It's got poetry to it -- the poetry of humanity.
The Motorcycle Diaries (2004)
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Reviews Counted:150
Fresh:125
Rotten:25
Average Rating:7.5/10
Consensus: The Motorcycle Diaries is heartfelt and profound in its rendering of the formative experiences that turn Ernesto "Che" Guerva into a famous revolutionary.
Theatrical Release:Sep 24, 2004 Limited
Box Office: $16,680,023
Synopsis: In 1952, a young medical student and a biochemist from Argentina set off on a road trip across South America. As they straddled their beaten up motorcycle, the men talked in awed tones of the... In 1952, a young medical student and a biochemist from Argentina set off on a road trip across South America. As they straddled their beaten up motorcycle, the men talked in awed tones of the sights they were about to experience. The record of their trip may have disappeared into the ether if one of the riders departing on that fateful day hadn't been the future insurrectionary figurehead of the Cuban revolution, Ernesto "Che" Guevara (played here by Gael Garcia Bernal). The young Che's companion on the trip was his best friend, Alberto Granado (Rodrigo de la Serna), with their simple goals being to enjoy themselves, and meet some girls along the way. As the trip unfolds at the behest of their spluttering motorcycle, the boys discover more about themselves than they ever imagined possible. Ernesto clings tightly to his ideals throughout, and delights in the opportunity to put them into practice. His refusal to spend the $20 provided by his girlfriend, Chichina Ferreyra (Mia Maestro), constantly angers his travelling companion as the two succumb to pangs of hunger. Ernesto's charitable nature comes to the fore when he reveals that he gave the money to a pair of out-of-work illegal immigrants. The trip winds down as the friends offer their medical expertise to a leper colony in Peru, with the duo's youthful folly acquiescing to adulthood, and the dawning realization of where they should head in life. Based on the books THE MOTORCYCLE DIARIES (by Guevara) and TRAVELLING WITH CHE GUEVARA (by Granado), director Walter Salles (CENTRAL STATION) pulls some highly accomplished performances from his two leads. The South American landscape is breathtakingly captured on camera, with Salles vividly reproducing a continent beleaguered by poverty and disease, but containing a population in possession of an unshakeable sense of optimism, as beautifully personified by Guevara and Granado. [More]
Starring: Gael Garcia Bernal, Rodrigo de la Serna, Mia Maestro, Mercedes Moran
Starring: Gael Garcia Bernal, Rodrigo de la Serna, Mia Maestro, Mercedes Moran, Jorge Chiarella, Erto Pantoja
Director: Walter Salles
Director: Walter Salles
Screenwriter: Jose Rivera
Producer: Edgard Tenenbaum, Michael Nozik, Karen Tenkoff
Composer: Gustavo Santaolaya
Studio: Focus Features
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Reviews for The Motorcycle Diaries
It's a full-bodied portrait of a place and time and a heart ignited by all it beholds.
If I was moved despite my ingrained skepticism about Ché Guevara and Castro's Cuba, you probably will be too.
Regardless of your politics, the film is a superb transformational drama, shot through with very human moments of levity and pathos.
Best savored as a beautifully photographed and scored road trip and as a character study of disparate men who somehow fit together as friends.
Call The Motorcycle Diaries more hagiography than biography if you like, but it's undoubtedly a beautifully crafted and heartfelt one.
Salles travels a road paved with a youthful hunger for experience. Like Guevara, he wants us to keep our eyes wide open, to let the world work on us.
About the personal transformations, the modes of empathy that precede ideology.
It's the coming-of-age story of friends on a road trip, a lushly photographed travelogue through South America, and, finally, a mesmerizingly subtle and lyrical exploration of political awakening.
Interesting in the manner of a travelogue but simplistic as a study of Che's political conversion.
For a movie, this feels inadequate, despite its splendors and, later, its social dismay. It does, however, have the makings of a grand postcard.
The project delivers as both biography and road movie, and proves itself a deceptively humble epic.
Episodic and lyrical, the film suggests that, as Ernesto felt himself coming "closer to this strange human race," he also came to understand his own role.
Salles presents the evolutionary course of a young man who coincidentally became the dorm-room poster boy for an idealistic generation, and captures the lovely, heart-and-eye-opening ode to youthful possibility with affection and compassion.
Credit Mr. Salles with making all the right artistic decisions and turning what could have been a routine polemical film into a fresh mind-changing experience.
Essentially an overly long endurance test, and it wears us out by the end.
Driven by Guevara/Salles' respect for the South American people, which is why their stories have such a powerful impact on Guevara and on us.
This is the kind of impassioned, richly detailed character piece that reminds us why we fell in love with movies in the first place.
Tells a very personal tale with a central theme we can all relate to: the loss of innocence.
Latest News for The Motorcycle Diaries
September 21, 2006:
Box Office Guru Preview: Jackass Crashes into Theaters
Four new films open wide, but they may not be enough to stop the North American box office from suffering its third consecutive down weekend. More...
August 05, 2005:
Salles & Copolla to Go "On the Road" Together
Director Walter Salles and producer Francis Ford Coppola plan to bring Jack Kerouac's classic book "On the Road" to the silver screen, according to The Hollywood... More...
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