I imagine My Architect would have worked just as well as a personal essay with a nice photo spread for Harper's Magazine or The New Yorker.
My Architect: A Son's Journey (2003)
Tomatometer
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Reviews Counted:89
Fresh:83
Rotten:6
Average Rating:7.5/10
Consensus: A moving and enlightening documentary about architect Louis Kahn.
Theatrical Release:Nov 12, 2003 Limited
Box Office: $2,672,377
Synopsis: My Architect is a tale of love and art, betrayal and forgiveness -- in which the illegitimate son of a legendary artist undertakes a five year, worldwide exploration to understand his long-dead... My Architect is a tale of love and art, betrayal and forgiveness -- in which the illegitimate son of a legendary artist undertakes a five year, worldwide exploration to understand his long-dead father. Louis I. Kahn, who died in 1974, is considered by many architectural historians to have been the most important architect of the second half of the twentieth century. A Jewish immigrant who overcame poverty and the effects of a devastating childhood accident, Kahn created a handful of intensely powerful and spiritual buildings -- geometric compositions of brick, concrete and light -- which, in the words of one critic, "change your life." While Kahn's artistic legacy was an uncompromising search for truth and clarity, his personal life was filled with secrets and chaos: He died, bankrupt and unidentified, in the men's room in Penn Station, New York, leaving behind three families -- one with his wife of many years and two with women with whom he'd had long-term affairs. In My Architect, the child of one of these extra-marital relationships, Kahn's only son Nathaniel, sets out on an epic journey to reconcile the life and work of this mysterious, contradictory man. The riveting narrative leads us from the subterranean corridors of Penn Station to the roiling streets of Bangladesh (where Kahn built the astonishing Capital), and from the coast of New England to the inner sanctums of Jerusalem politics. Along the way, we encounter a series of characters that are by turns fascinating, hilarious, adoring and critical: from the cabbies who drove Kahn around his native Philadelphia, to former lovers and clients, to the rarified heights of the world's most celebrated architects -- Frank Gehry, I.M. Pei and Philip Johnson among them. In My Architect, the filmmaker reveals the haunting beauty of his father's monumental creations and takes us deep within his own divided family, uncovering a world of prejudice, intrigue and the myths that haunt parents and children. In a documentary with the emotional impact of a dramatic feature film (including an original orchestral score), Nathaniel's personal journey becomes a universal investigation of identity, a celebration of art and ultimately, of life itself. -- © New Yorker Films [More]
Director: Nathanial Kahn
Director: Nathanial Kahn
Producer: Susan Rose Behr, Nathanial Kahn
Composer: Joseph Vitarelli
Studio: New Yorker Films
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Reviews for My Architect: A Son's Journey
The young Kahn is not a graceful filmmaker. Yet the subject matter is engrossing for anyone interested in architecture and also one of its greatest practitioners.
We're in a moment of boys reconsidering their dads: Both 'Big Fish' and 'The Barbarian Invasions' invoke similar relationships. But 'My Architect,' unlike those two movies, parries rose-tinted pretensions with stronger senses of history and truth.
Kahn’s triumph is a small-scale monument to one of the deepest human needs, the longing for a bridge between man and his maker.
An at times heartbreaking exploration into the past of a man so secretive that his longtime professional associates and family--or families, more accurately--only knew certain sides of his multifaceted and divided character.
A quiet, inspiring study of the vagaries of genius, the blindness of commerce, the pain of family conflicts and the almost sublime power of great architecture or great art.
One of the most brilliant and touching nonfiction films in recent memory.
The drive to fill a personal emptiness leads, in this case, to so much more to value.
Not only repeats the now-familiar approach, but does so in a transparent, uninspiring manner.
What emerges is a vital portrait: Not just of Kahn and his work, which we see lavishly and lovingly photographed, but a heartbreaking illustration of the importance of the father-child relationship.
Filmmaking as personal therapy...nonetheless, worthwhile in providing background on a major architect of thrilling accomplishment
Filmmaking as personal therapy...nonetheless, worthwhile in providing background on a major architect of thrilling accomplishment
In the end, maybe, Nathaniel sees his father's buildings as living relics; full of light, they're also full of life, none more so than the building in the capital of Bangladesh.
Does Nathaniel finally find his father? If so, it's neither to excuse nor to condemn him but to do what he was unable properly to do at his father's wake: say goodbye.
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| 36% 36% | Angels & Demons |
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