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Moolaade (2004)
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Reviews Counted:70
Fresh:69
Rotten:1
Average Rating:8.3/10
Consensus: A vibrant, powerful, and poignant glimpse into the struggles of women in modern Africa.
Theatrical Release:Oct 15, 2004 Limited
Synopsis: African cinema's founding father, 81-year-old Ousmane Sembene, continues to be its most fiery, provocative spirit. Extending the strong feminist consciousness that marked his previous triumph Faat... African cinema's founding father, 81-year-old Ousmane Sembene, continues to be its most fiery, provocative spirit. Extending the strong feminist consciousness that marked his previous triumph Faat Kiné (as well as such earlier classics as Black Girl and Ceddo), Moolaadé is a rousing polemic directed against the stillcommon African practice of female circumcision. The action is set in a small African village, where four young girls facing ritual "purification" flee to the household of Collé Ardo Gallo Sy, a strong-willed woman who has managed to shield her own teenage daughter from mutilation. Collé invokes the time-honored custom of moolaadé (sanctuary) to protect the fugitives, and tension mounts as the ensuing stand-off pits Collé against village traditionalists (both male and female) and endangers the prospective marriage of her daughter to the heir-apparent to the tribal throne. Though the subject matter might seem weighty, this buoyant film is anything but–Sembene places the action amid a colorful, vibrant tapestry of village life and expands the narrative well beyond the bounds of straightforward, socially conscious realism employing an imaginative array of emblematic metaphors, mythic overtones, and musical numbers. Winner of the Grand Prize in the Un Certain Regard section of the 2004 Cannes Film Festival, Moolaadé was selected by many prominent critics as the best film of the entire festival. -- © New Yorker Films [More]
Starring: Fatoumata Coulibaly, Maimouna Helene Diarra, Salimata Traore, Dominique T. Zeida
Starring: Fatoumata Coulibaly, Maimouna Helene Diarra, Salimata Traore, Dominique T. Zeida, Mah Compaore, Aminata Dao
Director: Ousmane Sembene
Director: Ousmane Sembene
Screenwriter: Ousmane Sembene
Studio: New Yorker Films
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Reviews for Moolaade
The film is alive with a spirit of righteous resistance, leavening its social realism with humor, music and a fervent belief in its own goodness and truth.
To skip Ousmane Sembene's Moolaade would be to miss an opportunity to experience the embracing, affirming, world-changing potential of humanist cinema at its finest.
This movie looks innocuous at the beginning, but it quickly gets under your skin. It's hard to watch and not feel anger, compassion, pride, and ultimately, hope.
Moolaade is a privileged peek into a world we ordinarily wouldn't have access to.
A rare feature-film glimpse into African traditions and culture, Moolaade is part colorful travelogue, part social criticism, but mostly human drama.
Like Africa itself, “Moolaadé” will leave you in shock, a little breathless and grateful to have basked in its suffering as well as its joy.
Moolaadé imagines progress toward increased equality, across races, genders, nations, and generations.
Poetic, provocative and unstoppably powerful. But, depressingly, it probably won't change a thing.
Once again Sembène confirms his much-deserved reputation as Africa's greatest filmmaker.
Every character is a symbol for Sembene to realize his humanistic visions in a folklore type of cinema.
The strong tradition of the Senegalese people is felt in Moolaadé, but Sembene suggests that some traditions are meant to be broken.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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