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Movies / Upcoming / Must Read After My Death
Must Read After My Death

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Must Read After My Death (2009)

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Reviews Counted:45

Fresh:42

Rotten:3

Average Rating:7.5/10

Consensus: Impressively constructed from home movie clips and audio recordings, Must Read After My Death is both searing and intimate.

Rated: Not Rated

Runtime: 73 mins

Genre: Education/General Interest

Theatrical Release:Feb 20, 2009 Limited

Synopsis: The audio crackles and hums over a black screen, a woman's voice speaks "Friday, November 3rd, 1967. Hartford. This tape recorder was purchased so I might put down things I wanted our children to... The audio crackles and hums over a black screen, a woman's voice speaks "Friday, November 3rd, 1967. Hartford. This tape recorder was purchased so I might put down things I wanted our children to know. Then Bruce was taken sick and it became a therapeutic device for all of us. Well, let's start out... "

This is the voice of Allis.

In the 1950's and '60s Allis made over 200 8mm home movies of her happy life family. In the '60s, she made a series of audio recordings that would eventually be over fifty hours of spoken material, documenting the decline of her marriage for her psychiatrist.

Already in '61, in spoken letters on dictaphone records to and from her husband Charley, cracks are showing in the relationship. By 1965 they have decided to seek counseling. Allis outlines her reasons for this on a tape she secretly makes for their marriage counselor of the things she is not ready to talk about in front of Charley.

This eventually grew into a 300-page single spaced typed file on her marriage that included notes and transcripts of arguments. It constitutes her ‘case against Charley’.

A series of psychiatrists helped the family from bad to worse. Allis was encouraged to record her thoughts, and even the arguments at home by her psychiatrists. Later she plays the tapes to her principle therapist, the shadowy Dr. Lenn, as proof of her innocence. The confrontational sessions just heighten their anger. Allis and Charley’s fights get worse and worse.

Between 1967 and 1969 every member of the family goes into analysis. Bruce, at the age 14, is sent to an adult mental institution for nine months because he is acting out. Douglas spends the better part of his 9th and 10th years home school. When Chuck is killed in a car accident, the family takes a hiatus from therapy.

A year later Allis writes Dr. Lenn a letter, outlining once again Charley’s failings. She leaves it on the dining room table and Charley reads it, oddly resigned. Allis’ comments on this are the last page of her file. The two days later, Charley is curled up on the floor next to the bed, dead.

Must Read After My Death, is entirely created out of the tapes, films and photos Allis and her family made. As a family, they narrate their own tragedy in real-time. The director, Morgan Dews, is Allis and Charley's grandson.--© Official Site [More]

Director: Morgan Dews

Director: Morgan Dews
Producer: Morgan Dews, Sarah Langley
Composer: Paul Damian Hogan
Studio: Gigantic Pictures

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Reviews for Must Read After My Death

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Reviews
Tomatometer Critic Review Category
tomato
4/5

Chris Barsanti

A polarizing family secrets drama whose moment of revelation is continually diverted in favor of enticing new fragments of the truth...

Full Review Source: | comment Comment | Mar., 23 2009 06:49 AM

Filmcritic.com

tomato
7/10

Susan Granger

It's haunting and troubling, therapeutically transforming home movies into visual art.

Full Review Source: | comment Comment | Mar., 08 2009 08:00 AM

SSG Syndicate

tomato
B+

Peter Rainer

An unsettling portrait of a broken family.

Full Review Source: | comment Comment | Mar., 02 2009 11:17 AM

Christian Science Monitor

tomato
4/5

Betsy Sharkey

A searing and intimate account of an unconventional woman struggling not to lose her identity or her sanity in the rigid 1950s suburban world of stay-at-home moms, well-behaved children and sparkling-clean houses.

Full Review Source: | comment Comment | Feb., 27 2009 02:34 PM

Los Angeles Times

tomato
A-

Amy Nicholson

Like other family doc gothics, the heart of the suburbs is-gasp!-black as bile; unlike them, however, this has a strong female voice that gives us chills from beyond the grave

Full Review Source: | comment Comment | Feb., 26 2009 06:16 PM

I.E. Weekly

tomato

Rick Kisonak

It’s mesmerizing.

