History's greatest subjugator finally gets the respect he deserves with a no-nonsense drama and an all-Asian cast, shot in the very lands he once ravaged.
Mongol (2008)
Tomatometer
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Reviews Counted:98
Fresh:85
Rotten:13
Average Rating:7.1/10
Consensus: The sweeping Mongol mixes romance, family drama, and enough flesh-ripping battle scenes to make sense of Ghenghis Khan's legendary stature.
Theatrical Release:Jun 6, 2008 Limited
Box Office: $5,621,596
Synopsis:
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly...
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly accounts and written by Bodrov and Arif Aliyev, Mongol delves into the dramatic and harrowing early years of the ruler who was born as Temudgin in 1162. As it follows Temudgin from his perilous childhood to the battle that sealed his destiny, the film paints a multidimensional portrait of the future conqueror, revealing him not as the evil brute of hoary stereotype, but as an inspiring, fearless and visionary leader. Mongol shows us the making of an extraordinary man, and the foundation on which so much of his greatness rested: his relationship with his wife, Borte, his lifelong love and most trusted advisor.
Filmed in the very lands that gave birth to Genghis Khan, Mongol transports us back to a distant and exotic period in world history; to a nomad's landscape of endless space, climatic extremes and ever-present danger. In a performance of powerful stillness and subtlety, celebrated young Japanese actor Asano Tadanobu (Zatoichi, Last Life in the Universe) captures the inner fire that enabled a hunted boy to become a legendary conqueror. Asano's achievement is matched by those of his co-stars, including the radiant newcomer Khulan Chuluun as Temudgin's courageous, spirited wife Borte, and the Chinese actor Honglei Sun (The Road Home) as the Mongol chieftain Jamukha, Temudgin's dearest friend and deadliest enemy. Masterfully blending action and emotion against some of the most arresting terrain on earth, Bodrov delivers an exciting and awe-inspiring tale of survival and triumph, and a love story for the ages.
--© Picturehouse
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Starring: Tadanobu Asano, Honglei Sun, Khulan Chuluun, Odnyam Odsuren
Starring: Tadanobu Asano, Honglei Sun, Khulan Chuluun, Odnyam Odsuren, Aliy A, Ba Sen, Amadu Mamadakov, Ba Yin, He Qi, Sun Ben Hou, Ji Ri Mu Tu
Director: Sergei Bodrov
Director: Sergei Bodrov
Screenwriter: Arif Aliyev, Sergei Bodrov
Producer: Sergey Selyanov, Sergei Bodrov, Anton Melnik
Composer: Tuomas Kantelinen
Studio: Picturehouse
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Reviews for Mongol
Mongol is the first film of a proposed trilogy that charts his conquest of half the known world. If the sequels match this one, they can't come soon enough.
The result is a wallow in old movie pleasures, full of battles, flying dust, thousands of men on horseback, beautiful women, treachery, slaughter, really cool hats and even more slaughter.
Mongol offers an absorbing study of how powerful men with an abiding mutual respect, even love, go about the culturally dictated process of destroying each other.
The first part of what director Bodrov promises to be a trilogy tracing the life of the historic conqueror, Mongol is great cinema, great fun.
A grandly kitschy rendering of Genghis Khan's early years, the ones revealing how a boy became a ruthless yet humane warrior, devoted family man and all-around good fellow, Mongol might as well be called Braveheart in a Yurt.
The film, a foreign-language Oscar nominee, is epic in scope, in scale, in story, in everything. It has as much action as any brain-dead Hollywood blockbuster, but Mongol also has heart and intelligence.
If reading subtitles or trying to understand historical figures aren't among your lifelong ambitions, "Mongol" features some first-rate eye candy.
A thrilling and painstakingly researched story combined with the best costumes imaginable and superb performances makes this a biopic to see.
While the historical accuracy may be dodgy, Mongol is a sweeping and quasi-mythical epic that recalls Lawrence of Arabia.
Russian director Sergei Bodrov has made a magnificent epic which evokes some of the greats of the past, including Lawrence of Arabia.
You might wonder how Bodrov could fail to make every minute of Genghis Khan's extraordinary life near edge-of-the-seat involving, but there are some dull stretches before the pace picks up again.
'Vast landscapes, savage battles, sparring blood brothers and a poignant love story form the essence of Sergei Bodrov's spectacular epic, among whose achievements are its extraordinary sense of place and time.
Relates the story of Genghis Khan's early years in a plodding, uninspired fashion that doesn't bode well for the next two entries in a planned trilogy.
First-rate "revisionist" study of great conqueror reviled by the "civilized" West. By comparison, most world's leaders are the true barbarians, especially those in Washington, DC.
The audacity of filming the life of a warm & fuzzy Genghis Khan is matched by Sergei Bodrov's superior production and excellent cast, making Mongol's provocation worth the leap and bloody good entertainment, besides
I don't know the Mongolian word for panache, but Mongol's got plenty of it. The battle scenes are as notable for their clarity as their intensity; we can follow the strategies, get a sense of who's losing and who's winning.
Even if you can't completely follow the plot, you also can't take your eyes off the scenery, the thrilling horse chases and the throat-slashing battles.
This is a historical epic like Mom -- or David Lean -- used to make. It's got transgenerational blood feuds, galloping steeds, lucky talismans carried for years by separated lovers, and steppes -- lots and lots of steppes.
Bold, epic battle-happy movie that humanizes the world-conqueror and gives him plenty to be aggressive about.
Latest News for Mongol
January 08, 2009:
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October 22, 2008:
More impressed with its own olden days ready-to-rumble, flesh-ripping Far Eastern beatdowns, than fleshing out with any depth just who these characters were and how they struggled to exist back then. History as a scenic but dramatically sparse travelogue. ![]()
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June 05, 2008:
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March 30, 2008:
Trailer & Poster review ![]()
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