63% The Maze Runner Sep 19
65% A Walk Among the Tombstones Sep 19
43% This Is Where I Leave You Sep 19
82% Tracks Sep 19
93% The Guest Sep 17

Top Box Office

11% No Good Deed $24.3M
70% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
35% The November Man $2.8M
35% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

67% The Equalizer Sep 26
72% The Boxtrolls Sep 26
84% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Premieres Tonight

100% The Good Wife: Season 6
58% Madam Secretary: Season 1
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New Episodes Tonight

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53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Discuss Last Night's Shows

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
40% Intruders: Season 1
90% Outlander: Season 1

Summer With Monika (Sommaren med Monika) Reviews

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Bryant Frazer
Film Freak Central

In the annals of Early Bergman, Summer with Monika is The Big One. The irony is that it's among the slightest of his works.

Full Review Source: Film Freak Central | Original Score: 3/4

August 3, 2012
Jeffrey M. Anderson
Combustible Celluloid

Bergman fans will discover that it's not a typical film of his, and is rather more realistic than his later films, and some would call it "minor." But by any standards, it's an excellent film, gorgeously made and emotionally powerful.

Full Review Source: Combustible Celluloid

July 6, 2012
James Kendrick
Q Network Film Desk

Bergman's key international breakthrough

Full Review Source: Q Network Film Desk | Original Score: 3.5/4

June 14, 2012
Fernando F. Croce

A sensual elegy along the lines of Ovid's 'Amores' and very much a movie about photographing Harriet Andersson

Full Review Source: CinePassion

October 24, 2011
Dennis Schwartz
Ozus' World Movie Reviews

It's one of Bergman's most natural, carnal and accessible films.

Full Review Source: Ozus' World Movie Reviews | Original Score: A-

April 29, 2010
Benjamin Sutton
New York Press

A fully realized Bergman psychodrama, rather than an early model for his later work.

Full Review Source: New York Press

November 14, 2007
Manohla Dargis
New York Times
Top Critic IconTop Critic

More than 50 years after its first screening in America, Monika arrives in New York again to light up the screen, this time without a trace of impropriety.

Full Review Source: New York Times | Original Score: 4/5

November 14, 2007
J. Hoberman
Village Voice
Top Critic IconTop Critic

Bergman's tale of heedless teenage love is a sort of neorealist Rebel Without a Cause -- except that sex is acknowledged and the outlaw is a girl.

Full Review Source: Village Voice

November 13, 2007
Anthony Lane
New Yorker
Top Critic IconTop Critic

Bergman would be no more adept a pornographer than he would be at filming hip-hop, but his camera did stare at the human surface with an intentness unmatched since von Sternberg rhapsodized over Marlene Dietrich.

Full Review Source: New Yorker

July 30, 2007

Time Out
Top Critic IconTop Critic

A tender yet unsentimental account of a love affair that turns sour.

Full Review Source: Time Out

July 30, 2007
Jon Fortgang

Subtle but sharply observed, it remains one of Bergman's most watchable and rewarding dramas.

Full Review Source: Film4 | Original Score: 4.5/5

July 30, 2007
Dave Kehr
Chicago Reader
Top Critic IconTop Critic

His first film with Andersson shows a developing ability to probe the psychology of a rich, vital woman without losing his objectivity.

Full Review Source: Chicago Reader

July 30, 2007

TV Guide's Movie Guide

Thanks to international distributors sensationalizing its sexual frankness, this bittersweet drama of ill-fated first love helped establish Ingmar Bergman as a filmmaker.

Full Review Source: TV Guide's Movie Guide | Original Score: 3.5/4

August 29, 2006
V.A. Musetto
New York Post
Top Critic IconTop Critic

One of Bergman's early triumphs.

Full Review Source: New York Post

November 14, 2007
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