A surefooted screen translation of Michael Chabon's beloved 1988 debut novel.
The Mysteries of Pittsburgh (2009)
Tomatometer
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Reviews Counted:38
Fresh:4
Rotten:34
Average Rating:3.9/10
Consensus: A listless interpretation of Michael Chabon's first novel, Mysteries of Pittsburgh features none of the source material's charm, but has coming-of-age film cliches in abundance.
Rated: R [See Full Rating] for strong sexuality, nudity and language.
Runtime: 1 hr 35 mins
Genre: Dramas
Theatrical Release:Apr 10, 2009 Limited
Box Office: $32,783
Synopsis: Adapting a subtle, treasured novel is no enviable task. Yet it's that admittedly mammoth undertaking that is at the core of the success or failure of THE MYSTERIES OF PITTSBURGH, director Rawson... Adapting a subtle, treasured novel is no enviable task. Yet it's that admittedly mammoth undertaking that is at the core of the success or failure of THE MYSTERIES OF PITTSBURGH, director Rawson Marshall Thurber's film version of Michael Chabon's debut novel. As a book, MYSTERIES masterfully builds upon the rich tradition of coming-of-age novels through a combination of unique characters, a simple yet intriguing plot, and a quiet celebration of the hidden delights (the "mysteries," if you will) of a small city. Thurber, who also wrote the screenplay, takes huge liberties in reworking the source material--the story of Art Bechstein (Jon Foster), the son of a known gangster, and his conflicting love for two of his bohemian friends (one a woman, the other a man) in the summer following his college graduation--and in the process creates a film that is a mere shadow of the novel on which it was based. Working with a varied cast of novice and more experienced actors (Sienna Miller, Mena Suvan, Nick Nolte, Peter Sarsgaard), Thurber does his best to recreate the melancholic wonder of falling in love, grappling with the expectations of family, and adjusting to one's adult skin, yet Chabon's novel is perhaps too nuanced to lend itself to an easy big-screen transition. That's not to say that Thurber's effort is not gallant and in its own way charming; rather, film is film, literature is literature, and, more often than not, never the twain shall meet. [More]
Starring: Jon Foster, Peter Sarsgaard, Sienna Miller, Nick Nolte
Starring: Jon Foster, Peter Sarsgaard, Sienna Miller, Nick Nolte, Mena Suvari
Director: Rawson Marshall Thurber
Director: Rawson Marshall Thurber
Screenwriter: Rawson Marshall Thurber
Producer: Michael London, Jason Mercer
Composer: Theodore Shapiro
Studio: Peace Arch Entertainment
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Reviews for The Mysteries of Pittsburgh
It's the players that invigorate The Mysteries of Pittsburgh and keenly flesh-out its emotional dimensions.
Somehow, even as writer-director Rawson Marshall Thurber slathers on the voiceover ooze or unwittingly evokes Sophie’s Choice with his central romantic triangle, he still manages to astonish with The Mysteries of Pittsburgh.
Michael Barrett's cinematography gives the film and the city of Pittsburgh just enough of a picturesque dream-like quality that, like its protagonist, you'll remember.
Too busy for three mediocre movies? Watch this gonzo drama -- a coming-of-age Mafia bisexual love triangle that's simultaneously bizarre and trite.
I can’t imagine the novel’s characters were this flat, formulaic and puzzling in their behavior.
A mess of a movie, looking to contort Chabon's novel into a darkly personal story of choice and desire. Instead the film sloppily lumbers around in search of a consistent dramatic path. It's handsome enough, just wildly misguided from frame one.
Despite the best of intentions and interesting source material, The Mysteries of Pittsburgh is a misfire on several levels.
Sarsgaard is the only interesting element, but he doesn't make the movie worth seeing.
At any middling arthouse festival, films like this are four for a dollar.
The Mysteries of Pittsburgh seems to be missing an essential element of drama, of risk, underneath its glossy, golden sheen.
Over-compressed and unoriginal, Thurber's movie of Chabon's novel has turned an imaginative book into ordinary cinema.
That one special summer after college wherein boys become men and learn about the dark doings of the world is herein re-enacted to particularly wan, if determinedly literary, effect.
The charm and drily pointed cultural observations that made Chabon's 1988 debut so auspicious are largely missing in action throughout this earnest but unconvincing film.
Here's the big mystery of Pittsburgh: How did this movie manage to be so completely terrible?
At best a sincere show of flattening, at worst a colossal bore of a coming-of-age story.
Comb through the program guide at any independent film festival and you'll find 10 movies exactly like this one.
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April 19, 2009:
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