The character interaction is pleasant, but there's only so much Sharif and Boulanger can do with the underwritten screenplay.
Monsieur Ibrahim (2004)
Tomatometer
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Reviews Counted:78
Fresh:66
Rotten:12
Average Rating:7/10
Consensus: With tender, assured performances, Sharif and Boulanger elevate what might have been a rote coming-of-age tale.
Theatrical Release:Feb 13, 2004 Limited
Box Office: $2,646,396
Synopsis: Vividly portraying a 1960s Paris neighborhood where lower-class status unites residents of varied religious and ethnic backgrounds, MONSIEUR IBRAHIM follows the universally appealing story of a... Vividly portraying a 1960s Paris neighborhood where lower-class status unites residents of varied religious and ethnic backgrounds, MONSIEUR IBRAHIM follows the universally appealing story of a young boy's coming of age. Moses (Pierre Boulanger), a Jewish teenager, lives in an apartment with his depressed father. His father's detachment leaves Moses with ample time for listening to rock music, pursuing alluring prostitutes, and making daily visits to the corner grocery where he befriends the owner, Monsieur Ibrahim (Omar Sharif). Monsieur Ibrahim looks the other way when Moses steals food, teaches him the difference between being Arab and being Muslim, and dispenses advice on life, love, and happiness. When Moses' father eventually abandons him, Monsieur Ibrahim adopts him and cements the father-son bond that each of them desperately needs. Though never the focus of the film, the exploration of religion and ethnicity underscores French attitudes toward immigrants in that era, and establishes differences between the main characters. Moses' openness to learning about Monsieur Ibrahim's Sufi practices and studying the Koran reflects not only the blending of cultures in 20th-century France, but also the boy's yearning for parental direction, values, and affection. A brilliant cast--including a thoughtful performance by Sharif--and a period-perfect soundtrack of American and French rock music, enhance the already compelling story. In the tradition of other films that examine the importance of the father figure, like KOLYA and THE BICYCLE THIEF, MONSIEUR IBRAHIM provides a complex, touching, humorous study of this fundamental relationship. [More]
Starring: Omar Sharif, Pierre Boulanger, Gilbert Melki, Isabelle Renauld
Starring: Omar Sharif, Pierre Boulanger, Gilbert Melki, Isabelle Renauld, Lola Naynmark, Anne Suarez
Screenwriter: Francois Dupeyron
Producer: Laurent Petin, Michele Petin
Studio: Sony Pictures Classics
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Reviews for Monsieur Ibrahim
A not-bad (nor great) exercise in heartwarming intergenerational bonding.
This modest, sentimental film looks nostalgically back on Paris in the mid-1960's and casts a loving, oblique glance at the French movies of that era.
Good intentions meet maladroit writing in Francois Dupreyon's tacky coming-of-age drama, which skillfully imagines the bustle of 1960s Paris but neglects to insert any plausible characters therein.
Sharif gives a wonderfully understated performance . . .a half-smile, a pursed lip, fills the screen with the warm glow of emotions deeply felt and expertly rendered.
A coming-of-age movie in the vein of--though superior to--a Tony Gatlif special
A warm drama of mentorship and coming-of-age whose low-level tribulations are smartly counterbalanced by some fine acting and direction.
Ibrahim transcends the cliche with the delicacy of the two central performances.
In this first sequence in Monsieur Ibrahim, Moses appears a typical teenaged boy, trying out his masculine prerogative and simultaneously unsure of what he wants.
Anchored by two superb performances, the film becomes slightly more engaging than it has any right to.
While the story is sentimental, heartfelt acting makes its impact less manipulative.
Sharif sparkles as a Turkish grocery store owner and self-styled philosopher who brings sunshine into the life of a lonely boy.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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