Namesake is rough around the edges, but radiates a poignancy that's impossible to shake.
The Namesake (2007)
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Reviews Counted:122
Fresh:104
Rotten:18
Average Rating:7.5/10
Consensus: An ambitious exploration of the immigrant experience with a talented cast that serves the material well.
Rated: PG-13 [See Full Rating] for sexuality/nudity, a scene of drug use, some disturbing images and brief language.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:Mar 9, 2007 Limited
Box Office: $13,494,515
Synopsis: Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO's HYSTERICAL BLINDNESS, Mira Nair's THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the... Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO's HYSTERICAL BLINDNESS, Mira Nair's THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the bestselling book by Jhumpa Lahiri, the film follows two generations of the Ganguli family. After wedding via an arranged marriage, Ashima (Tabu) moves with Ashoke (Irrfan Khan) from her native Calcutta to New York. As Ashima struggles to adjust to life in her new home, a true love grows between the newlyweds. When they give birth to Gogol (who does not learn the true origin of his name until adulthood), the Gangolis decide to stay in American for their child's sake, settling in the suburbs and eventually giving birth to a daughter, Sonia (Sahira Nair). While Ashima and Ashoke attempt to balance their new life with Indian traditions, their children have the very different experience of being raised first-generation Americans. With little interest in their ancestry, both Gogol and Sonia disappoint their parents by having little respect for the sacrifices their parents made for them. Gogol's desire to change his name, and his relationship with a wealthy American girl (Jacinda Barrett), places a strain on the family which Gogol will later regret. Here, Penn proves he can play a serious role while still using his comedic skills to great affect. The actor shows impressive range in growing a clueless teen to a man his father would be proud of. Nair's skill at directing can be felt in the film's many great performances. Both Tabu and Irrfan Khan embody their characters so fully that the viewer really feels a personal connection to the story. As the head of the household, Khan's character will subtly make viewers laugh while breaking their heart. Packed with unique characters, THE NAMESAKE offers audiences an outlet into Bengali traditions and the immigrant experience while telling a universal story of family bonds which all parents and children should connect with. Nair excels in what is her most personal work to date. [More]
Starring: Kal Penn, Jacinda Barrett, Irrfan Khan, Zuleikha Robinson
Starring: Kal Penn, Jacinda Barrett, Irrfan Khan, Zuleikha Robinson, Tabu, Sahira Nair
Director: Mira Nair
Director: Mira Nair
Screenwriter: Sooni Taraporevala
Producer: Lydia Dean Pilcher, Mira Nair
Studio: Fox Searchlight Pictures
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Reviews for The Namesake
This sweet, but not cloying, adaptation of Jhumpa Lahiri's delicate novel brings us some wonderful moments.
Here, the director has found her most apt presentation of the American way, its blemishes and beauty marks completely intact.
What's in a Namesake? Too much, as this overstuffed adaptation of Jhumpa Lahiri’s bestseller spans two continents and 30-plus years. Fortunately, solid performances and Mira Nair's sensitive direction make the lengthy journey a pleasant one.
A saga of the immigrant experience that captures the snap, crackle and pop of American life, along with the pounding pulse, emotional reticence, volcanic colors and cherished rituals of Indian culture.
The Namesake takes in a lot of territory, and at times is too diffuse, too attenuated. But the actors are so expressive that they provide their own continuity. They transport us to a realm of pure feeling.
An intimate, melancholy look at the isolation and disorientation common to the immigrant experience.
The actors are so engaging and the settings often so seductive, we pleasurably submit to what is essentially a two-hour penance for all the hurt and wrongs one has ever inflicted upon one's parents.
Combines the intimate pleasures of a family saga with a finely sustained inquiry into the difficult balance between separation and integration that shapes the lives of first-generation immigrants and their children in crucially different ways.
Kal Penn's performance is a good cornerstone to a good, worthwhile film.
What should have been a home run for Nair is an unfocused mess of a movie that fails to really capture or keep one's interest.
The Namesake is a thoroughly engaging, terrifically moving family story that's rich in beautifully observed and lovingly conveyed human detail.
This is a generational family saga everyone can relate to, and Nair gives it her special magic.
The Namesake combines the intimate pleasures of a family saga with a finely sustained inquiry into the difficult balance between separation and integration that shapes the consciousness of first-generation émigrés and their children.
A movie that will speak to anyone who has ever felt pulled in different directions by his own heart.
An astonishing film about a Bengali family and their experiences in Calcutta and Manhattan as they deal with divided loyalties and yearn for love, freedom, and meaning.
It's full of good intentions -- too full. Love can sometimes blind you, as it does Nair, who tries to pack in too much of the book.
After the flop of Vanity Fair, Nair is back on terra firma with a more personal film that explores her consistent theme: The meaning of family--American family. The saga is colorful, but only partially effective as an adaptation of a great novel.
Few film directors have captured the real immigrant experience with the uncanny empathy which Nair has here.
Latest News for The Namesake
September 30, 2008:
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November 28, 2007:
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