What begins as a sweet documentary about yet another art prodigy becomes an absorbing look at the world of art scandals, trial by media and the parental role in the frenzied creation and perpetuation of a phenomenon.
My Kid Could Paint That (2007)
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Reviews Counted:78
Fresh:73
Rotten:5
Average Rating:7.8/10
Consensus: Director Amir Bar-Lev grapples with exposing the authenticity of four-year-old Marla's paintings at the sake of burdening her publicly shamed family to transfixing results.
Theatrical Release:2007
Synopsis: In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York.... In this fascinating documentary, filmmaker Amir Bar-Lev chronicles the rise and fall of child artist Marla Olmstead, the daughter of a dental hygienist and factory worker from upstate New York. Marla was all of four years old when she sold her first abstract painting. When the New York Times published a piece about her prodigious talent, she became an overnight media sensation, and her paintings quickly began to sell for up to five figures. While many lauded her amazing ability--and even likened her to Picasso--her success also sparked heated debates about the true value of abstract art. Bar-Lev begins to explore this idea, as well as our culture's fascination with child prodigies, when the film suddenly takes a sharp and unexpected turn. The impetus is a piece on 60 MINUTES in which Charlie Rose suggests that Marla may not in fact be the sole creator of her work, and that her father--himself an amateur painter--is really the mastermind. The Olmsteads are stunned by the implication, and Marla quickly falls from grace with the art world. What follows is an unsettling but nonetheless riveting examination of Marla's family. Bar-Lev suddenly finds himself in a bit of an ethical conundrum: while he would like to get at the truth for the sake of the film, he is hesitant to cause further trouble for the Olmsteads, who have granted him intimate access to their lives. He ultimately leaves it up to viewers to decide what really happened--though for many, there will likely be little doubt as to the authenticity of Marla's work. As a documentary, the film works beautifully, raising a lot of big questions about truth in art, and even about the exploitive nature of documentary film. All this because of a four-year-old girl and her paint set. [More]
Director: Amir Bar-Lev
Director: Amir Bar-Lev
Producer: Amir Bar-Lev
Composer: Rondo Brothers
Studio: Sony Pictures Classics
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Reviews for My Kid Could Paint That
A fascinating exploration of art, creativity, and family dynamics that takes an unexpected right hook.
The paintings become colourfully self-deluded distortions of a world where adults project themselves back into childhood, capitalizing on both the adult nostalgia for innocence and our fascination with children who seem somehow adult.
Maybe the paintings (many of which are quite extraordinarily complex and beautiful) are indeed collaborations of a sort between Mark and Marla; should it matter?
Bar-Lev proves to be a remarkably sensitive filmmaker, one who asks questions with fairness and insight and who is constantly asking himself what effect he's having on the story.
My Kid Could Paint That" is a thought-provoking movie about the ethical shades of gray. See it for yourself.
My Kid Could Paint That is documentary gold, and you will have formed an opinion on the controversy by the time you leave the theater. You may not know art, but you'll know what you like.
While My Kid doesn't suggest that "truth is relative," it doesn't insist on a single judgment of truth. Instead, it asks viewers to ponder how certainty and doubt reinforce one another, how the need for truth creates its own truth.
The open-endedness of the film makes for a rather unsatisfying non-conclusion to the story ... but like the best documentaries, it leaves you asking questions without trying to answer them for you.
Amir Bar-Lev began this documentary as a fairly straightforward portrait of a prodigy. What he ended up with was a complex examination of art, the media and the nature of fame.
Its insistent search for the truth--about art, success, family--is what keeps the film from turning into a twee human-interest column blown to main-feature length.
A bit ragged around the edges technically, but makes up for the imperfections on that score with its engrossing content.
A fascinating documentary about abstract art, child prodigies, play and media exploitation.
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August 04, 2007:
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January 22, 2007:
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The deal floodgates opened today, with studios picking up "Clubland," "My Kid Could Paint That," "Waitress," "In the Shadow of the Moon,"... More...
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