97% Ghostbusters Aug 29
30% As Above/So Below Aug 29
36% The November Man Aug 27
98% Starred Up Aug 27
76% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
37% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
45% Sin City: A Dame to Kill For $6.3M
66% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
39% Intruders: Season 1
89% Outlander: Season 1
46% Reckless: Season 1
—— Unforgettable: Season 3

Discuss Last Night's Shows

—— Jonah From Tonga: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Nashville Reviews

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Matt Brunson
Creative Loafing

Some characters are odious while others are sympathetic, but every last one manages to provide contrast and depth to Altman's view of an America in which the boundaries between politics and entertainment are all but nonexistent.

Full Review Source: Creative Loafing | Original Score: 4/4

April 18, 2014
Andrew Sarris
Village Voice
Top Critic IconTop Critic

I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman's best film, and the most exciting dramatic musical since Blue Angel.

Full Review Source: Village Voice

January 15, 2013
Molly Haskell
Village Voice
Top Critic IconTop Critic

I think that the power and the theme of the film lie in the fact that while some characters are more "major" than others, they are all subordinated to the music itself. It's like a river, running through the film, running through their life.

Full Review Source: Village Voice

January 15, 2013
Cole Smithey

[VIDEO ESSAY] In 1975 Robert Altman painted filmic satire on a grand scale with "Nashville."

Full Review Source: | Original Score: A+

March 3, 2012
Michael Nordine
Not Coming to a Theater Near You

Other Altman films prove that the director knew how to be elliptical without being presumptuous or overly disjointed. Nashville serves as an unfortunate counterexample.

Full Review Source: Not Coming to a Theater Near You

October 25, 2011
Dennis Schwartz
Ozus' World Movie Reviews

In its ambitions to say something big and different about the American political scene rises to the occasion to be a fascinating technical achievement ... .

Full Review Source: Ozus' World Movie Reviews | Original Score: A+

February 21, 2008
Don Druker
Chicago Reader
Top Critic IconTop Critic

A rare and puzzling movie: beautiful and cruel, passionate but strangely shallow.

Full Review Source: Chicago Reader

June 27, 2007
Variety Staff
Top Critic IconTop Critic

Nashville is one of Altman's best films, free of the rambling insider fooling around that sometimes mars entire chunks of every second or third picture.

Full Review Source: Variety

June 27, 2007
Ken Hanke
Mountain Xpress (Asheville, NC)

One of the most challenging American films ever made.

Full Review Source: Mountain Xpress (Asheville, NC) | Original Score: 5/5

May 9, 2007
Emanuel Levy

One of the 1970s most complexly constructed films, Nashville tackles the music industry and American politics in satirical, innovative ways by the use of large ensemble, overlapping dialogue, imporov acting, and songs written and sung by the actors.

Full Review Source: EmanuelLevy.Com | Original Score: A

September 16, 2006
Geoff Andrew
Time Out
Top Critic IconTop Critic

A masterpiece.

Full Review Source: Time Out

January 26, 2006
Jonathan Romney

Nashville effectively founded the school of American improv-ensemble cinema.

Full Review Source: Independent

March 7, 2005
Tom Dawson

[Nashville] looks forward to our contemporary obsession with celebrities and to politics itself becoming a form of show business. Unmissable.

Full Review Source: | Original Score: 5/5

December 21, 2004
Vincent Canby
New York Times
Top Critic IconTop Critic

It's a film that a lot of other directors will wish they'd had the brilliance to make.

Full Review Source: New York Times | Original Score: 5/5

May 20, 2003
David Nusair
Reel Film Reviews

[Altman] never really spends enough time with any one character to make you care about them.

Full Review Source: Reel Film Reviews | Original Score: 2/4

January 10, 2003
James Berardinelli
Top Critic IconTop Critic

The acting is entirely unaffected. Every performance rings true, whether from an experienced actor or a neophyte.

Full Review Source: ReelViews | Original Score: 4/4

October 31, 2002

Boxoffice Magazine

Intriguing, absorbing and always entertaining.

Full Review Source: Boxoffice Magazine

June 5, 2002
Andrew Howe

See it, think about it, then see it again. It's the voice of America, and the passage of time has done nothing to dull its clarity.

Full Review Source: | Original Score: 3.5/4

February 14, 2002
Mike Gower
Apollo Guide

If Nashville doesn't offer great new insights, it makes obvious many themes that a country might prefer to keep off-screen.

Full Review Source: Apollo Guide | Original Score: 88/100

July 25, 2001
James Kendrick
Q Network Film Desk

Part comedy, part drama, part social commentary, and part musical, it is a film that truly defies categorization or simplistic descriptions.

Full Review Source: Q Network Film Desk | Original Score: 4/4

February 27, 2001
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