27% The Other Woman Apr 25
35% Brick Mansions Apr 25
39% The Quiet Ones Apr 25
90% Locke Apr 25
76% The Machine Apr 25

Top Box Office

89% Captain America: The Winter Soldier $25.6M
49% Heaven Is for Real $22.5M
47% Rio 2 $22.2M
18% Transcendence $10.9M
9% A Haunted House 2 $8.8M
62% Draft Day $5.7M
40% Divergent $5.6M
71% Oculus $5.2M
77% Noah $5.0M
89% Bears $4.8M

Coming Soon

76% The Amazing Spider-Man 2 May 02
—— Walk Of Shame May 02
100% Neighbors May 09
—— Godzilla May 16
—— X-Men: Days of Future Past May 23

Premieres Tonight

55% Bad Teacher: Season 1
27% Black Box: Season 1
—— Moone Boy: Season 2

New Episodes Tonight

—— Anger Management: Season 2
100% The Big Bang Theory: Season 7
100% Elementary: Season 2
100% Grey's Anatomy: Season 10
46% The Millers: Season 1
100% Parks and Recreation: Season 6
100% Portlandia: Season 4
55% Reign: Season 1
0% Saint George: Season 1
73% Sirens: Season 1
68% Surviving Jack: Season 1
—— Two and a Half Men: Season 11
100% The Vampire Diaries: Season 5
92% Vikings: Season 2

Discuss Last Night's Shows

72% The 100: Season 1
97% The Americans: Season 2
100% Arrow: Season 2
—— Baby Daddy: Season 3
—— Hot in Cleveland: Season 5
100% Legit: Season 2
—— Melissa & Joey: Season 3
—— The Middle: Season 5
36% Mixology: Season 1
83% Modern Family: Season 5
—— The Soul Man: Season 3
—— Suburgatory: Season 3

Mulholland Drive Reviews

Page 1 of 9
Christopher Runyon
Movie Mezzanine

We go to Mulholland Dr. not merely for explanations, but for the euphoric sense that there is something beyond our understanding affecting us as we view it.

Full Review Source: Movie Mezzanine | Original Score: A+

February 21, 2014
Austin Kennedy
Film Geek Central

It's a big mess! But not in a controlled sense like Lynch's other films.

Full Review Source: Film Geek Central | Original Score: 1.5/4

April 24, 2013
Brian Gibson
Vue Weekly (Edmonton, Canada)

Leads us into our own strange need to untangle the spools of film and dream, fiction and truth, protective fantasy and traumatic reality. Lynch uses the twinkling lights and dazzling stars of superficial LA to warp us into a deeper, stranger surreality.

Full Review Source: Vue Weekly (Edmonton, Canada)

July 24, 2012
Nell Minow
Common Sense Media

Fascinating movie for adults only.

Full Review Source: Common Sense Media | Original Score: 3/5

December 26, 2010
Nick Rogers

Billy Ray Cyrus as an amorous poolman punched by a mobster? David Lynch's commentary on independent filmmaking? Lesbian erotica as sad as it is exaggeratedly hot? Lynch's greatest puzzle box snaps together in sparse, bold, sexy and thrilling fashion.

Full Review Source: | Original Score: 4/4

September 19, 2010
Felix Vasquez Jr.
Cinema Crazed

When directors get you to ponder this much and leave a lasting impression after you've seen a movie of theirs, they have to be doing something right.

Full Review Source: Cinema Crazed

April 29, 2009
Rob Gonsalves

As moviemaking -- as pure abstract art writ large -- this is a classic, a thing of dark mystifying beauty.

Full Review Source: | Original Score: 5/5

August 25, 2008
Emanuel Levy

A summation work at midpoint career, this visually menacing horror picture, which deconstructs Hollywood as the dream factory, continues to explore such Lynchian obsessions as good vs. evil and dreams vs. nightmares.

Full Review Source: EmanuelLevy.Com | Original Score: A

October 20, 2006
Jeffrey Overstreet
Looking Closer

As art, Drive is extraordinary. As a film for general audiences, it's bound to be misunderstood, condemned as pornographic, or exploited for cheap thrills.

Full Review Source: Looking Closer | Original Score: B+

December 6, 2004
Greg Muskewitz

Once the film has its claws dug into you or has inveigled you via its seductive scent there is no way for it to relinquish its grasp, and Lynch wouldn't have it any other way.

Full Review Source: | Original Score: A

February 21, 2004
Harry Guerin
RTE Interactive (Dublin, Ireland)

Go for the performances and the photography, but don't talk about the film over coffee afterwards - you could still be ordering triple espressos the next morning.

Full Review Source: RTE Interactive (Dublin, Ireland) | Original Score: 3/5

March 26, 2003
Brian Mckay

A Sapphic Nancy Drew Mystery on the Lost Highway ... When it comes to Lynch, the journey is always more interesting than the destination

Full Review Source: | Original Score: 4/5

March 19, 2003
John R. McEwen
Film Quips Online

...A dreamy, nightmarish, highly contemplative piece of celluloid that, while it will certainly not appeal to everyone, is just the kind of thing critics love: something different.

Full Review Source: Film Quips Online | Original Score: 5/5

February 8, 2003
Wesley Lovell
Cinema Sight

Another strange and twisted film from the bizarre mind of David Lynch.

| Original Score: 3.5/4

January 29, 2003
Chris Gore
Film Threat

Some very clever experimental cinema in the Lynch vein.

Full Review Source: Film Threat | Original Score: 3.5/5

December 8, 2002
Jean Lowerison
San Diego Metropolitan

It's a self-indulgent but mostly absorbing meditation about the business of filmmaking, and Lynch spares no egos in this near-parody of the craziness that is Hollywood.

Full Review Source: San Diego Metropolitan

October 21, 2002
Margaret A. McGurk
Cincinnati Enquirer

Nobody, but nobody, makes movies as glossy, hypnotic, repellant, exciting, annoying, memorable, incoherent and entertaining as writer-director David Lynch.

Full Review Source: Cincinnati Enquirer | Original Score: 3.5/4

October 15, 2002
Mark Halverson
Sacramento News & Review

My biggest gripe is that this open-ended noir mystery, dark comedy and indictment of Hollywood as morally bankrupt Dream Factory should have felt fresher and been more fun.

Full Review Source: Sacramento News & Review | Original Score: 2/5

October 10, 2002
Brent Simon
Entertainment Today

A beautiful, woozy mystery for the id... a surrealistic gem whose terrifying visions of despair stick to you like an inescapable night sweat.

Full Review Source: Entertainment Today | Original Score: A

September 9, 2002
Philip Martin
Arkansas Democrat-Gazette

...movies needn't be coherent to be affecting, and the best art provokes emotions not easily rendered in language.

Full Review | Original Score: A

July 26, 2002
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