Average Rating: 4.8/10
Reviews Counted: 19
Fresh: 6 | Rotten: 13
Overstuffed and unrealistic, My Kingdom may be worth seeing if only for Richard Harris' typically fine performance.
Average Rating: N/A
Critic Reviews: 4
Fresh: 3 | Rotten: 1
Overstuffed and unrealistic, My Kingdom may be worth seeing if only for Richard Harris' typically fine performance.
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Average Rating: 3.5/5
User Ratings: 404
William Shakespeare's King Lear is transposed into a modern-dress British crime drama in this tense tale of family ties and the lust for power. Sandeman (Richard Harris) is the elderly leader of a Liverpool crime syndicate who is fiercely loyal to his wife Mandy (Lynn Redgrave) and his daughters Jo (Emma Catherwood), Tracy (Lorraine Pilkington), and Kath (Louise Lombard). When Mandy is shot dead during a street robbery, Sandeman is shattered, and decides it's time to turn the business over to
Dec 6, 2002 Limited
Primary Pictures
All Critics (21) | Top Critics (5) | Fresh (6) | Rotten (13)
Richard Harris is at his weariest, battle-scarred best...
Whereas last year's exemplary Sexy Beast seemed to revitalize the British gangster movie, this equally brutal outing merely sustains it.
Gaunt, silver-haired and leonine, [Harris] brings a tragic dimension and savage full-bodied wit and cunning to the aging Sandeman.
Harris commands the screen, using his frailty to suggest the ravages of a life of corruption and ruthlessness.
Leading man Harris and director Boyd are still capable of invigorating British cinema with style and flair.
Neither an effective gangland thriller nor an achieved elegy for a lord undone.
Would get no love were it not for Harris' powerful performance.
We spend so much time trying desperately to get everything straight in our minds that the raw punch of the material passes us by.
Suffice it to say that Shakespeare's sudden and violent ending doesn't translate well into a British crime drama.
Harris's performance is one for the ages, but the others are also up to his mark.
Watching Harris ham it up while physically and emotionally disintegrating over the course of the movie has a certain poignancy in light of his recent death, but Boyd's film offers little else of consequence.
Without Shakespeare's eloquent language, the update is dreary and sluggish.
The film lost me, and the sad twists of unrealistic mumbo jumbo crescendoing into pure mayhem ruined what could have been a thespian delight.
The cast reigns supreme, especially Harris, whose regal presence as the aging emperor of gangland grounds the story even as it suffers from narrative overload.
A baffling subplot involving smuggling drugs inside Danish cows falls flat, and if you're going to alter the Bard's ending, you'd better have a good alternative.
This ponderous, heavy-handed version of King Lear almost makes me think it's best left to the Americans.
Boyd's screenplay (co-written with Guardian hack Nick Davies) has a florid turn of phrase that owes more to Guy Ritchie than the Bard of Avon.
A favorite.
December 29, 2007Super Reviewer
i was stand in for Lyn Redgrave and doubled for her in the last two weeks .. still havent seen it tho .. thats my claim to fame :O))
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