Everyone gets a cute nickname, a means for this amateur anthropologist to protect the innocent and maintain some semblance of objectivity while advancing tired stereotypes of what it's like to be made in Manhattan.
The Nanny Diaries (2007)
Tomatometer
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Reviews Counted:124
Fresh:41
Rotten:83
Average Rating:4.9/10
Consensus: The Nanny Diaries' miscast lead and unrealistic, one-dimensional characters make this class satire far less effective than it should've been.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $25,847,144
Synopsis: Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is... Loosely based on the bestselling roman à clef by Emma Mclaughlin and Nicola Kraus, THE NANNY DIARIES is the story of Annie Braddock (Scarlett Johansson), a fresh-out-of-college Jersey girl who is uncertain of her future. Annie's mother (Donna Murphy) is pressuring her to take a job in business, but Annie has more interest in anthropology. After blowing her first interview with a New York financial firm, Annie heads to Central Park to mull over her options. As fate would have it, it's there that she meets Mrs. X (Laura Linney), a wealthy mother from the Upper East Side. Mrs. X happens to witness a warm interaction between Annie and her son Grayer (Nicholas Art), and mistakenly assumes Annie is a nanny. She immediately offers Annie a job, and despite the warnings of her best friend, Linette (Alicia Keys), Annie takes it. She decides to approach the job like an anthropologist in the field, and she is alternately fascinated and appalled by her observations. Despite their luxurious lifestyle, the Xs are revealed to be a truly dysfunctional mess. Annie quickly learns that money might indeed buy you a house on Nantucket, but it certainly can't buy you an honest husband or the affection of your son. Linney is excellent as the ice-cold Mrs. X, and Paul Giamatti delivers a perfectly smarmy performance as the philandering Mr. X. The film has a great time poking fun at the absurdity and hypocrisy of Manhattan's upper-crust, and it's at its funniest when relying on the sharp observations of its source material. It's surprisingly fanciful in places, with quick nods to MARY POPPINS and its very amusing use of the Natural History Museum. A sort of THE DEVIL WEARS PRADA with a fantastical edge, THE NANNY DIARIES is a satisfying slice of cinematic schadenfreude. [More]
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys
Starring: Scarlett Johansson, Laura Linney, Paul Giamatti, Alicia Keys, Donna Murphy, Chris Evans, Nicholas Reese Art, Judith Roberts, Nathan Corddry, Brande Roderick
Director: Robert Pulcini, Shari Springer Berman
Director: Robert Pulcini, Shari Springer Berman
Screenwriter: Robert Pulcini, Shari Springer Berman
Producer: Richard N. Gladstein
Composer: Mark Suozzo
Studio: Weinstein Company
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Reviews for The Nanny Diaries
The real letdown comes from knowing that the film is from Shari Springer Berman and Robert Pulcini, the husband-and-wife writing-directing team behind the thrillingly inventive American Splendor.
A bevy of respectable talent is uselessly squandered in clumsy efforts at cunning, humor and pathos.
This new comedy rarely rises above standard sitcom fare, a bitter and ironic disappointment given the involvement of American Splendor writer-directors Robert Pulcini and Shari Springer Berman.
Satire that sputters when its characters refuse to grow out of caricature.
Deviating from the book, which is darker, offbeat and critical, the film is compromised, never quite finding the right tone in satirizing its Upscale Manhattan milieu, resulting in a work that's not satisfying as edgy indie or glitzy studio movie.
The movie shouldn’t open in the Museum of Natural History but the Museum of the Moving Image -- with a display of chick-flick clichés through the ages.
The culture clash, or rather class crash that ensues as middle and upper mix uncertainly is far more insightful and, dare I say it, humane, that the usual take on such things.
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