefully balanced between the dark and the dreamy, Mister Foe is a charged coming-of-age story with whimsy and bite.
Rated: R [See Full Rating] for strong sexual content and language.
Runtime: 1 hr 36 mins
Genre: Dramas
Theatrical Release:Sep 5, 2008 Limited
Synopsis: MISTER FOE is director David MacKenzie's offbeat film adaptation of Peter Jinks's coming-of-age story centered on the unlikely protagonist of Hallam Foe, excellently portrayed by Jamie Bell (BILLY... MISTER FOE is director David MacKenzie's offbeat film adaptation of Peter Jinks's coming-of-age story centered on the unlikely protagonist of Hallam Foe, excellently portrayed by Jamie Bell (BILLY ELLIOT). A troubled young man beset with voyeuristic tendencies and a strong Oedipal longing for his dead mother, Hallam is a sensitive and volatile teenager who has taken to spying on his stepmother, Verity (Claire Forlani), who he suspects is responsible for his mother's death by drowning two years earlier. When a charged psychosexual confrontation with Verity stokes the fires of his unresolved grief, Hallam flees his father's country estate for the picturesque Scottish capital of Edinburgh. There, he sets his sights on Kate (Sophia Myles), an attractive hotel manager who happens to bear a striking resemblance to his late mother. Soon, through a bit of charm and more than a little stalking, Hallam scores a menial job under Kate's employ; romantically--or creepily, depending on your viewpoint--Hallam pines for Kate from a distance, observing her daily activities (kickboxing, grooming, sex), through binoculars. Hallam's adolescent fantasies soon blossom into an unlikely romance when, during an after-work function, Kate revealingly declares, "I like creepy guys." While MISTER FOE tackles some rather unsettling psychological territory, David MacKenzie infuses the film with enough light, comic touches and a playful atmosphere of magic realism to prevent it from edging toward dolorous melodrama. Rounding out this very likeable indie feature are a delightful animated title sequence by artist David Shirgley, and a spirited soundtrack from Domino Records, featuring a bevy of Scottish rockers such as Franz Ferdinand and Orange Juice. [More]
Starring: Jamie Bell, Ciaran Hinds, Sophia Myles, Jamie Sives
Starring: Jamie Bell, Ciaran Hinds, Sophia Myles, Jamie Sives, Maurice Roeves, Ewen Bremner, Claire Forlani
Director: David Mackenzie
Director: David Mackenzie
Screenwriter: David Mackenzie, Ed Whitmore
Producer: Gillian Berrie
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Release:
Nov 11, 2008
Reviews for Mister Foe
Bell shines as the baleful yet sympathetic Hallam, but there’s little else to get excited about, with the eventual love affair between him and Kate deeply improbable.
It is Jamie’s acting skills, which are even more well honed than his chest, that make Hallam Foe one of the best British movies of the year.
Mister Foe is infused with enough macabre and comical touches to prevent it from sliding into clinical sensationalism.
Mister Foe flirts too often with the unlikely and the foolish, yet there is something to admire in the nerve of its reckless characters, so uneasy in their skins.
Accomplished as it is, the film has trouble marrying the separate halves of the story, the mystery of the mother's death and the weird courtship Hallam is pursuing.
[Director David] Mackenzie has reined in the strangeness to deliver a conventional, if better than average, mystery.
Another successful and intriguing entry in Mackenzie's growing oeuvre.
The adolescent peeping Tom Hallam Foe is a fascinating character, brought to thrilling life by Jamie Bell in yet another extraordinary performance.
An engrossing, provocative drama, the feature sniffs out just the right level of lurid behavior to keep the viewer in concert with the mounting domestic woes. It's a feature of unpredicted, and quite thrilling, discomfort.
You find yourself wishing that what happened in Edinburgh stayed in Edinburgh.
Boring, meandering, and painfully self-important, "Mister Foe" is writer/director David Mackenzie's follow-up to his much better effort "Young Adam" (2003).
By the end of "Hallam Foe," you've nearly forgotten his all-too-regular boy development. Now you're wondering, what's Kate doing when he's not looking?
An intriguing rites-of-passage story with a delirious, skewed perspective and an almost palpable sexual pulse.
As a study of grief, this is silly and nonsensical. Taken less seriously, Mackenzie delivers a light dance over heavy issues, and the romance works – but how flippantly can we take death, grief and suicide?
Grumpy Glaswegians going at it are once again the focus of David ("Young Adam") Mackenzie's bleak and dreary -- but not wholly uninteresting -- drama.
Bell was a decent kid actor and a terrific dancer in Billy Elliot, but he's grown into a really first-rate actor.
David Mackenzie's fourth feature is an immensely enjoyable and incredibly well-judged film, which confirms Jamie Bell as one of Britain's brightest young actors.
Latest News for Mister Foe
January 08, 2009:
RT Interview: Jamie Bell talks Defiance and Dance
Jamie Bell tap-danced his way into the national consciousness with his breakthrough performance in Billy Elliot nine years ago. Since then he has worked with heavyweight screen... More...
November 02, 2008:
Baret DVD News: A movie about a Scottish Peeping Tom who is sufficiently demented to give even Peeping Toms a bad name, it seems to be a lot less about fetish and voyeurism, than warped emotional espionage as pathological mommy love. ![]()
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September 08, 2008:
Teen Peeping Tom acts upon oedipal urges in dysfunctional family drama from Scotland. ![]()
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September 03, 2008:
A movie about a Scottish Peeping Tom who is sufficiently demented to give even Peeping Toms a bad name, it seems to be a lot less about fetish and voyeurism, than warped emotional espionage as pathological mommy love. ![]()
More...
| Tomatometer Percentage | Movie |
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| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
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| 44% 44% | Night at the Museum: B… |
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| 90% 90% | District 9 |
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