A small portrait of friendship and intergenerational connection, painted in delicate strokes and warm tones.
Mrs. Palfrey at the Claremont (2005)
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Reviews Counted:55
Fresh:38
Rotten:17
Average Rating:6.4/10
Consensus: Bittersweet and endearing, this film about aging and unexpected friendship is a lovely vehicle for Joan Plowright.
Theatrical Release:Nov 25, 2005 Limited
Synopsis: Dan Ireland's latest film is the comedy drama, "Mrs Palfrey at The Claremont", based on the best selling novel of the same name, by the late, celebrated English author, Elizabeth Taylor, for... Dan Ireland's latest film is the comedy drama, "Mrs Palfrey at The Claremont", based on the best selling novel of the same name, by the late, celebrated English author, Elizabeth Taylor, for Cineville and Picture Entertainment. The story centers around an elegant elderly lady (Mrs Palfrey) who, after being recently widowed, moves from Scotland to London to be near to her 26 year old grandson, Desmond. When Desmond fails to return any of her several phone calls, or visit her at the resident hotel she is staying (The Claremont), fate brings her together with a young writer, Ludovic Meyer, after she has an accident outside his basement flat. Eventually, Ludo ends up helping Mrs. Palfrey by playing a charade - pretending to be her grandson, so that the other off-beat elderly residents of the hotel believe that she hasn't been lying, and that she really does have a grandson. The two newly found friends discover they have a lot more in common with each other then they do with other people their own age. Ludo inadvertently leads Mrs Palfrey through her past; Mrs Palfrey inadvertently leads Ludo to his future. The young writer finally finds the story he has been looking for all his young life - and Mrs Palfrey finds the 'grandson' she never knew she had. Thus begins a deep-rooted friendship that is far reaching, and everlasting. Along the way, a few problems arise when her real grandson shows up at the hotel. The film starts one of the greatest actresses of our time, Dame Joan Plowright (Enchanted April), aka Lady Laurence Olivier, in the largest and most demanding role of her screen career, and introduces a stunning new actor in a leading role, Rupert Friend (The Libertine, Pride and Prejudice). The supporting cast consists of some of the greatest and most respected actors from the Engligh stage, Anna Massey (Peeping Tom, Frenzy), Georgina Hale (Mahler, The Devils, The Boyfriend), Millicent Martin (Alfie), Clare Higgins (this year's Best Actress Olivier Award winner for her performance in Hecuba), and newcomer Zoe Tapper (Stage Beauty). The film was photographed by Claudio Rocha, Ireland's long time cinematographer, with music by Stephen Barton. The score was produced by Ireland's long time collaborator, Harry Gregson-Williams (Kingdom of Heaven, Domino and Shrek). The film was Produced by Lee Caplin, Zachary Matz and Carl Colpaert. The screenplay was written by Ruth Sacks, with additional dialogue by Martin Donovan and Dan Ireland. -- © Official Site [More]
Starring: Joan Plowright, Rupert Friend, Zoe Tapper, Anna Massey
Starring: Joan Plowright, Rupert Friend, Zoe Tapper, Anna Massey, Robert Lang, Marcia Warren, Georgina Hale, Michael Culkin, Anna Carteret, Millicent Martin, Clare Higgins, Lorcan O'Toole, Timothy Bateson, Olivia Caffrey, Emma Pike, Sophie Linfield, Carl Proctor
Director: Dan Ireland
Director: Dan Ireland
Studio: Cineville
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Reviews for Mrs. Palfrey at the Claremont
Plowright, who has made something of a specialty of breathing life into stereotypically written older women for the past 20 years, makes the most of a rare opportunity to play someone still open to the surprises the world can bring.
Just as teenagers enjoy escapist movies, so do the elderly. They simply prefer a gentler pace. What is touching about Mrs. Palfrey is that she is allowed to be elderly, and not turned into a hip-hop granny.
Ireland, who made the brilliant, equally unfashionable The Whole Wide World, respects the kindness and concern his characters show each other.
The whole thing feels programmed; the movie's sense of humor lacks understatement. So does the movie's sense of pathos.
Not deep but much fun, it gives Plowright possibly her best role in the flickers.
Of course, sentiment in such pure form is hard to embrace. Without a realistic edge, it's like a flower arrangement: lovely for a short span, then prone to wilting.
A small film, done in a minor key. At times, it can be so slow it's like watching paint peel.
Audiences susceptible to this sort of sweet Hallmark Hall of Fame sentimentality will be taken by the movie. Everyone else will probably find it just too manipulative.
A true gem: perhaps the most thoroughly charming, and completely satisfying, independent film I've seen in the past two or three years.
Like a cup of strong British tea with a sugar cube tossed in, Dan Ireland's Mrs. Palfrey at the Claremont is at once sweet and bitter, a fairy-tale friendship in the context of an achingly lonely life.
Director Dan Ireland ... pokes his way through the plodding story, but Plowright rides above it all with a performance loaded with grace notes and tenderness.
It's funny, poignant, sweet, heartbreaking, and thoroughly entertaining. These are the kind of rich characters that make you want to pop round for a spot of tea.
Under the seamless direction of Dan Ireland, Mrs. Palfrey is enriched by the real-life parallel of watching a veteran actress in her 50th year of films.
The glorious Joan Plowright is reason enough to pay to see any film, and Mrs. Palfrey at the Claremont is no exception.
Simple-minded but sweet, Mrs. Palfrey at the Claremont is an old-age tribute that doesn't press as hard on your gag reflex as The World's Fastest Indian.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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