Wong Kar Wai's strange pastry-filled reverie My Blueberry Nights is not for those who like movies in which things happen; rather, it's for those in a mood to float, sometimes deliciously.
My Blueberry Nights (2008)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:115
Fresh:56
Rotten:59
Average Rating:5.5/10
Consensus: Though well filmed, My Blueberry Nights is a mixed bag of dedicated performers working with thin material.
Theatrical Release:Apr 4, 2008 Limited
Box Office: $724,907
Synopsis: With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS... With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets out across America to find herself and recover. She makes a stop in Memphis, where she pulls double-duty at a diner by day and a bar at night, and watches the disintegration of another pair of troubled lovers (David Strathairn and Rachel Weisz). She moves on to Nevada where she befriends a vivacious card player and smalltime hustler (a delightfully saucy Natalie Portman) who challenges her notions of contentment. However, it is New York City and the arms of an English café owner (Jude Law) for which Elizabeth's heart truly longs and ultimately returns. While MY BLUEBERRY NIGHTS isn't Wong's best film--as it suffers from some clunky, heavy-handed dialogue and some frustratingly broad performances--it still contains all of the hallmarks of his aesthetic, and is therefore hard not to fall for. The film is undeniably beautiful, and features the director's trademark visual sense: shimmering neons, lush chiaroscuro, and swirling slow-motion images. It makes for a seductive view of America, one populated by swaggering, yet deeply melancholic drifters that listen to Otis Redding and Ruth Brown, drink too much, and love even more. The sadness and tears that emerge from America's taverns in the wee hours are as breathtakingly alluring as its natural landscapes. In Wong's hands, everything is cast in the light of joy-life and death, suffering and happiness-and the same goes for his understanding of America. Whether this America ever existed is wholly irrelevant; for when you watch a Wong movie, you happily enter his country, wherever that may be. [More]
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman, Rachel Weisz
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai, Lawrence Block
Story: Wong Kar-Wai
Producer: Wong Kar-Wai, Jacky Pang Yee Wah
Composer: Ry Cooder
Studio: Weinstein Company
Get This Movie
Rent DVD
Click on the "ADD" button to put this movie into your Netflix queue.
Buy DVD
Reviews for My Blueberry Nights
Few directors regularly exploit so well film's capacity for capturing the present and the past in the same instant. Wong is plugged into a special zone that feels that joy of experience and the pain of recollection simultaneously.
For all its implied weightiness and melancholy, My Blueberry Nights is a confection that leaves you feeling empty.
Though it's beautifully shot (and characteristically drenched in red-orange light), the characters gently bump each other away, like slow-rolling billiard balls.
My Blueberry Nights is Wong Kar Wai's first English-language movie. Perhaps not coincidentally, it's also his worst movie.
It's a store-bought bakery-window display cake, infused with flavor essences and color-enhancers. (Is there a cinematic MSG that intensifies the sweetness of eye candy?)
Yes, if another filmmaker had made My Blueberry Nights, I would probably be able to recommend it, but knowing what Wong Kar Wai's capable of, I just can't shake the bitter feeling left by this sweet treat.
The Hong Kong director's efforts to transplant things to a distinctly American tableau fail. Prettily, but miserably.
Wong's beautiful frames, filled with windows, lights and colors and a dazzling array of sounds (from distant thunder to tinkling bracelets) establish his all-important mood
Ornamental details like cigarette smoking and messy handwriting keep the settings tight and constrictive. Still, there's awkward shakiness that's fortified with interjections of high-volume, often-distracting soundtrack.
"My Blueberry Nights" is perhaps the most deliriously entertaining thing that Wong has ever made, at least since the equally rapturous "Chungking Express."
This is a kind of storytelling I love, about moments captured in time, about the sensuality of image, about the overwhelming emotional assault of loving and living.
A star-driven pseudo-indie affair that will please neither celebrity worshipers nor cineastes.
Wai fills the void with pointless slow-mo shots while pushing his real talent to commit over-acting hara-kiri with syrupy drawls and nonsense perspectives
Like My Blueberry Nights, [Jones' Elizabeth] is a looker with depressingly little going on beneath her striking facade.
Mostly, My Blueberry Nights is irritating and plodding, saved only slightly by Law's lively performance.
I spent the whole 90 minutes in a state of bemused, vaguely pleasurable anticipation, always hoping for the next gorgeous image to come along and sweep me away.
Jones displays some acting chops, but the character she creates with Wong has all the personality of a museum tour guide.
In My Blueberry Nights, Wong Kar-wai and his cinematographer, Darius Khondji, make America look so pretty that you may have trouble recognizing it.
Latest News for My Blueberry Nights
June 30, 2008:
RT on DVD: Tarantino on Inglorious Bastards DVD, Godfather Trilogy Restored
This week in DVD news, Francis Ford Coppola brings you the Godfather trilogy (again), Quentin Tarantino is super excited about the original Inglorious Bastards, and Hancock may... More...
June 28, 2008:
The movie is all over the map in more than just its cross-country itinerary, and these stars are all far too good looking to imagine them as unrequited lovers and perpetual losers. But that blueberry pie sure looks awfully good. ![]()
More...
April 03, 2008:
Critics Consensus: Leatherheads Has its Ups and Downs; Nim's Island is Stranded; Guess The Ruins' Tomatometer!
This week at the movies, we've got pigskin pratfalls (Leatherheads, starring George Clooney and Renée Zellweger), isle imagination (Nim's Island, starring Jodie Foster and... More...
March 25, 2008:
Trailer & Poster review ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- My Blueberry Nights at Rotten Tomatoes
- My Blueberry Nights at IGN
Fresh Links
Featured

The director talks about puppetry perfection and his film, Fantastic Mr. Fox

Hollywood.com ponders whether or not an animated film could win Best Picture.

Richard Corliss previews the season's best offerings and hottest tickets.

The AV Club's Mike D'Angelo airs his beefs with Alfonso Cuaron's Children of Men.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



