This 253-minute epic depicting Napoleon's life from boyhood to ultimate triumph as a military hero is the crowning achievement of French film master Abel Gance. Brimming with innovative visual techniques, it exists in several versions, most notably the 1981 restoration by film historian Kevin Brownlow and director Francis Ford Coppola.
as Napoleon Bonaparte
as Jean-Paul Marat
as Gen. Lazare Hoche
as Josephine de Beaucha...
as Young Napoleon
as Georges Jacques Dant...
as Antonin Artaud
as Maximilien Robespier...
as Tristan Fleuri
as Vilone Fleuri
as Roget de Lisle
as Paul Barras
as Adm. Hood
as Joseph Bonaparte
as Pasquale Paoli
as Pozzo di Borgo
as Camille Desmoulins
as Vicomte de Beauharna...
as General Carteaux
as Elisci Bonaparte
as Charlotte Corday
as La Bussiere
as Mme. Recamier
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Critic Reviews for Napoléon
It turned out to be a commercial flop because the film cost too much to make.
There is in this edition of the picture an effort to cover too many historical incidents and the consequence is that quite a number of the passages are confused.
Like D.W. Griffith, Orson Welles, Steven Spielberg, and George Lucas, but mostly James Cameron, Gance understood the thrill of the cinematic event and had the hubris to bring it off.
Napoleon is the last great silent epic. We will not see its like again.
Gance's use of subjective camera was almost recklessly ambitious in its bid to give the spectator the most visceral viewing sensation, while his skill in blending and multiplying images was unprecedented.
In this case the form itself is equal to the subject. For Gance and for Napoleon, there are no small gestures.
Gance uses techniques not much associated with silent film, like a hand-held camera, multiple superimpositions, split split screen, rapid-fire editing and flashbacks to rivet the audience's attention and bring history to vivid life.
The experience it provides - at times, akin to taking a drug - is unlike anything I've ever experienced in a movie theater.
the finest moments are the quieter ones that paint a more human picture of the adult Napoleon
An extraordinary artifact from another culture, a mythology as remarkable and as alien as the Epic of Gilgamesh or the Icelandic Eddas.
Fascinating, experimental, ahead of its time
Apart from the fireworks the film is blocky, arrhythmic, and resolutely superficial.
Abel Gance's visionary silent epic Napoleon is a dazzling display of cinematic virtuosity.
Audience Reviews for Napoléon
Modern film-goers are used to explication, to having everything explained for them. The art of visual story-telling -- where images and action indicate the emotional state of characters, rather than have the actor tell you how angry or sad or excited they are -- has almost been lost. But Napoleon is a masterpiece of visual art. (Writer-director Abel Gance was honored at the Telluride film festival a few years ago for this film. Far too late, in my opinion.)
The film tells the life of Napoleon Bonaparte -- the Corsican who adopts France as his homeland, rises to supreme general of the French armies during the Revolution and eventually seizes the seat of government itself (twice!). It starts out with a lengthy (if perhaps mythological) examination of Napoleon's childhood in a Catholic school. Snowball fights between Napoleon and two future foes portend the future. Napoleon's friendship with a pet eagle foreshadows his role as emperor of France. But even though these scenes represent more artistic license than history, they are tremendously well-acted by the young Vladimir Roudenko (as young Napoleon). Among the many innovations are some relatively naturalistic acting by the members of the cast and some jaw-dropping editing and montage sequences (especially during the brawl during the snowball fight and the fight in the sleeping quarters). Such innovative use of editing probably wouldn't be seen for another 30 or 40 years!
After almost an hour of this three-hour epic, we're transported to the period of the adult Napoleon -- acted with gravitas and iciness by Albert Dieudonne (who is among the cast's taller actors, just as Napoleon was in reality fairly tall, too). The film dwells extensively on the formative period when Napoleon first arrives in Paris during the late Revolution, focusing heavily on how the chaos in the city stamped into Napoleon the authoritarianism and dictatorial leadership traits that would emerge later in life. This is perhaps the highlight of the film. The editing and visual images create a swirling, spinning, mind-blowing effect that is extremely effective.
The film then focuses on Napoleon's return to Corisca -- whose people held allegiances to Spain and Italy as well as France, and where Napoleon faced imprisonment due to his French leanings. For anyone interested in learning more about the life of Napoleon, this segment is pretty eye-opening. It's followed by a sequence at sea that's amazingly effective in conveying the power and terror of a storm at sea. For its time, this film contained some powerful ocean footage (watch for those amazing low-angle shots, and the ingenious intercutting of the "angry storm" of the French assembly and Napoleon's tiny skiff tossed about on the stormy seas).
The final hour and a half of the film depicts Napoleon's rise in the army and his tenure as emperor of France. This is perhaps the portion of the film that most viewers would think of as "the story of Napoleon." But perhaps one of the reasons why this film is so fascinating is that it delves deeply into the formative episodes in Napoleon's early life and gives as much importance to them as to his later actions on the battlefield in Italy, his tenure as emperor, and his subsequent exile, return, and exile. And the film does so without being heavy-handed, un-subtle or overly expositive.
A restored version of "Napoleon" is making the rounds in the US in cinemas and on television. It contains a new musical soundtrack by Carmine Coppola, which is fairly good (although at times repetitive and too loud). The film was restored and re-edited by Francis Ford Coppola's Zoetrope studio. Zoetrope added some tinting (the ocean scenes are all blue, the "angry mob" scenes are all red) that is interesting but perhaps not quite the "restoration" some viewers might have had in mind.
Watch "Napoleon." You'll be very surprised at how modern the film is. Compared to other silent films of the 1920s, with the undercranked action, overly emotive acting, fantastic plots and theatrical make-up and costumes, "Napoleon" is years ahead of its time. Silent films require concentration to watch. "Napoleon" will surely keep your interest.
yes, it's a four hour silent epic on the life of napoleon. i guess i don't need to say it's not for everyone :) however if u have the time and the inclination and can find it, it's an amazing achievement. thrilling action scenes, stunning camera work using techniques that wouldn't be seen again for decades, and it helps if u enjoy history lol. i understand coppola is holding up the dvd release and that's a shame. this deserves a criterion!More
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