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The Nanny Diaries (2007)
Tomatometer
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Reviews Counted:124
Fresh:41
Rotten:83
Average Rating:4.9/10
Consensus: The Nanny Diaries' miscast lead and unrealistic, one-dimensional characters make this class satire far less effective than it should've been.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $25,847,144
Synopsis: Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is... Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is uncertain of her future. Annie's mother (Donna Murphy) is pressuring her to take a job in business, but Annie has more interest in anthropology. After blowing her first interview with a New York financial firm, Annie heads to Central Park to mull over her options. As fate would have it, it's there that she meets Mrs. X (Laura Linney), a wealthy mother from the Upper East Side. Mrs. X happens to witness a warm interaction between Annie and her son Grayer (Nicholas Art), and mistakenly assumes Annie is a nanny. She immediately offers Annie a job, and despite the warnings of her best friend, Linette (Alicia Keys), Annie takes it. She decides to approach the job like an anthropologist in the field, and she is alternately fascinated and appalled by her observations. Despite their luxurious lifestyle, the Xs are revealed to be a truly dysfunctional mess. Annie quickly learns that money might indeed buy you a house on Nantucket, but it certainly can't buy you an honest husband or the affection of your son. Linney is excellent as the ice-cold Mrs. X, and Paul Giamatti delivers a perfectly smarmy performance as the philandering Mr. X. The film has a great time poking fun at the absurdity and hypocrisy of Manhattan's upper-crust, and it's at its funniest when relying on the sharp observations of its source material. It's surprisingly fanciful in places, with quick nods to MARY POPPINS and its very amusing use of the Natural History Museum. A sort of THE DEVIL WEARS PRADA with a fantastical edge, THE NANNY DIARIES is a satisfying slice of cinematic schadenfreude. [More]
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys, Donna Murphy, Chris Evans, Nicholas Reese Art, Judith Roberts, Nathan Corddry, Brande Roderick
Director: Robert Pulcini, Shari Springer Berman
Director: Robert Pulcini, Shari Springer Berman
Screenwriter: Robert Pulcini, Shari Springer Berman
Producer: Richard N. Gladstein
Composer: Mark Suozzo
Studio: Weinstein Company
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Reviews for The Nanny Diaries
Despite that frequently saccharine tone, It’s worth catching for Linney’s ice-cold performance and a wonderfully snakey Giamatti.
This is supposed to be satire. But it is satire that behaves so predictably it isn’t worth studying.
Here's hoping that the very talented [Shari] Springer [Berman] and [Robert] Pulcini get a crack at a script that's worthy of their talents for their third time at bat.
Aside from the many implausibilities, and Scarlett Johansson's forced and sitcomish performance, this satire about spoiled millionaire mommies is ordinary and unexceptional.
It sounds like the ultimate chick flick with crossover potential -- Scarlett Johansson learning a lot about life and a little about love in a film based on a cornerstone of chick lit -- but not even chicks will get much out of The Nanny Diaries.
By painting with too broad a brush, Nanny gets laughs at the expense of any sort of deeper commentary the filmmakers were obviously hoping to achieve.
A miserable little film that wastes good acting talent by handing them a screenplay that misses the mark big-time.
There's a heart-sinking moment early in The Nanny Diaries when it becomes apparent that every literary gimmick that seemed arch and clever in the bestselling novel of 2002 is going to fall horribly flat in the worst movie of 2007.
Any inadvertent class issues raised during the course of her attempt to find herself, love and career satisfaction are dispatched by pitting the deserving poor(-ish) against the suspiciously moneyed.
TV material. Kelly Rippa should have played the nanny, Kathie Lee Gifford should have played the Laura Linney role, Verne Troyer should have played the kid--and a mutt should have played that dog.
The real letdown comes from knowing that the film is from Shari Springer Berman and Robert Pulcini, the husband-and-wife writing-directing team behind the thrillingly inventive American Splendor.
A film that is even more lightweight and clichéd than the fluff that was the best-selling book.
The Nanny Diaries is ultimately undone by an undeveloped lead character played by an equally underwhelming Scarlett Johansson.
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