Based on the controversial writings of Russian historian Lev Gumilyov, director Sergei Bodrov's look at the early years in the life of the Mongol conqueror stars Japanese actor Tadanobu Asano as Temudgin (as he was then known), Honglei Sun as Mongol chieftain Jamukha, who was both Temudgin's close friend and mortal enemy, and newcomer Khulan Chuluun as his wife, Borte. Born in the year 1162, Temudgen's childhood was marred by tragedy and peril. But a great battle would seal Temudgen's fate
forever, and though history often paints him as a brute, the truth is much more complex. Few historians make mention of the role Temudgen's wife, Borte, played in advising her husband and elevating him to greatness. With Borte by his side, Temudgen would rise to become a fearless visionary whose legacy would still prove potent enough to stir controversy centuries after his death. ~ Jason Buchanan, Rovi
When we think of the fearsome Genghis Khan, we don't picture him as ever having been a little boy. But he must have been, and that is where this grand throwback to the sweeping historical epics of yesteryear takes up the Great Khan's story.
A thoroughly rousing hunk of celluloid, a war saga that blends the sturdiest conventions of old-fashioned heroic storytelling with a few pixilated battle enhancements - check out the soaring blood globs - of the kind that spattered across 300.
Mongol, from its thrilling battles to its intimate romance, has the look, scale, story and feel of an old-fashioned epic in the best and biggest sense of the word.
There are plenty of haunting landscapes... along with the sort of warfare scenes that define epics, but also an unexpected take on one of history's most fearsome leaders.
A movie in which acting still prevails is Mongol. People often say, 'They don't make movies like they used to.' Maybe the Russians make movies like Hollywood used to. Mongol, photographed beautifully in Kazakhstan and the Chinese province of
More impressed with its own olden days ready-to-rumble, flesh-ripping Far Eastern beatdowns, than fleshing out with any depth just who these characters were and how they struggled to exist back then. History as a scenic but dramatically sparse travelogue.
... Bodrov's engaging vision of Genghis Khan in several moments almost feels like the silent movie epics by the Russian cinematic pioneer Sergei Eisenstein.
The battle sequences are tremendous, and the performances are captivating, making for the sort of rousing, giant-scale entertainment that a figure as towering as Genghis Khan deserves.
The melodrama is as thick as the blood in the spectacular battle sequences, but Asano's soulful performance brings this little-understood historical icon passionately to life.
As I watched the great Mongolian horsemen of the 1200's as depicted in the film Mongol, I couldn't help but think that George RR Martin borrowed heavily from them in creating his Dothraki in Game of Thrones.
Mongol tells a romanticized version of the early years of the boy who became the man to unite the great and
ever warring tribes that roamed the steppes: Genghis Khan.
We meet Genghis as a nine year old - being taken by his father a Khan (or tribal leader) to select a bride from a rival tribe in order to bring peace between their two tribes. On the way they stop and visit with a friendly tribe where young Genghis is enamored by a girl one year his senior. He asks his father if he may "practice" his choosing on the lesser tribes girls, and then befuddles his father by actually selecting one. Never a man to go against custom, the father gives his blessing to the union, knowing that it will anger the rival tribe.
From there Genghis goes through several trials and tribulations as he grows to manhood as it is clear - being a Mongol isn't for the meek. I found their rituals and customs fascinating, almost more so than the story being presented; that of an undying love amongst all the strife.
The film strives for a bit of grandeur yet it is when it focuses on the everyday that the film shows the most insight. Not that the grandeur isn't there - filmed on location in Mongolia you get taken in by the stark beauty of the endless frontier. The cinematography is truly beautiful and soulful as the film attempts to present its tale realistically - but unfortunately gets a bit too artsy- often resorting to slow motion camera work when depicting the million and one fight scenes. And yet there is a certain style and grace exhibited here as well, especially in the grand battle scenes where one cannot help but think of the book "the art of war".
It's unfortunate that the film occasionally stumbles, as when Genghis is released from a small prison cell where he has been held for months, and jumps athletically down the escape route - man, I know I'd be stiff as hell being cooped up in a 5 foot square box.
It is obvious here that the writer and director think very highly of their topic - but sadly fall into the usual biopic trap - calling Genghis Khan the greatest warrior and conqueror that ever lived... blah blah blah - the exact same thing came at the conclusion of Alexander; though I will say that Mongol has a much tighter narrative and is much more linear than that god awful film.
May 24, 2012
paul sandberg
Super Reviewer
Very good movie, and VERY well done. The fight scenes are just amazing. I didnt realize until the end that he was Genghis Khan. I just love movies with historical content, and this one did not disappoint.
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