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The Moderns (1988)
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Reviews Counted:15
Fresh:11
Rotten:4
Average Rating:6.1/10
Runtime: 2 hrs 6 mins
Genre: Comedies
Synopsis: Director-screenwriter Alan Rudolph turns his eye on 1926 Paris for this elegant, wry film. Keith Carradine and Linda Fiorentino star as Nick and Rachel, former lovers who reunite amid the... Director-screenwriter Alan Rudolph turns his eye on 1926 Paris for this elegant, wry film. Keith Carradine and Linda Fiorentino star as Nick and Rachel, former lovers who reunite amid the artist-packed cafes and salons. He's a painter hanging out with pals Ernest Hemingway (Kevin J. O'Connor) and gossip Oiseu (Wallace Shawn). She's an alcoholic trapped in a loveless marriage to bullying businessman and art collector Bertram Stone (John Lone). As he and Rachel yell, drink, and fall back in love, Nick also finds himself in a scheme to forge some classic works by Cezanne, Modigliani, and Matisse, leading to incredible complications when Rachel's husband buys them. Freely working with a cast that mixes real and fictitious characters, Rudolph finds a lot to say about art, love, commerce, and the birth of modernity. Lush photography and fine performances, particularly those of Lone, O'Connor, and Geneviève Bujold as Nick's art dealer, make this a fond and loving artistic tribute to a time that still reverberates today with its unheralded creative impact. [More]
Starring: Keith Carradine, John Lone, Linda Fiorentino, Geneviève Bujold
Starring: Keith Carradine, John Lone, Linda Fiorentino, Geneviève Bujold, Wallace Shawn
Director: Alan Rudolph
Director: Alan Rudolph
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Reviews for The Moderns
A casually absurd, surprisingly playful look into the lives of American expatriates --Gertrude Stein's famous "lost generation" -- in post-World War I Paris.
Will appeal to fans of Alan Rudolph's distinctive story-telling abilities.
A movie that makes an afternoon with Gertrude and Alice more boring than a faculty tea.
The plot of the film concerns love, heartbreak, money problems, the meaning of art, alcoholism and finding one's identity.
Rudolph's weaknesses pale before the film's overriding textures: Toyomichi Kurita's cinematography exquisitely crosses color with sepia and blacks and whites.
Everything is ersatz, even the surrealism in Alan Rudolph's 10th movie.
It takes place at that enchanted moment in Paris when the Lost Generation created itself and then proceeded to create, promote, fabricate and publicize modern literature, art, music and attitudes.
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