97% Ghostbusters Aug 29
31% As Above/So Below Aug 29
34% The November Man Aug 27
98% Starred Up Aug 27
75% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
38% If I Stay $15.7M
20% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
46% Sin City: A Dame to Kill For $6.3M
65% The Hundred-Foot Journey $5.3M
20% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% The House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

—— Jonah From Tonga: Season 1

Discuss Last Night's Shows

88% The Cosmopolitans: Season One
100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Mulholland Drive Reviews

Page 1 of 9
Christopher Runyon
Movie Mezzanine

We go to Mulholland Dr. not merely for explanations, but for the euphoric sense that there is something beyond our understanding affecting us as we view it.

Full Review Source: Movie Mezzanine | Original Score: A+

February 21, 2014
Brian Gibson
Vue Weekly (Edmonton, Canada)

Leads us into our own strange need to untangle the spools of film and dream, fiction and truth, protective fantasy and traumatic reality. Lynch uses the twinkling lights and dazzling stars of superficial LA to warp us into a deeper, stranger surreality.

Full Review Source: Vue Weekly (Edmonton, Canada)

July 24, 2012
Nell Minow
Common Sense Media

Fascinating movie for adults only.

Full Review Source: Common Sense Media | Original Score: 3/5

December 26, 2010
Nick Rogers

Billy Ray Cyrus as an amorous poolman punched by a mobster? David Lynch's commentary on independent filmmaking? Lesbian erotica as sad as it is exaggeratedly hot? Lynch's greatest puzzle box snaps together in sparse, bold, sexy and thrilling fashion.

Full Review Source: | Original Score: 4/4

September 19, 2010
Felix Vasquez Jr.
Cinema Crazed

When directors get you to ponder this much and leave a lasting impression after you've seen a movie of theirs, they have to be doing something right.

Full Review Source: Cinema Crazed

April 29, 2009
Rob Gonsalves

As moviemaking -- as pure abstract art writ large -- this is a classic, a thing of dark mystifying beauty.

Full Review Source: | Original Score: 5/5

August 25, 2008
Joe Lozito
Big Picture Big Sound

Full Review Source: Big Picture Big Sound | Original Score: 3/4

December 27, 2007
Emanuel Levy

A summation work at midpoint career, this visually menacing horror picture, which deconstructs Hollywood as the dream factory, continues to explore such Lynchian obsessions as good vs. evil and dreams vs. nightmares.

Full Review Source: EmanuelLevy.Com | Original Score: A

October 20, 2006

Film Threat

Full Review Source: Film Threat | Original Score: 3.5/5

December 6, 2005

Film Threat

Full Review Source: Film Threat | Original Score: 4.5/5

December 6, 2005
Steven Snyder
Zertinet Movies

Full Review Source: Zertinet Movies | Original Score: 4/4

October 1, 2005
Jeffrey Overstreet
Looking Closer

As art, Drive is extraordinary. As a film for general audiences, it's bound to be misunderstood, condemned as pornographic, or exploited for cheap thrills.

Full Review Source: Looking Closer | Original Score: B+

December 6, 2004

Apollo Guide

Full Review Source: Apollo Guide | Original Score: 90/100

March 16, 2004
Greg Muskewitz

Once the film has its claws dug into you or has inveigled you via its seductive scent there is no way for it to relinquish its grasp, and Lynch wouldn't have it any other way.

Full Review Source: | Original Score: A

February 21, 2004
Jim Shelby
Palo Alto Weekly

| Original Score: 3/4

May 20, 2003
Harry Guerin
RTE Interactive (Dublin, Ireland)

Go for the performances and the photography, but don't talk about the film over coffee afterwards - you could still be ordering triple espressos the next morning.

Full Review Source: RTE Interactive (Dublin, Ireland) | Original Score: 3/5

March 26, 2003
Brian Mckay

A Sapphic Nancy Drew Mystery on the Lost Highway ... When it comes to Lynch, the journey is always more interesting than the destination

Full Review Source: | Original Score: 4/5

March 19, 2003
John R. McEwen
Film Quips Online

...A dreamy, nightmarish, highly contemplative piece of celluloid that, while it will certainly not appeal to everyone, is just the kind of thing critics love: something different.

Full Review Source: Film Quips Online | Original Score: 5/5

February 8, 2003
Wesley Lovell
Cinema Sight

Another strange and twisted film from the bizarre mind of David Lynch.

| Original Score: 3.5/4

January 29, 2003
Chris Gore
Film Threat

Some very clever experimental cinema in the Lynch vein.

Full Review Source: Film Threat | Original Score: 3.5/5

December 8, 2002

Sight and Sound
June 18, 2012
Jennie Kermode
Movie Gurus
November 9, 2011
Todd McCarthy
Top Critic IconTop Critic
June 19, 2008
Derek Adams
Time Out
Top Critic IconTop Critic
June 24, 2006
George Gallucci
February 25, 2004
Alexander Walker
This is London
December 15, 2003
Christopher Tookey
Daily Mail [UK]
December 15, 2003
Kevin N. Laforest
Montreal Film Journal
September 10, 2002
Urban Cinefile Critics
Urban Cinefile
August 17, 2002
Betty Jo Tucker
ReelTalk Movie Reviews
August 2, 2002
Jimmy O
Film Snobs
June 10, 2002
Maximilian Le Cain
Senses of Cinema
March 25, 2002

Boston Phoenix
March 24, 2002
March 2, 2002
February 26, 2002
Emily Blunt
Blunt Review
January 20, 2002

January 6, 2002
Rich Cline
Shadows on the Wall
December 10, 2001

St. Louis Post-Dispatch
Top Critic IconTop Critic
October 20, 2001

Ebert & Roeper
Top Critic IconTop Critic
October 18, 2001
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