With the exception of Laura Linney's perceptive portrayal of Mrs. X...everything about this film falls flat beginning with Johansson's lead performance.
The Nanny Diaries (2007)
Tomatometer
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Reviews Counted:124
Fresh:41
Rotten:83
Average Rating:4.9/10
Consensus: The Nanny Diaries' miscast lead and unrealistic, one-dimensional characters make this class satire far less effective than it should've been.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $25,847,144
Synopsis: Loosely based on the bestselling roman ŕ clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is... Loosely based on the bestselling roman ŕ clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is uncertain of her future. Annie's mother (Donna Murphy) is pressuring her to take a job in business, but Annie has more interest in anthropology. After blowing her first interview with a New York financial firm, Annie heads to Central Park to mull over her options. As fate would have it, it's there that she meets Mrs. X (Laura Linney), a wealthy mother from the Upper East Side. Mrs. X happens to witness a warm interaction between Annie and her son Grayer (Nicholas Art), and mistakenly assumes Annie is a nanny. She immediately offers Annie a job, and despite the warnings of her best friend, Linette (Alicia Keys), Annie takes it. She decides to approach the job like an anthropologist in the field, and she is alternately fascinated and appalled by her observations. Despite their luxurious lifestyle, the Xs are revealed to be a truly dysfunctional mess. Annie quickly learns that money might indeed buy you a house on Nantucket, but it certainly can't buy you an honest husband or the affection of your son. Linney is excellent as the ice-cold Mrs. X, and Paul Giamatti delivers a perfectly smarmy performance as the philandering Mr. X. The film has a great time poking fun at the absurdity and hypocrisy of Manhattan's upper-crust, and it's at its funniest when relying on the sharp observations of its source material. It's surprisingly fanciful in places, with quick nods to MARY POPPINS and its very amusing use of the Natural History Museum. A sort of THE DEVIL WEARS PRADA with a fantastical edge, THE NANNY DIARIES is a satisfying slice of cinematic schadenfreude. [More]
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys, Donna Murphy, Chris Evans, Nicholas Reese Art, Judith Roberts, Nathan Corddry, Brande Roderick
Director: Robert Pulcini, Shari Springer Berman
Director: Robert Pulcini, Shari Springer Berman
Screenwriter: Robert Pulcini, Shari Springer Berman
Producer: Richard N. Gladstein
Composer: Mark Suozzo
Studio: Weinstein Company
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Reviews for The Nanny Diaries
While the budding relationship between Annie and Grayer is sometimes heartwarming, the interactions between Mrs. X and her employee are frustrating.
The unfaithful film adaptation so undermines the novel's spiky social satire that it constitutes some kind of aesthetic crime.
Although the novel was praised for its dead-on accuracy in portraying this high-end world, far too much of the movie is fantastical.
Wealthy New Yorkers don't often get skewered as mercilessly as they do in this comedy by writing and directing duo Shari Springer Berman and Robert Pulcini, but the audacity turns out to be deceptive and formulaic.
It sounds like the ultimate chick flick with crossover potential -- Scarlett Johansson learning a lot about life and a little about love in a film based on a cornerstone of chick lit -- but not even chicks will get much out of The Nanny Diaries.
A sour, stilted, graceless misfire that can't make its mind whether to be an edgy satire of class division or a feel-good feature-length sitcom.
Linney -- this has happened too much to her -- is once again the best thing in a movie that at most achieves a certain mediocrity.
Don't expect to slap your knee much, but actors and a smart script make it compelling.
We get a half-cocked martyr movie about a plucky prole sticking it to the corrupt bourgeoisie: Joan of (Central) Park.
An awful lot of good talent has been squandered in this by-the-numbers film version of the bestselling tell-all about the lifestyles and child-rearing habits of the rich residents of New York's Upper East Side.
Nanny Diaries, through a failure of either verve or nerve, stumbles almost as awkwardly as its heroine does into her child-minder gig.
Offer[s] several rewards of its own making, starting with the strong performances by Scarlett Johansson and Laura Linney.
If you've ever rushed your kids from preschool to swimming lessons while a granola bar in the car serves as lunch, this will be an irresistible guilty pleasure.
The Nanny Diaries is ultimately undone by an undeveloped lead character played by an equally underwhelming Scarlett Johansson.
The Nanny Diaries -- though basically a light entertainment -- breaks movie culture’s unspoken taboo against class consciousness.
Yes, there are wealthy New Yorkers as toxic as the X's, but by making them so one-dimensional that it threatens to strain the word dimension, The Nanny Diaries becomes as flaccid and predictable as something you'd expect from Hollywood hacks.
It's hard to watch Annie without dismissing her as simply weak or cowardly. She's not a bad person, but she's an empty vessel.
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