Narratives and places are secondary to the dreamy, bitter-sweet tone Wong is so keen to evoke, and with which, like a scent one might spray on too liberally, he saturates every scene.
My Blueberry Nights (2008)
Tomatometer
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Reviews Counted:115
Fresh:56
Rotten:59
Average Rating:5.5/10
Consensus: Though well filmed, My Blueberry Nights is a mixed bag of dedicated performers working with thin material.
Theatrical Release:Apr 4, 2008 Limited
Box Office: $724,907
Synopsis: With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS... With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets out across America to find herself and recover. She makes a stop in Memphis, where she pulls double-duty at a diner by day and a bar at night, and watches the disintegration of another pair of troubled lovers (David Strathairn and Rachel Weisz). She moves on to Nevada where she befriends a vivacious card player and smalltime hustler (a delightfully saucy Natalie Portman) who challenges her notions of contentment. However, it is New York City and the arms of an English café owner (Jude Law) for which Elizabeth's heart truly longs and ultimately returns. While MY BLUEBERRY NIGHTS isn't Wong's best film--as it suffers from some clunky, heavy-handed dialogue and some frustratingly broad performances--it still contains all of the hallmarks of his aesthetic, and is therefore hard not to fall for. The film is undeniably beautiful, and features the director's trademark visual sense: shimmering neons, lush chiaroscuro, and swirling slow-motion images. It makes for a seductive view of America, one populated by swaggering, yet deeply melancholic drifters that listen to Otis Redding and Ruth Brown, drink too much, and love even more. The sadness and tears that emerge from America's taverns in the wee hours are as breathtakingly alluring as its natural landscapes. In Wong's hands, everything is cast in the light of joy-life and death, suffering and happiness-and the same goes for his understanding of America. Whether this America ever existed is wholly irrelevant; for when you watch a Wong movie, you happily enter his country, wherever that may be. [More]
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman, Rachel Weisz
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai, Lawrence Block
Story: Wong Kar-Wai
Producer: Wong Kar-Wai, Jacky Pang Yee Wah
Composer: Ry Cooder
Studio: Weinstein Company
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Reviews for My Blueberry Nights
Far from a disaster, but it does feel like a footnote. It’s difficult to see why the great director and very talented performers worked so hard to deliver such thin material.
Ornamental details like cigarette smoking and messy handwriting keep the settings tight and constrictive. Still, there's awkward shakiness that's fortified with interjections of high-volume, often-distracting soundtrack.
The longer this slice of fanciful blueberry-pie Americana sits with me, the better I like it.
Fortunately, Mr. Wong has made the perilous journey into a new language without sacrificing his artistic soul and very personal visual style.
In My Blueberry Nights, Wong Kar-wai’s first American-set, English-language film -- and his first feature shot on video -- the Hong Kong filmmaker has achieved a ravishing, triple triumph.
As someone who has an aversion to most contemporary romantic movies, Wong is a filmmaker whose lush romanticism makes me swoon.
Wong Kar Wai's dreamy film boasts strong performances but ultimately feels more like a wistful character study than a heartfelt romance.
My Blueberry Nights is like a short film that goes on for too long. It is a flimsy, if inoffensive, addition to Wong Kar Wai's canon, an insignificant diversion at best.
It's not Kar-Wai's best work, but cast Tony Leung and Maggie Cheung in the leads, toss in subtitles and some of the same dissenters may be calling it his latest masterpiece.
My Blueberry Nights feels like an abundantly attractive travelogue, the work of an artist who's passing through rather than taking up residence.
mostly a success, though set apart from Wong's previous work in that it won't have people coming back over and over again
Fans of Chinese director Wong Kar Wai's dreamy, romantic films will find My Blueberry Nights a luscious treat, although newcomers to his world of sensuous longing will no doubt wonder what all the fuss is about.
Less sensuous than the pie à la mode, more nuanced than the doors opening and closing, cutting the cards might not change any odds, but it does offer an illusion of choice.
I spent the whole 90 minutes in a state of bemused, vaguely pleasurable anticipation, always hoping for the next gorgeous image to come along and sweep me away.
El director de Con ánimo de amar y 2046 se traslada con éxito a Estados Unidos, donde filma una historia de amor sugestiva, íntima y encantadora.
It's sweet and mostly satisfying, like a silky dessert at the end of a relaxed meal.
A movie for those of us who have wanted to see Wong Kar Wai's talents applied to storytelling rather than abstraction.
Latest News for My Blueberry Nights
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June 28, 2008:
The movie is all over the map in more than just its cross-country itinerary, and these stars are all far too good looking to imagine them as unrequited lovers and perpetual losers. But that blueberry pie sure looks awfully good. ![]()
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