My Fair Lady Reviews
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Rex Harrison is Professor Henry Higgins, a wealthy, cultured, and highly educated lphoneticist who makes a bet with his colleague Colonel Pickering (Wilfrid Hyde-White) that he can take an uncouth cockney flower girl (Audrey Hepburn) and transform her into a duchess by the time the Embassy Ball comes around. It's a tale as old as time, but a quite endearing one nonetheless, especially since several more versions have been filmed since this one, namely Pretty Woman and She's All That.
This particular telling of the story though is one that's quite special. It's rightly regarded as a classic, and one of the best musicals ever. I won't disagree. The music is great, as is the singing ,even though Harrison mostly talk-sings, and Hepburn got dubbed over by someone else. Now that's I've finally seen this version, I'm able to see yet another musical that has been quite influential on Seth MacFarlane, mostly with his show Family Guy. Not only did they make an episode that's a nonmusical remake of this film's presence, but Rex Harrison (his appearance, voice, and mannerisms) is one of the primary influences on the character of Stewie.
The story evolves as you think it might, with there being lots of ups and downs, trials and tribulations, and some successes as well as missteps. For the longest time though, the film prrogresses in a rather realistic way by starting to end rather bittersweetly instead of a sappy romantic happy ending. However, shades of this latter ending do start to rear their head, but not enough so to make me totally angry or derail things. Also, while a lot of the music is good, it's not all great, so these reasons are mainly why I'm giving such an otherwise extremely great and well made film a half star less than perfect.
Could the film be better? Sure. But not by much, As it stands, this is a very fun movie that's far more enjoyable and engaging than the premise might make it seem. The performances are iconic, the sets and costumes stunning, and the tunes are pretty memorable. Give this one a go. It definitely lives up to its reputation.
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I never saw this classic film until I got news that I was going to be in my high school's production of the musical of the same name (similar with Fiddler On The Roof). When I first watch this film, I had no expectations and walked in clean minded. What I got was two hours and fifty minutes of a movie that I had seen so many parodies of that I was able to know exactly what was happening and when. Did this take away from the film's charm? No, but for a new generation of viewers, this basically means that they won't have the privilege of being shocked at the events of the film.
The main thing that shocked me about this film is how beautiful and clean this looks. This film was made during a time when color was still relatively new and here it embraces the idea of making this colored in such a gorgeous way that you can't help but admire all that you see. Everything from the dirt poor streets to the magnificent set used for the Ascot Race is... stunning. Yeah, that is the best way to describe this film in terms of looks: magnificent. In a day where almost all films have computer graphics, this film reminds us why we love classic films all over again.
I am still puzzled as to why Julie Andrews did not reprise her role in the film adaption, but in a way, I am kind of glad that Audrey Hepburn played the main female lead. Not only because it meant that Julie Andrews could now play in Mary Poppins, but also because Hepburn would later go on to make the film's main female cockney memorable with her use of the cockney voice. My only complaint is that she never does any of her own singing in this film. Sorry, but that is a distraction to me. I put up with it for as long as I can, but one can only take so much before you wish they allowed her to sing.
Rex Harrison is wonderful as he embodies this role. As I said, I was in an adaption of My Fair Lady and as such, I had to go and watch other performances to understand how this, being the play, would work. One thing I noticed is that no one can preform Professor Higgins at all. Well, not nearly as good as Harrison. He made this role forever in one image and that is all that we need. Many have imitated his Oscar winning performance, but no one has been able to equal him.
That takes me back to what I said earlier: this film is embedded in our pop culture. You don't have to see the film to know how things play out, but you do need to in order to see why this film is really remembered for what it is: a wonderful musical that not only charms people, but continues to delight people with it's off-key romance and songs that are beyond fun to sing to.
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It's somewhat disappointing that Eliza's voice was not that of Audrey Hepburn's, but I'm sure it's because she looked the part and the person who's voice appears on the songs I hope has recognition.
A long film, but a classic Musical.
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The reason for this is simple; Hepburn brings her "own spark of divine fire", (to quote Higgins) to the role and her vulnerability, mixed with her sweet, naive charm and even her wonderfully juvenile pettishness shown in "Just You Wait" all prove what a talented actress she really is.
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