Full Review Source: | comment Comment | Feb., 26 2009 11:41 AM

Film Threat

tomato
3.5/4

Michael Phillips

A bloodcurdling 75-minute diary assembled from an astonishing stash of audiotapes and Dictaphone recordings, cries and whispers out of one documentary filmmaker's family history.

Full Review Source: | comment Comment | Feb., 26 2009 11:39 AM

Chicago Tribune

tomato

Cynthia Fuchs

As it makes narrative sense out of experience, it also leaves much of the nonsense in place, not explaining or rationalizing, but showing that such inclinations - by doctors, husbands, and even mothers - can be as disturbing as the chaos they seek to fix.

Full Review Source: | comment Comment | Feb., 26 2009 11:29 AM

PopMatters

splat

Michael Sragow

I applaud Gigantic's desire to bring independent-film distribution into the new-millennial cutting edge. But I'll judge its success only after the company has streamed more real, live movies.

Full Review Source: | comment Comment | Feb., 26 2009 11:25 AM

Baltimore Sun

tomato

Ella Taylor

Dews helps Allis hold out a gendered posthumous snapshot of an era whose smug surface, barely masking oceans of suffering, makes Revolutionary Road look like a tea party.

Full Review Source: | comment Comment | Feb., 26 2009 09:43 AM

L.A. Weekly

tomato
B+

Lisa Schwarzbaum

File this 'therapeutic' movie, well made and creepy, on the dysfunction-as-art shelf 
next to Capturing the Friedmans.

Full Review Source: | comment Comment | Feb., 25 2009 01:32 PM

Entertainment Weekly

tomato
4/5

Dan Lybarger

'Must Read After My Death' feels less like a documentary and more like a loud scream for help.

Full Review Source: | comment Comment | Feb., 21 2009 09:35 PM

eFilmCritic.com

tomato
B

Mark Pfeiffer

The obvious but effective tactic of contrasting words and visuals scrapes off the veneer of domestic bliss that people put on for the world and which gets pasted in scrapbooks and hung on walls.

Full Review Source: | comment Comment | Feb., 21 2009 11:15 AM

Reel Times: Reflections on Cinema

tomato
9/10

Nora Lee Mandel

One of the most sympathetic and revealing portraits of a suburban woman in crisis ever made in any medium.

Full Review Source: | comment Comment | Feb., 21 2009 06:18 AM

Film-Forward.com

splat

Kurt Loder

The stuttery films and faded, scratchy photos show us a suburban American family straight out of the media cliche machine.

Full Review Source: | comment Comment | Feb., 20 2009 02:05 PM

MTV

tomato
4.5/5

John P. McCarthy

This account of his maternal grandparents and their children functions as a time capsule from 1960s America and as an engrossing alternative to Revolutionary Road.

Full Review Source: | comment Comment | Feb., 20 2009 01:25 PM

Boxoffice Magazine

tomato
3/4

Kyle Smith

A spare but riveting documentary.

Full Review Source: | comment Comment | Feb., 20 2009 12:30 PM

New York Post

tomato
4/5

Elizabeth Weitzman

Dews wisely realizes that he needs nothing more than his grandparents' writings, recordings and home movies to portray the stark emptiness of Allis' life, as well as the sexist, neurotically conformist culture that smothered her.

Full Review Source: | comment Comment | Feb., 20 2009 12:26 PM

New York Daily News

tomato

Eric Monder

It would take a pretty good filmmaker to turn Grandma's old home movies and audio tapes into something mysterious and chilling, but Morgan Dews has done that with this provocative documentary.

Full Review Source: | comment Comment | Feb., 20 2009 09:50 AM

Film Journal International

tomato

Marshall Fine

Must Read After My Death makes no brief for these people as remarkable, exceptional or unusual. That may be the most frightening thing of all.

Full Review Source: | comment Comment | Feb., 20 2009 05:10 AM

Hollywood & Fine

 
 
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