An intelligent, character-driven ensemble piece with a busy and attractive cast examining tradition and change in the groves of academe in the 1950's.
Mona Lisa Smile (2003)
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Reviews Counted:146
Fresh:51
Rotten:95
Average Rating:4.9/10
Consensus: Though Mona Lisa Smile espouses the value of breaking barriers, the movie itself is predictable and safe.
Rated: PG-13 [See Full Rating] for sexual content and thematic issues
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:Dec 19, 2003 Wide
Box Office: $63,695,760
Synopsis: Mike Newell's MONA LISA SMILE is a pretty period film that combines a quaint pedagogical tale with a feminist dissection of traditional female roles in 1950s society. Julia Roberts leads an... Mike Newell's MONA LISA SMILE is a pretty period film that combines a quaint pedagogical tale with a feminist dissection of traditional female roles in 1950s society. Julia Roberts leads an impressive cast of top young actresses including Maggie Gyllenhaal, Kirsten Dunst, and Julia Stiles. Roberts is Katherine Watson, a revolutionary art history teacher at Wellesley College in 1953. Though she has true admiration for her intelligent all-female students, she is perturbed that their interest in finding husbands takes precedence over their studies. Determined to instruct them in feminist values and teach them to be independent--defying the college's emphasis on breeding good wives, mothers, and homemakers--Watson is deemed subversive by the administration. Even Watson's identity--from California, over 30 years old, and unmarried--is problematic. And when she turns her class onto modern art rather than teaching the recommended classical curriculum, Watson is severely chastised by the staunchly conservative students and faculty. Beautiful photography of the picture-perfect Wellesley campus combined with a perpetual parade of lovely period costumes makes MONA LISA SMILE a visual delight. Strong performances by each of the actresses, including Dunst uncharacteristically cast as a prim and proper prude, and Marcia Gay Harden as a boring tv-addicted spinster, only add to the splendor of this enjoyable film. [More]
Starring: Julia Roberts, Maggie Gyllenhaal, Kirsten Dunst, Julia Stiles
Starring: Julia Roberts, Maggie Gyllenhaal, Kirsten Dunst, Julia Stiles, Marcia Gay Harden, Dominic West, Ginnifer Goodwin, Topher Grace, Juliet Stevenson
Director: Mike Newell
Director: Mike Newell
Screenwriter: Mark Rosenthal, Lawrence Konner
Producer: Elaine Goldsmith, Deborah Schindler, Paul Schiff
Composer: Rachel Portman
Studio: Columbia Pictures
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Reviews for Mona Lisa Smile
Roberts shows a new maturity in the role of a mentor to a flock of younger women.
What makes the movie seem crass is its refusal to present (or even to see) more than one side of any given issue.
It’s always a riot when a movie preaches artistic freedom and nonconformity while the script scrupulously follows Hollywood formula.
This is a movie with few secrets or surprises, however much it tries to warm hearts or sell eccentricity and idealism.
Despite some missteps along the way, it turns out to be curiously brave underneath its conventional trappings.
Brings to mind the old adage about the three stages of an actor’s Hollywood career: Get Julia Roberts; get someone like Julia Roberts; get a younger version of Julia Roberts.
Newell tries to make a profound film that challenges the social standards of the 1950s, but all he does is throw some stereotypes up against some other stereotypes.
Maybe Julia Roberts' time travel somehow disrupted the space time continuum, thus forever altering Mona Lisa Smile's pace?
Soulless retreads without an ounce of passion or creativity that no amount of colorful surface details can quite cover up.
Lots of incident but precious little insight...a period soap opera that makes the most simplistic possible observations about an era on the cusp of female liberation.
An ironically conformist piece of mock-intellectual fluff... [and] such an appalling waste of talent it actually made me mad. Scratch that - furious.
With Katherine's lectures on the dead-artists society, the movie seems to tout rebellious originality. In fact, it's a lesson in emotional conformity.
Busybody Katherine appears more than simply angry with the mid-century sexism that her charges have so seamlessly internalized -- she seems utterly unplugged from reality in 1953.
The screenwriting duo...use the restrictive mores of the 1950s to fashion a soap opera whose characters are oft too modern for its decade.
It’s an excellent message, yet the film completely betrays its mission by giving us a one-sided central character with a very narrow-minded viewpoint.
A decent watch and somewhat inspiring, especially if you're a girl or woman still trying to 'find yourself.'
Latest News for Mona Lisa Smile
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