Nashville (1975)
Average Rating: 8.6/10
Reviews Counted: 42
Fresh: 40 | Rotten: 2
No consensus yet.
Average Rating: 8.8/10
Critic Reviews: 8
Fresh: 8 | Rotten: 0
No consensus yet.
liked it
Average Rating: 4.1/5
User Ratings: 9,088
Movie Info
Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea
Jun 11, 1975 Limited
Aug 15, 2000
Paramount Pictures
Watch It Now
Cast
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Henry Gibson
Haven Hamilton -
Barbara Baxley
Lady Pearl -
Ned Beatty
Delbert Reese -
Karen Black
Connie White -
Ronee Blakely
Barbara Jean -
Lily Tomlin
Linnea Reese -
Keith Carradine
Tom Frank -
Geraldine Chaplin
Opal -
Robert DoQui
Wade -
Shelley Duvall
L.A. Joan -
Allen Garfield
Barnett -
David Arkin
Norman Chauffeur -
Scott Glenn
Pfc. Glenn Kelly -
Jeff Goldblum
Tricycle Man -
Barbara Harris
Albuquerque -
David Hayward
Kenny Fraiser -
Michael Murphy
Triplette -
Cristina Raines
Mary -
Bert Remsen
Star -
Timothy Brown
Tommy Brown -
Gwen Welles
Sueleen Gay -
Keenan Wynn
Mr. Green -
Richard Baskin
Piano Player -
James Dan Calvert
Jimmy Reese -
Donna Denton
Donna Reese -
Merle Kilgore
Bar Owner -
Carol McGinnis
Jewel -
Sheila Bailey
Smokey Mountain Laurel -
Patti Bryant
Smokey Mountein Laurel -
Jonnie Barnett
Himself -
Vassar Clements
Himself -
Sue Barton
Herself -
Misty Mountain Boys
Misty Mountain Boys -
-
Julie Christie
Herself -
Elliott Gould
Himself -
-
Allan F. Nicholls
Bill -
Howard K. Smith
Himself -
Dave Peel
Bud Hamilton -
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Nashville Trailer & Photos
All Critics (44) | Top Critics (9) | Fresh (40) | Rotten (2) | DVD (15)
I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman's best film, and the most exciting dramatic musical since Blue Angel.
I think that the power and the theme of the film lie in the fact that while some characters are more "major" than others, they are all subordinated to the music itself. It's like a river, running through the film, running through their life.
A rare and puzzling movie: beautiful and cruel, passionate but strangely shallow.
Nashville is one of Altman's best films, free of the rambling insider fooling around that sometimes mars entire chunks of every second or third picture.
A masterpiece.
It's a film that a lot of other directors will wish they'd had the brilliance to make.
[VIDEO ESSAY] In 1975 Robert Altman painted filmic satire on a grand scale with "Nashville."
In its ambitions to say something big and different about the American political scene rises to the occasion to be a fascinating technical achievement ... .
One of the most challenging American films ever made.
One of the 1970s most complexly constructed films, Nashville tackles the music industry and American politics in satirical, innovative ways by the use of large ensemble, overlapping dialogue, imporov acting, and songs written and sung by the actors.
Nashville effectively founded the school of American improv-ensemble cinema.
[Nashville] looks forward to our contemporary obsession with celebrities and to politics itself becoming a form of show business. Unmissable.
[Altman] never really spends enough time with any one character to make you care about them.
Intriguing, absorbing and always entertaining.
See it, think about it, then see it again. It's the voice of America, and the passage of time has done nothing to dull its clarity.
If Nashville doesn't offer great new insights, it makes obvious many themes that a country might prefer to keep off-screen.
Part comedy, part drama, part social commentary, and part musical, it is a film that truly defies categorization or simplistic descriptions.
As long as we have politics and country music going, Nashville will remain relevant as a microcosm of America and its people.
Nashville (1975) is director Robert Altman's classic, multi-level, original, two and a half-hour epic study of American culture, show-business, leadership and politics
Audience Reviews for Nashville
Super Reviewer
Super Reviewer
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- Haven Hamilton: Y'all take it easy now. This isn't Dallas, it's Nashville! They can't do this to us here in Nashville! Let's show them what we're made of. Come on everybody, sing! Somebody, sing!
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Top Critic
Through a strange set of coincidences, I never saw "Nashville" until now. I can remember when it came out. It received a lot of praise from serious critics and was nominated for a bunch of Oscars, including Best Picture (it lost to "One Flew Over the Cuckoo's Nest"). But it was never embraced by the mainstream. "Jaws" was the big movie that year. Everyone went to see "Jaws," including nine-year-old me. But almost no one went to see "Nashville."
But over the years, it has taken on classic status. And I can see why. "Nashville" is so innovative that it's a bit challenging to watch. But if you give it the time and stay with it to the end, I think you'll be happy you did.
I would describe it as one of the first post-modern films. It has about 25 characters, each with his/her own story line. There is no major character in the traditional sense. No one storyline dominates. I'd say that 1970s America is the main character. In many ways, Altman was holding up a mirror to the America of his day and showing us ourselves. He takes a panoramic ethnographic viewpoint, if you will. He's describing a culture, not focusing in on specific individuals.
Initially, it's captivating. But after about an hour, the lack of a central storyline became a bit wearying to me. There's not that much drama. But something magical happens in the last 20 minutes or so. The threads all come together beautifully, with a violent act providing something of a crescendo.
When Altman pulls his camera slowly back in the last couple of minutes, encompassing more and more in his field of vision, "Nashville" soars. It becomes a poem about America, almost perfectly capturing the longing, the sadness mixed with giddiness that was 1970s America. The irresponsibility, the fixation on music and entertainment, the persistence, and 100 other things. "Nashville" captures the feel of the 70s so well that it's almost mystical. A major work of art that I would enjoy watching again and again.