Mo' Better Blues (1990)
Critic Consensus: No consensus yet.
Trumpeter Bleek Gilliam has many problems: his jazz quintet is troubled by internal rivalry, his manager and friend is deeply in debt to a bookie, and he is torn between two women. Spike Lee's colorful, jazz-fueled drama follows Bleek's attempts to juggle his friends, lovers, and, most importantly, his music.
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as Bleek Gilliam
as Shadow Henderson
as Indigo Downes
as Left Hand Lacey
as Moe Flatbush
as Lillian Gilliam
as Butterbean Jones
as Clarke Bentancourt
as Bottom Hammer
as Josh Flatbush
as Big Stop Williams
as Rhythm Jones
as Born Knowledge
as Young Bleek/Miles
as Club Patron
as Miles (age 1)
as Miles (age 3)
as Miles (age 5)
as Father of the Bride
as Party Guest
as Jimmy the Busboy
as Big Stop's Friend
as Taxi Driver
as Impatient Movie Patr...
as Miles at Birth
as Born Knowledge
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Critic Reviews for Mo' Better Blues
Personal rather than social issues come to the fore in Mo' Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn't really fly.
Though it's full of striking visual ideas and actorly turns, it never fully convinces.
Despite stylish camerawork and sturdy acting, this lengthy indulgence succeeds neither as jazz movie nor as cautionary tale.
Mo' Better Blues is not a great film, but it's an interesting one, which is almost as rare.
From characters to camera angles, this story of a self-absorbed jazz trumpeter is one long cliche, the kind that might make his most loyal admirers wince and wonder, 'Spike, what happened?'
For the only time in his remarkable career, Spike Lee has failed to tell it like it is.
Audience Reviews for Mo' Better Blues
what an incredible movie. i dont care for spike lee's themes of racial distinction in most of his films, and some of it that was present in this film were annoying, but this film was too brilliant not to love. it has quickly become one of my favorite movies of all time. i tried to identify wether this was a film about love or music, and then i realized its not about either, its a memoir of a musician. i think i like this film more than most for musical reasons and not film reasons, because im such a HUGE jazz fan, but the movie was well made and well acted. the diologue and ending were not typical rehearsed hollywood, they were genuine. many scenes were pointless and didnt further the plot at all, and in this film it was a good thing. it made the characters more real. denzel was incredible as usual, but the entire cast with the exception of indigo was chosen perfectly. the music scenes were really great and because i know jazz, i know that the things that happen to denzels character in this film happen to jazz musicians all the time. i may not always care for spike lee, but he did a wonderful job on this film.
Benefits from the fact that this is Spike Lee's debut and doesn't feature the preachiness that brings down his later efforts.
Middling effort from Spike Lee. It had some good scenes and it was well acted, shot etc. I just didn't really like Denzel's character and I think I kind of was supposed to. It also went on longer than the material required.
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