The movie belongs to Linney, who brings a full-blooded dimension to what could have been a misogynistic cutout. Holding one's own opposite her is no mean feat, but Johansson acquits herself well.
The Nanny Diaries (2007)
Tomatometer
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Reviews Counted:124
Fresh:41
Rotten:83
Average Rating:4.9/10
Consensus: The Nanny Diaries' miscast lead and unrealistic, one-dimensional characters make this class satire far less effective than it should've been.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $25,847,144
Synopsis: Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is... Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is uncertain of her future. Annie's mother (Donna Murphy) is pressuring her to take a job in business, but Annie has more interest in anthropology. After blowing her first interview with a New York financial firm, Annie heads to Central Park to mull over her options. As fate would have it, it's there that she meets Mrs. X (Laura Linney), a wealthy mother from the Upper East Side. Mrs. X happens to witness a warm interaction between Annie and her son Grayer (Nicholas Art), and mistakenly assumes Annie is a nanny. She immediately offers Annie a job, and despite the warnings of her best friend, Linette (Alicia Keys), Annie takes it. She decides to approach the job like an anthropologist in the field, and she is alternately fascinated and appalled by her observations. Despite their luxurious lifestyle, the Xs are revealed to be a truly dysfunctional mess. Annie quickly learns that money might indeed buy you a house on Nantucket, but it certainly can't buy you an honest husband or the affection of your son. Linney is excellent as the ice-cold Mrs. X, and Paul Giamatti delivers a perfectly smarmy performance as the philandering Mr. X. The film has a great time poking fun at the absurdity and hypocrisy of Manhattan's upper-crust, and it's at its funniest when relying on the sharp observations of its source material. It's surprisingly fanciful in places, with quick nods to MARY POPPINS and its very amusing use of the Natural History Museum. A sort of THE DEVIL WEARS PRADA with a fantastical edge, THE NANNY DIARIES is a satisfying slice of cinematic schadenfreude. [More]
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys, Donna Murphy, Chris Evans, Nicholas Reese Art, Judith Roberts, Nathan Corddry, Brande Roderick
Director: Robert Pulcini, Shari Springer Berman
Director: Robert Pulcini, Shari Springer Berman
Screenwriter: Robert Pulcini, Shari Springer Berman
Producer: Richard N. Gladstein
Composer: Mark Suozzo
Studio: Weinstein Company
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Reviews for The Nanny Diaries
What puts The Nanny Diaries a cut above the run-of-the-mill romantic comedy is the acting.
A movie that is much better than a slick adaptation of a best-selling novel has any right to be.
There's a heart-sinking moment early in The Nanny Diaries when it becomes apparent that every literary gimmick that seemed arch and clever in the bestselling novel of 2002 is going to fall horribly flat in the worst movie of 2007.
There's something painful about watching Scarlett Johansson, who looks as if she never had an indecisive moment in her life, struggle to seem ineffectual.
Fans of the novel might consider this tired movie a wasted opportunity. For everyone else, it is just a waste of time.
These Diaries devolve into an outraged, sad-eyed social commentary that condemns New York's people of privilege and their rich, child-neglecting ways, but doesn't really let us laugh at them.
A misguided film that veers between extremes in sentimentality and misanthropy.
Locked down in a celluloid prison cell marked The Nanny Diaries for 105 punishingly awful minutes, I was seconds away from crying 'Attica' and leading a tactical assault on the projectionist's booth when the words 'The End' appeared on screen.
Despite some clever early fantasy scenes, Shari Springer Berman and Robert Pulcini's adaptation of best seller The Nanny Diaries won't make Bridget Jones give up her writing.
"The Devil Has a Nanny" should have been the title of this "Devil Wears Prada" knock-off that squanders the talents of everyone associated.
A sleek, handsomely made bauble buoyed by a cast much stronger than the flimsy material deserves.
The material is somewhat lacklustre, but the movie works because Johansson is so adept at comedy, and because she's willing to let Linney steal every scene she's in.
There's a good movie buried inside The Nanny Diaries, and a good cast trying hard to dig it out. Too bad they don't get much help.
There's a surreal tinge to The Nanny Diaries that works both for and against the film.
The Nanny Diaries has been rendered unexpectedly enjoyable and engaging by good casting and performances, and superior writing and direction.
the movie has softened up a story that wasn't exactly hard-hitting to begin with. Polished, pleasant and generally pedestrian...
This adaptation of Emma McLaughlin and Nicola Kraus' best-selling book has other problems, not the least of which is its rather unpleasant, patronizing tone and its one-note characterizations.
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