Moonlight Mile treats grief like a new product on the Home Shopping Network, wrapping it in bright packaging, giving it a snappy catchphrase and offering a special deal that's good only for the next two hours.
Moonlight Mile (2002)
Tomatometer
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Reviews Counted:139
Fresh:89
Rotten:50
Average Rating:6.5/10
Consensus: Though the story feels rather contrived, Moonlight Mile is redeemed by the good performances of its cast.
Rated: PG-13 [See Full Rating] for some sensuality and brief strong language
Runtime: 1 hr 57 mins
Genre: Dramas
Theatrical Release:Sep 27, 2002 Limited
Box Office: $6,717,828
Synopsis: Starring Jake Gyllenhaal, Dustin Hoffman, and Susan Sarandon, MOONLIGHT MILE is a romantic drama set in 1966. Joe (Gyllenhaal) is grieving over the death of his fiancee, Diana, and is living with... Starring Jake Gyllenhaal, Dustin Hoffman, and Susan Sarandon, MOONLIGHT MILE is a romantic drama set in 1966. Joe (Gyllenhaal) is grieving over the death of his fiancee, Diana, and is living with her parents, Ben (Hoffman) and JoJo (Sarandon). Though Joe just wants to do what's right, he openly admits that he has no plan, no answers, and needs time to sort things out. Meanwhile, Ben and JoJo cling to him as their only hope after losing their daughter, and the rest of the world expects him to bounce back into dating without a moment's pause. Joe's awkwardness and unquenchable efforts to be helpful provide for some touching and softly comedic moments. The New England setting of the film, the '60s cars and clothes, and the excellent soundtrack (Sly & The Family Stone, T-Rex, Bob Dylan) provide enough atmosphere to move this emotional story right along. But it isn't until Joe meets another woman (Ellen Pompeo), who also lost someone she loved, that he regains hope and begins to be true to himself and to the people around him. [More]
Starring: Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon, Holly Hunter
Starring: Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon, Holly Hunter, Ellen Pompeo, Dabney Coleman, Allan Corduner, Richard T. Jones, Aleksia Landeau
Director: Brad Silberling
Director: Brad Silberling
Screenwriter: Brad Silberling
Producer: Mark Johnson, Brad Silberling
Composer: Mark Isham
Studio: Touchstone Pictures
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Release:
Mar 11, 2003
Reviews for Moonlight Mile
"Moonlight Mile" is like a defanged "In the Bedroom," but it finds emotional truth amidst its gimmickry.
In his determination to lighten the heavy subject matter, Silberling also, to a certain extent, trivializes the movie with too many nervous gags and pratfalls.
Mr. Silberling's vision never makes a seamless transfer to the screen.
Inside Moonlight Mile, an honest and heartbreakingly true movie is struggling to get out.
A funny/sad family melodrama that is neither as funny nor as sad as it wants to be.
The individual parts of the film are much better than the whole. But it's high-minded and worth experiencing for those parts: the performances, the alternately funny or touching scenes.
There's a keen intelligence in the writing that manages to convey that these are real people and not just cut-outs.
The type of movie you return to often, even if you never watch it again.
Manipulative and brush-stroked with so much Disney gloss it looks polyurethaned.
Silberling can't resist stretching this initially affecting story past its breaking point, resulting in a pat, predictable drama with the emotional depth of a TV movie.
[Brad] Silberling has prescribed a self-cathartic cinematic tale that both spiritually allows him to deal with a tremendous personal tragedy while also sharing a powerfully written dramatic narrative, filled with tenderness and comic flourishes, with his
My response to the film is best described as lukewarm. Maybe I found the proceedings a little bit too conventional.
Starts out as though it's going to be funny, sad and smart, but ends up merely as soggy.
Not as powerful a film as last year's In the Bedroom, which focused on a similar family tragedy. But it's more realistic, and more moving in many ways.
Sure, I hated myself in the morning. But then again, I hate myself most mornings. I still like Moonlight Mile, better judgment be damned.
Sarandon, Hoffman and the still-emerging Gyllenhall all deliver great performances, but this sad-sack flick falls short of its potential.
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