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67% The Hundred-Foot Journey $2.4M

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Nashville Reviews

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Matt Brunson
Creative Loafing

Some characters are odious while others are sympathetic, but every last one manages to provide contrast and depth to Altman's view of an America in which the boundaries between politics and entertainment are all but nonexistent.

Full Review Source: Creative Loafing | Original Score: 4/4

April 18, 2014
Andrew Sarris
Village Voice
Top Critic IconTop Critic

I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman's best film, and the most exciting dramatic musical since Blue Angel.

Full Review Source: Village Voice

January 15, 2013
Molly Haskell
Village Voice
Top Critic IconTop Critic

I think that the power and the theme of the film lie in the fact that while some characters are more "major" than others, they are all subordinated to the music itself. It's like a river, running through the film, running through their life.

Full Review Source: Village Voice

January 15, 2013
Cole Smithey

[VIDEO ESSAY] In 1975 Robert Altman painted filmic satire on a grand scale with "Nashville."

Full Review Source: | Original Score: A+

March 3, 2012
Dennis Schwartz
Ozus' World Movie Reviews

In its ambitions to say something big and different about the American political scene rises to the occasion to be a fascinating technical achievement ... .

Full Review Source: Ozus' World Movie Reviews | Original Score: A+

February 21, 2008
Don Druker
Chicago Reader
Top Critic IconTop Critic

A rare and puzzling movie: beautiful and cruel, passionate but strangely shallow.

Full Review Source: Chicago Reader

June 27, 2007
Variety Staff
Top Critic IconTop Critic

Nashville is one of Altman's best films, free of the rambling insider fooling around that sometimes mars entire chunks of every second or third picture.

Full Review Source: Variety

June 27, 2007
Ken Hanke
Mountain Xpress (Asheville, NC)

One of the most challenging American films ever made.

Full Review Source: Mountain Xpress (Asheville, NC) | Original Score: 5/5

May 9, 2007
Emanuel Levy

One of the 1970s most complexly constructed films, Nashville tackles the music industry and American politics in satirical, innovative ways by the use of large ensemble, overlapping dialogue, imporov acting, and songs written and sung by the actors.

Full Review Source: EmanuelLevy.Com | Original Score: A

September 16, 2006
Geoff Andrew
Time Out
Top Critic IconTop Critic

A masterpiece.

Full Review Source: Time Out

January 26, 2006
Michael Szymanski
International Press Academy

| Original Score: 4/5

October 6, 2005
Cole Smithey

| Original Score: 4/5

September 26, 2005
Craig Phillips

| Original Score: 5/5

August 11, 2005
Jonathan Romney

Nashville effectively founded the school of American improv-ensemble cinema.

Full Review Source: Independent

March 7, 2005
Tom Dawson

[Nashville] looks forward to our contemporary obsession with celebrities and to politics itself becoming a form of show business. Unmissable.

Full Review Source: | Original Score: 5/5

December 21, 2004
Jules Brenner
Cinema Signals

| Original Score: 3/5

November 21, 2004
Lori Hoffman
Atlantic City Weekly

| Original Score: 3/5

November 17, 2004
Jake Euker
F5 (Wichita, KS)

| Original Score: 5/5

November 4, 2004
Robin Clifford
Reeling Reviews

| Original Score: 5/5

May 24, 2004
Stephen Himes
Film Snobs

| Original Score: 5/5

May 8, 2004
David Ansen
Top Critic IconTop Critic
March 31, 2008
Sam Adams
Philadelphia City Paper
January 1, 2000
Scott A. Mantz
Scott Mantz' Movie Reviews
January 1, 2000
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