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Mondays in the Sun (2003)
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Reviews Counted:67
Fresh:53
Rotten:14
Average Rating:6.9/10
Consensus: Thought-provoking, but plodding movie about the effects of unemployment on a group of former shipyards workers.
Theatrical Release:Jul 25, 2003 Limited
Synopsis: A northern Spanish coastal town suffers from its own isolationism as shipyards close down, leaving the labor force scouring the streets for temp jobs with only their stubborn pride to show for it.... A northern Spanish coastal town suffers from its own isolationism as shipyards close down, leaving the labor force scouring the streets for temp jobs with only their stubborn pride to show for it. Among the disillusioned is Santa (Javier Bardem), a cocksure, angry rebel who refuses to admit his own failures. Santa is the ring leader of a group of rapidly aging friends whose unemployed status causes them mounting grief. They drown their sorrows in an otherwise empty bar owned by Rico (Joaquin Climent), one of their coworkers from what now seems another life. While Santa tries to clumsily seduce women and pay for a lamp post he vandalized in anger, his companions battle serious alcoholism, loan denials, and marriage troubles, as they all face their own insignificance. Javier Bardem perfectly embodies the defiant loser that is Santa. Letting himself go and carrying a hefty gut, Bardem manages to exude the false charm of a bitter sad sack who has remained a lady's man. Captured in gritty detail, director Fernando Leon de Aranoa offers a shattered image of the proud work force of northern Spain in a picture that won five Goya Awards, Spain's equivalent to the Oscars. [More]
Starring: Javier Bardem, Luis Tosar, Jose Angel Egid, Nieve de Medina
Starring: Javier Bardem, Luis Tosar, Jose Angel Egid, Nieve de Medina, Enrique Villen, Celso Bugallo, Joaquin Clement, Aida Folch, Serge Riaboukine, Laura Dominguez
Director: Fernando León de Aranoa
Director: Fernando León de Aranoa
Screenwriter: Fernando León de Aranoa
Producer: Elias Querejeta
Composer: Lucio Godoy
Studio: Lions Gate Films
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Reviews for Mondays in the Sun
You're not going to walk out of this one with a smile on your face, but you're going to be happy that you saw it.
This slow, episodic film is held together by the galvanic presence of Javier Bardem.
Bardem gives what might have been too slow and plodding a movie its heart and its humor.
Shot in lustrous, muted color with a sure sensitivity to emotional states and mood swings, it's an elegy on wasted time and waning energies.
What keeps us involved in this perceptive film is the beautiful acting of its cast ... and the way the movie balances grim reality with bits of fancy that feel oddly perfect.
A quintessentially European, methodically paced and intelligent slice of life.
The story's rambling, meandering style is just right for the melancholy subject being explored, and all the acting is excellent.
To the patient viewer, the rewards are many, especially Bardem's performance.
'Mondays in the Sun' captures the small drama of the individual buffeted against larger impersonal events of local, national and world politics and economics.
Will look and feel all too familiar to victims of the jobless recovery, or at least those who can afford to see the movie.
Mondays in the Sun is a delightfully understated snapshot of life. Director/writer Fernando León de Aranda has captured a bit of the melancholy of displacement...
Si Los Lunes al Sol es una película tan humana, tan sensible y tan reveladora es porque hemos visto esos personajes acá nomás, a la vuelta de la esquina.
Engaged filmmaking that makes a political point, and the observant script and incisive direction give it considerable power.
Mondays in the Sun is a deeply ethical movie that has a universal quality to its depiction of the soul-destroying capacities of unemployment.
A well-acted, realistic look at unemployed shipyard workers in northern Spain alternating humor with pathos.
A cannily observant but withholding film in which nothing happens, over and again.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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