A horror film awkwardly disguised in the nondescript gray-green suit of a chick flick.
The Nanny Diaries (2007)
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Reviews Counted:124
Fresh:41
Rotten:83
Average Rating:4.9/10
Consensus: The Nanny Diaries' miscast lead and unrealistic, one-dimensional characters make this class satire far less effective than it should've been.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $25,847,144
Synopsis: Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is... Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is uncertain of her future. Annie's mother (Donna Murphy) is pressuring her to take a job in business, but Annie has more interest in anthropology. After blowing her first interview with a New York financial firm, Annie heads to Central Park to mull over her options. As fate would have it, it's there that she meets Mrs. X (Laura Linney), a wealthy mother from the Upper East Side. Mrs. X happens to witness a warm interaction between Annie and her son Grayer (Nicholas Art), and mistakenly assumes Annie is a nanny. She immediately offers Annie a job, and despite the warnings of her best friend, Linette (Alicia Keys), Annie takes it. She decides to approach the job like an anthropologist in the field, and she is alternately fascinated and appalled by her observations. Despite their luxurious lifestyle, the Xs are revealed to be a truly dysfunctional mess. Annie quickly learns that money might indeed buy you a house on Nantucket, but it certainly can't buy you an honest husband or the affection of your son. Linney is excellent as the ice-cold Mrs. X, and Paul Giamatti delivers a perfectly smarmy performance as the philandering Mr. X. The film has a great time poking fun at the absurdity and hypocrisy of Manhattan's upper-crust, and it's at its funniest when relying on the sharp observations of its source material. It's surprisingly fanciful in places, with quick nods to MARY POPPINS and its very amusing use of the Natural History Museum. A sort of THE DEVIL WEARS PRADA with a fantastical edge, THE NANNY DIARIES is a satisfying slice of cinematic schadenfreude. [More]
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys, Donna Murphy, Chris Evans, Nicholas Reese Art, Judith Roberts, Nathan Corddry, Brande Roderick
Director: Robert Pulcini, Shari Springer Berman
Director: Robert Pulcini, Shari Springer Berman
Screenwriter: Robert Pulcini, Shari Springer Berman
Producer: Richard N. Gladstein
Composer: Mark Suozzo
Studio: Weinstein Company
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Reviews for The Nanny Diaries
A surprisingly enjoyable piece of stereotyping adapted from the novel by Emma McLaughlin and Nicola Kraus.
Wants to be a 'you'll laugh, you'll cry' kind of movie but is more like 'you'll snicker, you'll doze'.
The dialogue is fast and pungent, the pacing is suave and the production has a burnished glow to equal any of Woody Allen's most alluring odes to monied Gotham.
What lifts this movie above the usual run of dutifully sweet romantic comedies is the bright, fantasy-friendly sensibility of its two directors, Shari Springer Berman and Robert Pulcini.
Aside from the many implausibilities, and Scarlett Johansson's forced and sitcomish performance, this satire about spoiled millionaire mommies is ordinary and unexceptional.
...a pleasant late summer effort along the same lines as last year's The Devil Wears Prada.
As The Nanny Diaries wobbles along uncertainly, it rests on the tense, squared shoulders of Laura Linney.
Satire should be knife-sharp and whip-smart, and The Nanny Diaries never is.
The end result is a shrill and silly misfire that comes across like an exceptionally expensive piece of television%u2013either a sitcom or a Lifetime Original Movie%u2013than a real movie.
Carries the residue of something much harsher, something that was once there and scrubbed clean.
able to coast on its working-grrl attitude and a couple of intelligent casting decisions
Any inadvertent class issues raised during the course of her attempt to find herself, love and career satisfaction are dispatched by pitting the deserving poor(-ish) against the suspiciously moneyed.
It's not exactly a Kubrickian essay of obsessive filmmaking mastery, but one can sense Nanny is going somewhere, instead of stumbling over mishaps and melodrama.
Director/screenwriters Shari Springer Berman and Robert Pulcini of the brilliantly innovative American Splendor seem to believe that a studio movie has to play it safe and the result is predictable and dull.
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