An unappealing comedy with a terminal case of bad choices
Monster-in-Law (2005)
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Reviews Counted:161
Fresh:25
Rotten:136
Average Rating:4.2/10
Consensus: While Jane Fonda steals the movie in her return to the screen, a tired script and flimsy performances make this borderline comedy fall flat.
Rated: PG-13 [See Full Rating] for sex references and language.
Runtime: 1 hr 40 mins
Genre: Comedies
Theatrical Release:2005
Box Office: $82,820,167
Synopsis: Charlie (Jennifer Lopez) is looking for a nice guy who will appreciate her, as well as her myriad of interests and jobs. From walking dogs to painting to designing clothes to answering phones at a... Charlie (Jennifer Lopez) is looking for a nice guy who will appreciate her, as well as her myriad of interests and jobs. From walking dogs to painting to designing clothes to answering phones at a doctor's office, Charlie does it all. Keith (Michael Vartan) seems to fit the bill as a perfect match for her: he's charming, handsome, a successful doctor, and he is completely smitten with her. And now, he has proposed and wants to marry her. There's just one problem: his mother, Viola (Jane Fonda), is a nightmare. A legendary television journalist who has an on-air breakdown after being replaced by a much younger woman, Viola virtually lives for Keith, especially now that her career is apparently over. She doesn't think Charlie is good enough for her son, and she plans to do everything she can to break them up. Enlisting the help of her assistant, brutally honest Ruby (Wanda Sykes), Viola plots ways to drive Charlie crazy--and get her away from her son. She feigns illness, belittles her future daughter-in-law's jobs, and invites her son's old flame to visit at inopportune moments, among other things. But Viola underestimates Charlie, who isn't about to give up a happy future with Keith without a fight. Directed by Richard Luketic (LEGALLY BLONDE, WIN A DATE WITH TAD HAMILTON!), MONSTER-IN-LAW marks Fonda's return to the big screen following a 14-year absence. Elaine Stritch appears as Viola's own former monster-in-law. [More]
Starring: Jennifer Lopez, Jane Fonda, Michael Vartan, Wanda Sykes
Starring: Jennifer Lopez, Jane Fonda, Michael Vartan, Wanda Sykes, Adam Scott, Will Arnett, Annie Parisse, Monet Mazur
Director: Robert Luketic
Director: Robert Luketic
Screenwriter: Richard LaGravenese, Anya Kochoff
Producer: Paula Weinstein, J.C. Spink, Chris Bender
Composer: David Newman
Studio: New Line Cinema
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Reviews for Monster-in-Law
What do socio-economic differences, career discrepancies, basic incompatibilities and a teenage wardrobe on a thirtysomething matter when there are movie tickets to sell?
A kind of Meet the Fockers-lite, with bitchy scheming substituted for flushing toilets.
Monster-in-Law fails the Gene Siskel Test: 'Is this film more interesting than a documentary of the same actors having lunch?'
Elaine Stritch displays the real deal in in-law acid as Viola's late husband's mother in the film's last act
Monster-in-Law proves two things: Jane Fonda can still act and Jennifer Lopez still can't.
The stakes seem so petty and the tactics so unimaginative that it has no more appeal than stale wedding cake.
A slapstick chick-flick that flirts with a real theme before degenerating into the tale of two women playing sadistic tricks on each other.
Jane Fonda returns to the big screen in a comedy so one-dimensional and craven that it makes Meet the Parents look avant-garde.
If you’ve ever wondered what Jane Fonda would look like while scaring off a bear, the ghastly Monster-In-Law is the movie for you.
The intentionally over-the-top, at times cheerfully wicked, streak is greatly harmed by a cop-out conclusion that pushes the tone toward falsely uplifting mawkishness.
Monster-in-Law, where Bridezilla meets Godzilla, is a comedy so anemic, so toxic, that even Dracula wouldn't bite.
Calm and collected, even when going stark-raving mad, Fonda has the veneer of a true movie star and sells her title character through the sheer virtuosity of her performance.
Close, but no wad of chewing tobbacco out of the mouth of a Vietnam vet.
Fonda and Lopez take a potentially tired concept and give it new life
Cette comédie puérile n’offre absolument rien qui n’ait été mieux fait avant.
The movie could have sunk its claws deeper, but Fonda floors her comeback vehicle and you'd have to go to pre-pop diva days to find Lopez this effortlessly appealing.
If the screening I attended is anything to go by, this is a gay men’s movie whose primary function is to doll Fonda up like a drag queen and let her rip.
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