This is a really fascinating movie, but you'll wish it were longer -- long enough, say, to see how history treats Marla's work. Or maybe just long enough to see her enter Grade 1.
My Kid Could Paint That (2007)
Tomatometer
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Reviews Counted:78
Fresh:73
Rotten:5
Average Rating:7.8/10
Consensus: Director Amir Bar-Lev grapples with exposing the authenticity of four-year-old Marla's paintings at the sake of burdening her publicly shamed family to transfixing results.
Theatrical Release:2007
Synopsis: In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York.... In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York. Marla was all of four years old when she sold her first abstract painting. When the New York Times published a piece about her prodigious talent, she became an overnight media sensation, and her paintings quickly began to sell for up to five figures. While many lauded her amazing ability--and even likened her to Picasso--her success also sparked heated debates about the true value of abstract art. Bar-Lev begins to explore this idea, as well as our culture's fascination with child prodigies, when the film suddenly takes a sharp and unexpected turn. The impetus is a piece on 60 MINUTES in which Charlie Rose suggests that Marla may not in fact be the sole creator of her work, and that her father--himself an amateur painter--is really the mastermind. The Olmsteads are stunned by the implication, and Marla quickly falls from grace with the art world. What follows is an unsettling but nonetheless riveting examination of Marla's family. Bar-Lev suddenly finds himself in a bit of an ethical conundrum: while he would like to get at the truth for the sake of the film, he is hesitant to cause further trouble for the Olmsteads, who have granted him intimate access to their lives. He ultimately leaves it up to viewers to decide what really happened--though for many, there will likely be little doubt as to the authenticity of Marla's work. As a documentary, the film works beautifully, raising a lot of big questions about truth in art, and even about the exploitive nature of documentary film. All this because of a four-year-old girl and her paint set. [More]
Director: Amir Bar-Lev
Director: Amir Bar-Lev
Producer: Amir Bar-Lev
Composer: Rondo Brothers
Studio: Sony Pictures Classics
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Reviews for My Kid Could Paint That
What begins as a sweet documentary about yet another art prodigy becomes an absorbing look at the world of art scandals, trial by media and the parental role in the frenzied creation and perpetuation of a phenomenon.
A fascinating exploration of art, creativity, and family dynamics that takes an unexpected right hook.
As the story shifts from fanaticism to skepticism, Bar-Lev loses sight of his original line of inquiry on the nature of modern art when he doesn’t need to.
The paintings become colourfully self-deluded distortions of a world where adults project themselves back into childhood, capitalizing on both the adult nostalgia for innocence and our fascination with children who seem somehow adult.
Maybe the paintings (many of which are quite extraordinarily complex and beautiful) are indeed collaborations of a sort between Mark and Marla; should it matter?
Bar-Lev proves to be a remarkably sensitive filmmaker, one who asks questions with fairness and insight and who is constantly asking himself what effect he's having on the story.
My Kid Could Paint That" is a thought-provoking movie about the ethical shades of gray. See it for yourself.
My Kid Could Paint That is documentary gold, and you will have formed an opinion on the controversy by the time you leave the theater. You may not know art, but you'll know what you like.
While My Kid doesn't suggest that "truth is relative," it doesn't insist on a single judgment of truth. Instead, it asks viewers to ponder how certainty and doubt reinforce one another, how the need for truth creates its own truth.
Latest News for My Kid Could Paint That
March 03, 2008:
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October 04, 2007:
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August 04, 2007:
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January 22, 2007:
Sundance News: A Busy Day For Buyers as "Waitress," "Clubland," and More Sell
The deal floodgates opened today, with studios picking up "Clubland," "My Kid Could Paint That," "Waitress," "In the Shadow of the Moon,"... More...
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