"The Meaning of Life" as a whole is clearly not Monty Python's best work, yet some of the individual sketches - the film is really just a big-budget sketch show - provide some of their most inspired moments. But overall, this is not the sort of swansong that befits the Monty Python legend.
Part of the problem is that, when the film was made (1983), British comedy was in the grip of the "alternative" revolution, as a new generation of comic writer/performers (Ben Elton, Rik Mayall, Ade Edmondson, etc) were beginning their rise to stardom and making the Python brand of humour look hopelessly out-of-date - alternative comedy was essentially comedy's "punk" to the "prog-rock" of Python.
The film opens with a beautifully-shot, but utterly pointless Terry Gilliam creation, "The Crimson Permanent Assurance", which serves little purpose other than to provide a set-up for a gag later in the film. When the film proper begins, though, the familiar Pythonesque humour kicks in, and normal business is resumed, albeit patchily.
The highlights for me are the "Live Organ Transplants" sketch, in which a man has his liver forcibly removed on his own kitchen table, and "Mr Creosote", the grossly fat diner who gorges and vomits his way to an explosive demise, both of which are the type of gross-out gags which have always found a place in British humour - even today, the "League of Gentlemen" team are proudly carrying on this tradition.
Also, some of the songs in the film are among Python's best, particularly "Every Sperm Is Sacred", a wonderfully over-the-top song-and-dance number, and the cheesey "Christmas In Heaven", in which Graham Chapman gives the greatest Tony Bennett impersonation ever committed to celluloid. Unfortunately, much of the remaining material is meandering and tedious, and just serves to pad the thing out to its already over-long 107 minutes.
Python fans will find a lot to amuse them in "The Meaning of Life", but don't expect it to be another "Holy Grail" or "Life of Brian" - it isn't.