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Nashville (1975)
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Reviews Counted:39
Fresh:37
Rotten:2
Average Rating:8.6/10
Runtime: 2 hrs 39 mins
Genre: Dramas
Synopsis: Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American... Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American Bicentennial, the film can also be viewed as a metaphor for the state of American politics and culture of the time. Altman's roaming camera follows a group of disparate individuals as the city prepares for an upcoming political rally for "Replacement" party candidate Hal Philip Walker. They include a ditzy Californian who's visiting her dying aunt and downtrodden uncle, a philandering rock star and his bandmates, a country singer on the verge of a nervous breakdown, a tone-deaf waitress with dreams of superstardom, a mother with two deaf children, and a British journalist who is out to capture the "true" Nashville. The characters intersect at the beginning of the film after a highway accident, and again at the end when an act of violence tarnishes the political rally. Altman's improvisational approach lends itself perfectly to the film's subject matter, which allows the actors to freely develop their personas. Another bold decision was to incorporate songs written by the actors themselves (Keith Carradine's "I'm Easy" won an Oscar for Best Song). This unorthodox style adds a satirical humor and brave honesty to NASHVILLE, making it one of American cinema's crowning achievements. [More]
Starring: Henry Gibson, Lily Tomlin, Ronee Blakley, Keenan Wynn
Starring: Henry Gibson, Lily Tomlin, Ronee Blakley, Keenan Wynn, Barbara Harris, Keith Carradine, Geraldine Chaplin, Karen Black, Dave Peel, Ned Beatty, Barbara Baxley, Robert DoQui, Shelley Duvall, Allen Garfield, Scott Glenn, Jeff Goldblum, Michael Murphy, Gwen Welles
Director: Robert Altman
Director: Robert Altman
Screenwriter: Joan Tewkesbury
Producer: Robert Altman
Composer: Richard Baskin
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Reviews for Nashville
It's a film that a lot of other directors will wish they'd had the brilliance to make.
[Altman] never really spends enough time with any one character to make you care about them.
The acting is entirely unaffected. Every performance rings true, whether from an experienced actor or a neophyte.
See it, think about it, then see it again. It’s the voice of America, and the passage of time has done nothing to dull its clarity.
If Nashville doesn't offer great new insights, it makes obvious many themes that a country might prefer to keep off-screen.
Part comedy, part drama, part social commentary, and part musical, it is a film that truly defies categorization or simplistic descriptions.
As long as we have politics and country music going, Nashville will remain relevant as a microcosm of America and its people.
Robert Altman's triumph; one of the best American movies of the 70s and one of the most complex, expertly constructed narratives ever.
Frankly, Altman's opus is so far-flung and random that it simply doesn't make for compelling viewing.
This film is like no other I have ever seen for one major reason: it plays exactly, and I mean exactly like real life.
More than anything else, it is a tender poem to the wounded and the sad.
Nashville (1975) is director Robert Altman's classic, multi-level, original, two and a half-hour epic study of American culture, show-business, leadership and politics
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