Johansson is no Anne Hathaway in this pleasant but forgettable comedy.
The Nanny Diaries (2007)
Tomatometer
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Reviews Counted:124
Fresh:41
Rotten:83
Average Rating:4.9/10
Consensus: The Nanny Diaries' miscast lead and unrealistic, one-dimensional characters make this class satire far less effective than it should've been.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $25,847,144
Synopsis: Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is... Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is uncertain of her future. Annie's mother (Donna Murphy) is pressuring her to take a job in business, but Annie has more interest in anthropology. After blowing her first interview with a New York financial firm, Annie heads to Central Park to mull over her options. As fate would have it, it's there that she meets Mrs. X (Laura Linney), a wealthy mother from the Upper East Side. Mrs. X happens to witness a warm interaction between Annie and her son Grayer (Nicholas Art), and mistakenly assumes Annie is a nanny. She immediately offers Annie a job, and despite the warnings of her best friend, Linette (Alicia Keys), Annie takes it. She decides to approach the job like an anthropologist in the field, and she is alternately fascinated and appalled by her observations. Despite their luxurious lifestyle, the Xs are revealed to be a truly dysfunctional mess. Annie quickly learns that money might indeed buy you a house on Nantucket, but it certainly can't buy you an honest husband or the affection of your son. Linney is excellent as the ice-cold Mrs. X, and Paul Giamatti delivers a perfectly smarmy performance as the philandering Mr. X. The film has a great time poking fun at the absurdity and hypocrisy of Manhattan's upper-crust, and it's at its funniest when relying on the sharp observations of its source material. It's surprisingly fanciful in places, with quick nods to MARY POPPINS and its very amusing use of the Natural History Museum. A sort of THE DEVIL WEARS PRADA with a fantastical edge, THE NANNY DIARIES is a satisfying slice of cinematic schadenfreude. [More]
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys, Donna Murphy, Chris Evans, Nicholas Reese Art, Judith Roberts, Nathan Corddry, Brande Roderick
Director: Robert Pulcini, Shari Springer Berman
Director: Robert Pulcini, Shari Springer Berman
Screenwriter: Robert Pulcini, Shari Springer Berman
Producer: Richard N. Gladstein
Composer: Mark Suozzo
Studio: Weinstein Company
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Reviews for The Nanny Diaries
The culture clash, or rather class crash that ensues as middle and upper mix uncertainly is far more insightful and, dare I say it, humane, that the usual take on such things.
The conclusion is desperately trite, but Linney’s performance helps this comedy – based on a novel by two nannies, take note – feel like a credible peek behind very expensive curtains.
The Nanny Diaries -- though basically a light entertainment -- breaks movie culture’s unspoken taboo against class consciousness.
The Nanny Diaries delivers some highly entertaining moments but I expected so much more from Berman and Pulcini at the helm of this adaptation.
Like The Devil Wears Prada, this film's kicks come from watching the foibles and quirks of the uber-rich through an outsider's eyes, but the genuine sadness on display in the Nanny Diaries saves this film from being just a Prada knock-off.
It's not exactly a Kubrickian essay of obsessive filmmaking mastery, but one can sense Nanny is going somewhere, instead of stumbling over mishaps and melodrama.
Don't expect to slap your knee much, but actors and a smart script make it compelling.
...a pleasant late summer effort along the same lines as last year's The Devil Wears Prada.
The dialogue is fast and pungent, the pacing is suave and the production has a burnished glow to equal any of Woody Allen's most alluring odes to monied Gotham.
Acerbic and cutthroat in all the right places, along with truthful, savvy, and consistently entertaining.
The problems with this light romantic outing don’t ruin the entertainment value.
If you've ever rushed your kids from preschool to swimming lessons while a granola bar in the car serves as lunch, this will be an irresistible guilty pleasure.
The movie belongs to Linney, who brings a full-blooded dimension to what could have been a misogynistic cutout. Holding one's own opposite her is no mean feat, but Johansson acquits herself well.
An agreeable time at the movies even if it's not anything like a great movie.
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