Average Rating: 5.4/10
Reviews Counted: 24
Fresh: 11 | Rotten: 13
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Average Rating: 5.5/10
Critic Reviews: 10
Fresh: 5 | Rotten: 5
No consensus yet.
Average Rating: 2.7/5
User Ratings: 1,080
Increasingly anxious about his impending marriage to Nat (Rashida Jones) and thoroughly bored with his day job as a wedding photographer, Theo (Chris Messina) establishes a hobby: he's hired by clients to clandestinely snap voyeuristic photos of them as they go about their days. Things go smoothly until a sexy exhibitionist (Meital Dohan) leads him into an all-consuming obsession. As Theo stalks her day and night, the woman's mysterious public trysts send him reeling, forcing him to confront
Mar 11, 2011 Limited
May 17, 2011
Oscilloscope - Official Site
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The conceit is a decent idea for a thriller, if not a terribly original one, but Shapiro loses the rhythm with a plodding story and a pat ending we can see coming a mile away.
There are certain filmmakers who should have their Cassavetes card revoked, and on the evidence of "Monogamy,'' Dana Adam Shapiro has joined their ranks.
Despite the ominous feel, this is a mystery about losing or gaining lives and unknown detours.
With modest resources, some nice digital camerawork and an appealing cast -- the likable Ms. Jones draws you in easily -- Mr. Shapiro keeps you engaged even when his story falters.
Monogamy asks us to root for lovers who seem disinterested in their own future.
I walked away from the film disappointed, but there are some powerful ideas and performances buried somewhere in here, underneath the performance art itches.
This indie film about a young couple with various commitment issues is written with a lot of snap, crackle and pop culture cool.
Despite the pseudo-vérité style, the convincing improvised dialogue, and its intimations of Blow-Up and The Conversation, Monogamy never quite makes a full commitment.
The real star of the film, however, is Shapiro who, despite treading on marginally derivative subject matter, demonstrates a solid sense of style and a refreshingly delicate hand with actors.
Demonstrates what you miss in a relationship when you're lost in your own head, and what might not be there when you come back.
Music supervisor Bernheim and DP Doug Emmett are able to choreograph the action in conjunction with the music to generate fantastic resonance in the scenes.
A bit dirty and scattered, the film fails to offer any payoff for its crawling plot and salacious promises.
Monogamy is surprising for how well it tackles themes we thought had been fully examined on film.
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